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"San Francisco has no single landmark by which the world may identify it," according to San Francisco in the 1930s, originally published in 1940. This would surely come as a surprise to the millions who know and love the Golden Gate Bridge or recognize the Transamerica Building's pyramid. This invaluable Depression-era guide to San Francisco relates the city's history from the vantage point of the 1930s, describing its culture and highlighting the important tourist attractions of the time. David Kipen's lively introduction revisits the city's literary heritage-from Bret Harte to Kenneth Rexroth, Jade Snow Wong, and Allen Ginsberg-as well as its most famous landmarks and historic buildings. This rich and evocative volume, resonant with portraits of neighborhoods and districts, allows us a unique opportunity to travel back in time and savor the City by the Bay as it used to be.
San Francisco (Calif.) --- San Francisco Bay Area (Calif.) --- 1930s. --- allen ginsberg. --- americana. --- bay area. --- bret harte. --- california history. --- california. --- city life. --- coast. --- famous landmarks. --- golden gate bridge. --- great depression. --- historic buildings. --- interwar period. --- jade snow wong. --- kenneth rexroth. --- nonfiction. --- politics. --- san francisco history. --- san francisco. --- transamerica building. --- travel. --- united states. --- urban. --- wpa.
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Los Angeles in the 1930s returns to print an invaluable document of Depression-era Los Angeles, illuminating a pivotal moment in L.A.'s history, when writers like Raymond Chandler, Nathanael West, and F. Scott Fitzgerald were creating the images and associations-and the mystique-for which the City of Angels is still known. Many books in one, Los Angeles in the 1930s is both a genial guide and an addictively readable history, revisiting the Spanish colonial period, the Mexican period, the brief California Republic, and finally American sovereignty. It is also a compact coffee table book of dazzling monochrome photography. These whose haunting visions suggest the city we know today and illuminate the booms and busts that marked L.A.'s past and continue to shape its future.
Los Angeles (Calif.) --- History. --- american sovereignty. --- architecture. --- art. --- beverly hills. --- biography. --- california history. --- california republic. --- california. --- f scott fitzgerald. --- filmmaking. --- glendale. --- great depression. --- history. --- hollywood. --- interwar. --- los angeles area. --- los angeles history. --- los angeles. --- mexico. --- murals. --- nathanael west. --- nonfiction. --- old los angeles. --- pasadena. --- pueblo. --- raymond chandler. --- religion. --- san pedro. --- spanish colony. --- travel. --- urban. --- wpa.
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In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930's, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.
Berger, Arthur, -- 1912-2003. --- Electronic books. -- local. --- Music -- United States -- History and criticism. --- Music History & Criticism, General --- Music --- Music, Dance, Drama & Film --- Berger, Arthur, --- Berger, Arthur Victor, --- History and criticism. --- 1930s. --- 20th century. --- aaron copland. --- american composers. --- american music. --- art scene. --- autobiography. --- avant garde music. --- biography. --- boretz. --- boston. --- communism. --- composers. --- conductor. --- essays. --- malkin conservatory. --- memoir. --- modernism. --- music composition. --- music criticism. --- music history. --- music theory. --- music. --- musicians. --- nationalism. --- new york. --- nonfiction. --- piano variations. --- popular culture. --- red scare. --- schoenberg. --- short symphony. --- statements. --- stravinsky. --- wpa.
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Shovel Ready provides a comprehensive lens through which to view the New Deal period, a fascinating and prolific time in American archaeology. In this collection of diverse essays united by a common theme, Bernard K. Means and his contributors deliver a valuable research tool for practicing archaeologists and historians of archaeology, as well as New Deal scholars in general. To rescue Americans from economic misery and the depths of despair during the Great Depression, President Franklin Delano Roosevelt created several New De
New Deal, 1933-1939. --- Historic preservation --- Archaeology --- Archaeology and state --- New Deal, 1933-1939 --- Preservation, Historic --- Preservationism (Historic preservation) --- Cultural property --- Archeology --- Anthropology --- Auxiliary sciences of history --- History --- Antiquities --- Public archaeology --- State and archaeology --- Protection --- United States. --- Work Projects Administration (U.S.) --- WPA --- W.P.A. --- Civilian Conservation Corps (U.S.) --- C.C.C. (Civilian Conservation Corps, U.S.) --- Emergency Conservation Work (U.S.) --- CCC (Civilian Conservation Corps, U.S.)
