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This volume argues that the mapping of stories, movement and change should not be understood as an innovation of contemporary cartography, but rather as an important aspect of human cartography with a longer history than might be assumed. The authors in this collection reflect upon the main characteristics and evolutions of story and motion mapping, from the figurative news and history maps that were mass-produced in early modern Europe, through the nineteenth- and twentieth-century flow maps that appeared in various atlases, up to the digital and interactive motion and personalised maps that are created today. Rather than presenting a clear and homogeneous history from the past up until the present, this book offers a toolbox for understanding and interpreting the complex interplays and links between narrative, motion and maps.
Cartography --- Historiography. --- Maps --- Digital mapping. --- History. --- Social aspects. --- cartography - historical cartography - transport history - visual narratives. --- Cartography.
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This book brings together empirical studies from around the world to help readers gain a better understanding of multilinguals, ranging from small children to elderly people, and their lives. The chapters focus on the multilingual subjects’ identities and the ways in which they are discursively and/or visually constructed, and are split into sections looking specifically at the multilingual self, the multilingual learner and multilingual teacher education. The studies draw on rich visual data, which is analysed for content and/or form and often complemented with other types of data, to investigate how multilinguals make sense of their use and knowledge of more than one language in their specific context. The topic of multilingualism is addressed as subjectively experienced and the book unites the current multilingual, narrative and visual turns in Applied Language Studies. It will be of interest to students and researchers working in the areas of language learning and teaching, teacher education and bi/multilingualism, as well as to those interested in using visual methods and narratives as a means of academic research.
Multilingualism --- Second language acquisition --- Second language learning --- Language acquisition --- Plurilingualism --- Polyglottism --- Language and languages --- Psychological aspects. --- Visual narratives. --- applied language studies. --- multilingual learner. --- multilingual self. --- multilingual teacher education. --- multilingualism. --- multilinguals. --- translanguaging. --- visual methodologies. --- visual methods.
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This book discusses the direction of changes in contemporary culture at the turn of the 20th and 21st centuries in Poland on the example of mutual relationships between literature and the media, such as film, radio, TV and the Internet. The interdisciplinary approach adopted by the author combines literary and media studies with the perspectives of social communication, anthropology and sociology of culture. The book focuses on topics such as reconfiguration of culture, expansion of the media, situation of literature and the central place of audio-visual parallels (auteur film, TV series, PC games). The author notes that both literature and the media are situated between art and communication today and both share the meta-cultural role of natural languages.
Mass media and literature. --- Literature and mass media --- Literature --- 1989 --- Analogue/digital --- Audio-visual narratives --- Codes of culture --- Contemporary changes in culture --- Hopfinger --- Literatura --- Media --- Natural language --- Naukowa --- Oficyna --- Real/virtual --- roku --- Varieties of literary book
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"Hellboy, Mike Mignola's famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy is also a highly aestheticized encounter with the medium of comics and the materiality of the book. Scott Bukatman's dynamic study explores how comics produce a heightened 'adventure of reading' in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader's imagination to inhabit. In Mignola's work, the imaginative space that exists on the page and within the book becomes a self-aware meditation upon the imaginative space of page and book. To understand the mechanics of creating a world on the page, Bukatman draws upon other media--including children's books, sculpture, pulp fiction, cinema, graphic design, painting, and illuminated manuscripts. Hellboy's World delves into shared fictional universes and occult detection, the riotous colors of comics that elude rationality and control, horror and the evocation of the sublime, and the place of abstraction in Mignola's art to demonstrate the pleasurable and multiple complexities of the reader's experience. Monsters populate the world of Hellboy comics, but Hellboy's World argues that comics are themselves little monsters, unruly sites of sensory and cognitive pleasures that exist, happily, on the margins. The book is not only a treat for Hellboy fans but will entice anyone interested in the medium of comics and the art of reading"--Provided by publisher.
Comic books, strips, etc. --- History and criticism --- Mignola, Michael --- Hellboy, --- Criticism and interpretation. --- History and criticism. --- Hellboy --- Mignola, Michael. --- Hellboy (Fictitious character : Mignola) --- Mignola, Mike --- Mignola, Mike. --- Comic books, strips, etc --- abstraction. --- adaptation. --- animation. --- childrens books. --- cinema. --- comics. --- darkhorse comics. --- demon. --- detective. --- fictional universes. --- folklore. --- graphic design. --- graphic novels. --- hellboy. --- horror. --- illuminated manuscripts. --- imagination. --- literary criticism. --- materiality. --- media. --- monsters. --- mystery. --- nonfiction. --- occult. --- painting. --- pleasure of reading. --- popular culture. --- pulp fiction. --- reader. --- reading. --- religion. --- sculpture. --- serial narratives. --- sublime. --- supernatural. --- visual narratives. --- Hellboy (Fictitious character from Mignola)
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How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch. Ranging from D. W. Griffith's The Birth of a Nation to James Cameron's Avatar, and ending with an epilogue on digital media, Closely Watched Films focuses on exemplary works of fourteen film directors whose careers together span the history of the narrative film. Lively and down-to-earth, this concise introduction provides a broad, complete, and yet specific picture of visual narrative techniques that will increase readers' excitement about and knowledge of the possibilities of the film medium. Shot-by-shot analyses of short passages from each film ground theory in concrete examples. Fabe includes original and well-informed discussions of Soviet montage, realism and expressionism in film form, classical and modern sound theory, the classic Hollywood film, Italian neorealism, the French New Wave, auteur theory, modernism and postmodernism in film, political cinema, feminist film theory and practice, and narrative experiments in new digital media. Encompassing the earliest silent films as well as those that exploit the most recent technological innovations, this book gives us the particulars of how film-arguably the most influential of contemporary forms of representation-constitutes our pleasure, influences our thoughts, and informs our daily reality. Updated to include a discussion of 3-D and advanced special effects, this tenth anniversary edition is an essential film studies text for students and professors alike.
Motion pictures --- Motion pictures. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Aesthetics --- Film criticism --- Evaluation. --- Aesthetics. --- History and criticism --- analytical tools. --- auteur theory. --- avatar. --- classic films. --- classical hollywood film. --- classical sound theory. --- digital media. --- expressionism in film. --- feminist film theory. --- feminist theory. --- film history. --- film medium. --- film scholarship. --- film studies. --- film theory. --- film. --- french new wave film. --- hollywood. --- italian neorealism. --- modern sound theory. --- modernism in film. --- narrative film. --- political cinema. --- postmodernism in film. --- realism in film. --- shot by shot analysis. --- soviet montage. --- special effects. --- the birth of a nation. --- visual narratives.
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