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Mass media. --- Privacy, Right of. --- Voyeurism.
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En explorant une banale histoire de voyeurisme dans les toilettes pour femmes d'un café parisien racontée dans Une Sale histoire de Jean Eustache, Laurent de Surfer découvre une vérité cachée dans les replis des images de cette oeuvre cinématographique énigmatique et mythique. Théorie du trou est la reconstitution minutieuse de ce secret. L'auteur y développe un véritable Discours de la méthode "anti-philosophique", traitant de notre être comme de notre morale, du consensus social auquel nous nous accrochons comme des rêveries esthétiques par lesquelles nous tentons de le sublimer. Rien, dans ce traité philosophique, tout comme dans le film d'Eustache, n'est laissé intact : là où nous voyions du Beau ne reste que le Laid, la où nous pensions voir du Grand, on n'aperçoit que du Petit, et là où nous vouions du Vrai, ne se distinguent que le mensonge et la tromperie. Si les pensées de Laurent de Sutter sont des images (comme les images de jean Eustache sont des pensées), elles ne sont certes pas à notre avantage, mais nous entraînent dans un voyage métaphysique fascinant et glaçant
Metaphysics --- Voyeurism --- Obscenity (Aesthetics) --- Philosophy --- Eustache, Jean, - 1938-1981
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Aesthetics --- Arts --- Desire in art --- Voyeurism in art
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Transgeschlechtliche Menschen werden vermehrt auch in populären Medien dargestellt und repräsentiert. Nicht selten ist diese mediale Sichtbarkeit von Trans* jedoch geprägt von Voyeurismus und Sensationsgier. Robin K. Saalfeld geht daher der Frage nach, wie Transgeschlechtlichkeit visuell konstruiert wird. Dabei nimmt er nicht nur populäre Erzeugnisse wie Spielfilme in den Blick, sondern untersucht auch medizinische und aktivistische Sichtbarkeitspraktiken. Aus der Perspektive einer visuellen Soziologie kann er somit reflektieren, inwiefern es gerade der Konnex von Geschlecht und Körper ist, der die Visualität des Phänomens strukturiert. »Durch die wissenschaftlich weitreichende Argumentationslogik und Interdisziplinarität vor allem eine Bereicherung für die noch sehr jungen deutschen Trans Studies.« Annette Vanagas, GENDER, 3 (2020)
Photography. --- Queer theory. --- Voyeurism. --- Body. --- Cultural Studies. --- Film. --- Gender Studies. --- Gender. --- Media. --- Medicine. --- Photography. --- Popular Media. --- Queer Theory. --- Visibility. --- Voyeurism.
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Philosophy and psychology of culture --- Social psychology --- Scopolagnia --- Voyeurism --- Voyeurisme --- Privacy [Right of ] --- 21st century
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Iconography --- Art --- voyeurism --- artists' books [books] --- women [female humans] --- Opie, Julian
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"Theatre as Voyeurism usefully (re)defines the notion of voyeurism as an 'exchange' between performers and audience members in contemporary theatre and performance. Pleasure (erotic and/or aesthetic) is here privileged as a crucial factor in the way meaning is produced in the encounter with a theatrical work. George Rodosthenous has drawn together an intriguing selection of authors and the ten chapters make a significant contribution to the overarching critical project of assessing the value of approaching theatre through - and as - voyeurism. The authors focus on a range of case studies including specific theatre artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk. This edited volume is therefore relevant to prospective readers interested in various aspects of visual experience in the theatre today"--
Theatrical science --- Social psychology --- Theater audiences --- Voyeurism in art --- Théâtre --- Voyeurisme dans l'art --- Psychology. --- Publics --- Psychologie --- Théâtre
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German literature --- Literature, Modern --- Sex in literature --- Voyeurism in literature --- Women in literature --- History and criticism --- History and criticism
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An analysis of medieval literature through an exploration of the female gaze.
Gaze in literature. --- Women in literature. --- Voyeurism in literature. --- German literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History and criticism.
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Best known as the author of The French Lieutenant’s Woman and The Magus , John Fowles achieved both critical and popular success as a writer of profound and provocative fiction. In this innovative new study, Brooke Lenz reconsiders Fowles’ controversial contributions to feminist thought. Combining literary criticism and feminist standpoint theory, John Fowles: Visionary and Voyeur examines the problems that women readers and feminist critics encounter in Fowles’ frequently voyeuristic fiction. Over the course of his career, this book argues, Fowles progressively created women characters who subvert voyeuristic exploitation and who author alternative narratives through which they can understand their experiences, cope with oppressive dominant systems, and envision more authentic and just communities. Especially in the later novels, Fowles’ women characters offer progressive alternative approaches to self-awareness, interpersonal relationships, and social reform – despite Fowles’ problematic idealization of women and even his self-professed “cruelty” to the women in his own life. This volume will be of interest to critics and readers of contemporary fiction, but most of all, to men and women who seek a progressive, inclusive feminism.
Voyeurism in literature. --- Fowles, John, --- Faulz, Dzhon, --- Фаулз, Джон, --- Phaouls, Tzōn, --- Phōouls, Tzōn, --- Fauls, Džon, --- Criticism and interpretation. --- Fowles, John
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