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At its peak the Federal Music Project (FMP) employed nearly 16,000 people who reached millions of Americans through performances, composing, teaching, and folksong collection and transcription. In 'Sounds of the New Deal', Peter Gough explores how the FMP's activities in the West shaped a new national appreciation for the diversity of American musical expression.
New Deal, 1933-1939. --- Music and state --- Music --- Government aid to music --- New Deal, 1933-1939 --- State and music --- Cultural policy --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- State aid to music --- History --- Social aspects --- Government aid --- Federal Music Project (U.S.) --- United States. --- FMP --- W.P.A. Federal Music Project --- WPA Federal Music Project --- Federal Music Project --- Music Program (U.S.)
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"New Deal Radio examines the federal government's involvement in broadcasting during the New Deal period, looking at the U.S. Office of Education's Educational Radio Project. The fact that the United States never developed a national public broadcaster, has remained a central problem of US broadcasting history. Rather than ponder what might have been, authors Joy Hayes and David Goodman look at what did happen. There was in fact a great deal of government involvement in broadcasting in the US before 1945 at local, state, and federal levels. Among the federal agencies on the air were the Department of Agriculture, the National Park Service, the Works Progress Administration (WPA) and the Federal Theatre Project. Contextualizing the different series aired by the Educational Radio Project as part of a unified project about radio and citizenship is crucial to understanding them. New Deal Radio argues that this distinctive government commercial partnership amounted to a critical intervention in US broadcasting and an important chapter in the evolution of public radio in America"--
New Deal, 1933-1939. --- Public broadcasting --- Educational broadcasting --- Radio in education --- Political aspects --- History. --- government, federal government, broadcast, broadcasting, New Deal, U.S. Office of Education, Educational Radio Project, radio, education, United States, the U.S., national, national broadcaster, national public radio, government involvement, local radio, federal, federal agencies, Department of Agriculture, National Park Service, Works Progress Administration, WPA, Federal Theatre Project, citizen, citizenship, commercial, public radio, documentary, Americas, Immigrants, American, democracy, cultural democracy, Cit-com, Brave New World, Americans All, Immigrants All, Wings for the Martins, Democracy in Action, democratic, Pleasantdale Folks, Social Security, Democratic Process, anchor.
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Unemployed --- Automobile industry workers --- Industrial relations --- New Deal, 1933-1939. --- New Deal, 1933-1939 --- Labor & Workers' Economics --- Business & Economics --- Auto workers --- Automobile construction workers --- Automobile industry and trade --- Automobile workers --- Employees --- Jobless people --- Out-of-work people --- Unemployed people --- Unemployed workers --- Labor supply --- Persons --- Unemployment --- Political activity --- History --- International Union, United Automobile, Aerospace, and Agricultural Implement Workers of America --- United States. --- Work Projects Administration (U.S.) --- WPA --- W.P.A. --- International Union, United Automobile, Aircraft, and Agricultural Implement Workers of America --- U.A.W. --- UAW --- United Automobile Workers of America --- United Automobile, Aerospace and Agricultural Implement Workers of America --- History. --- E-books --- U.A.W. (United Automobile, Aerospace, and Agricultural Implement Workers of America) --- UAW (United Automobile, Aerospace, and Agricultural Implement Workers of America)
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Alive with the exuberance, contradictions, and variety of the Golden State, this Depression-era guide to California is more than 700 pages of information that is, as David Kipen writes in his spirited introduction, "anecdotal, opinionated, and altogether habit-forming." Describing the history, culture, and roadside attractions of the 1930's, the WPA Guide to California features some of the very best anonymous literature of its era, with writing by luminaries such as San Francisco poet Kenneth Rexroth, composer-writer- hobo Harry Partch, and authors Tillie Olsen and Kenneth Patchen.
