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Zines

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"This project collects in one volume for the first time a selection of zines by Marcopoulos, many never before released, providing a unique insight and overview into an essential part of this influential artist's daily practice. Often self-published or created in collaboration with boutique and independent publishers like ROMA, Dashwood Books, and PPP Editions, these informal, DIY-aesthetic creations function as sketchbook, diary, installation space, and a means of processing Marcopoulos's daily practice of photographing his life, his family, his neighborhood, and the rarified cultural milieu in which he operates. This collection showcases an impressive array of printed zines, exploring each as an artistic object through an engaging layout. Beginning in 2015 and presented chronologically per year, key zines are featured--including some made during the pandemic, when Marcopoulos worked primarily on the screen, making PDF zines--and punctuated by individual images presented full scale. An interview with Hamza Walker underscores the role of zines as an essential part of Marcopoulos's artistic practice, emphasizing the personal, diaristic element within the work, while an essay from Maggie Nelson meditates on the work's position within a wider social and cultural context. Ari Marcopoulos: Zines is a must-have for anyone interested in this prolific artist's personal practice and zine culture.." -- Aperture website, accessed May 30 2023.

Photography, Artistic --- Zines --- photography [process] --- photo zines --- Marcopoulos, Ari

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Comic books, strips, etc --- Graphic novels --- Zines

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"Focused on seven issues of Good and Plenty fanzine produced in the late 1980s/early 1990s, Hardcore Fanzine looks at the series through the lens of graphic design and typography, as a project that reflected and embodied technology of the period. Contributions from graphic designers, graphic design educators, and hardcore enthusiasts trace the history of zines and photoduplication; the idea of the body in punk and hardcore; how zine-making created community and alternative social space in a pre-Internet era; key typefaces used in straight edge iconography; and the importance of zines to successive generations of designers. Good and Plenty was published as a labor of love and fandom by Zion, Illinois's Gabe Rodriguez. Originally produced as a collaboration with friend Mike Good, Rodriguez took over editing and production of the zine, assisted by a team of friends and helpers. With their assistance and a network of fans from around the country and the world, Good and Plenty featured original photography documenting shows by Gorilla Biscuits, Judge, Bold, and other hardcore bands of the period; band interviews; reviews of shows and record releases; and essays by Rodriguez and friends (including Alyssa "Blowin' Chunx" Murray and Kim Nolan) on a range of topics beyond music--from vegetarianism, women's rights, gender relations, and straight edge, to racism, pop culture, and the Iraq War. A text by Walter Schreifels--American musician, member of Gorilla Biscuits, Youth of Today, Quicksand, and many other bands--places G&P in historical context, outlining the context for individual issues and highlighting specific moments in the cultural and sonic landscape. Hardcore Fanzine includes the full reproduction of all seven issues of Good and Plenty plus reproductions of a selection of the zine's original paste-ups and photography."

Zines --- Zines --- Magazine design. --- Punk rock music --- Hardcore (Music) --- Publishing. --- Authorship. --- Periodicals. --- Periodicals. --- Rodriguez, Gabe

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Sociology of the family. Sociology of sexuality --- Homosexuality --- Queer --- Zines