Cities and towns --- World War, 1939-1945 --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Global cities --- Municipalities --- Towns --- Urban areas --- Urban systems --- Human settlements --- Sociology, Urban --- History --- California --- Alta California (Province) --- CA --- Cal. --- Cali. --- Calif. --- Californias (Province) --- CF --- Chia-chou --- Departamento de Californias --- Kʻaellipʻonia --- Kʻaellipʻonia-ju --- Kʻaellipʻoniaju --- Kalifornii --- Kalifornii︠a︡ --- Kalifornija --- Ḳalifornyah --- Ḳalifornye --- Kālīfūrniyā --- Kaliphornia --- Karapōnia --- Kariforunia --- Kariforunia-shū --- Medinat Ḳalifornyah --- Politeia tēs Kaliphornias --- Provincia de Californias --- Shtat Kalifornii︠a︡ --- State of California --- Upper California --- Πολιτεία της Καλιφόρνιας --- Καλιφόρνια --- Штат Каліфорнія --- Калифорния --- Калифорнија --- Калифорнии --- Каліфорнія --- קאליפארניע --- קליפורניה --- מדינת קליפורניה --- كاليفورنيا --- カリフォルニア --- カリフォルニア州 --- 캘리포니아 --- 캘리포니아 주 --- 캘리포니아주 --- HISTORY / United States / State & Local / West (AK, CA, CO, HI, ID, MT, NV, UT, WY). --- americana. --- anecdotal. --- anonymous literature. --- california authors. --- california writers. --- city life. --- contradictions. --- crowded cities. --- culture. --- depression era. --- engaging. --- generational. --- government and governing. --- harry partch. --- history of western us. --- history. --- hobo. --- kenneth patchen. --- kenneth rexroth. --- poetry. --- poets. --- politics. --- roadside attractions. --- san francisco. --- sociology of urban areas. --- the golden state. --- tillie olsen. --- urban soiology. --- us history. --- wpa.
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This volume is the only publication available of the fully annotated playscripts of Wells' W.P.A Federal Theatre Project and Mercury Theatre adaptations, including the "Voodoo" Macbeth, the modern-dress Julius Caesar and Welles' compilation of history plays, Five Kings.
Welles, Orson --- Shakespeare, William --- Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- -Shakespeare, William --- -Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Stage history --- -Stage history --- -Criticism and interpretation --- United States. Works Projects Administration --- -History --- -Šekspir, Vil'jam --- Shakespeare, William, --- Welles, Orson, --- Welles, George Orson, --- Uėlls, Orson, --- Gouels, Orson, --- Jeeves, O. W., --- Spelvin, G. O., --- Šekspir, Vil'jam --- Criticism and interpretation. --- United States. --- W.P.A. --- Works Progress Administration (U.S.) --- WPA --- Mercury Theatre on the air (Radio program) --- Mercury Theater on the air (Radio program) --- On the air (Radio program) --- First person singular (Radio program) --- Magnificent Ambersons (Motion picture) --- Shakespear, William, --- Shakspeare, William, --- Welles, George Orson --- Uėlls, Orson --- Gouels, Orson --- Jeeves, O. W. --- Spelvin, G. O. --- The gGeat One --- SHAKESPEARE, WILLIAM (1564-1616) --- WELLES, ORSON (1915-1985) --- THEATRE --- ADAPTATIONS --- CRITIQUE ET INTREPRETATION --- HISTOIRE SCENIQUE --- 1800-1950 --- NEW YORK --- 20E SIECLE
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