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Pilotprojektet behandlar egentligen två olika frågeställningar: Dels studier av habitat och omgivning, dels studier av fisk i sina tidigaste utvecklingsstadier. De två frågeställningarna ställer olika krav på utrustning och metodik. Befintlig metodik är efter anpassningar till artspecifika miljöer tillräcklig för studier av fiskyngelproduktionsområden och deras tillstånd. Däremot är det en utmaning att avbilda ett litet, välkamouflerat, simmande objekt som möjligen också aktivt undviker kameran.Analyser på artnivå och kvantitativa bedömningar kräver hög upplösning, som med den använda utrustningen inte gått att erhålla, samtidigt som videotekniska orsaker gör att detaljinformation undertrycks, då data komprimeras vid inspelning och redigering. De erfarenheter som gjorts under projekttiden bäddar dock för att tillräcklig utrustning och metodik så småningom kommer att kunna färdigställas.
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Drones are changing the way we interact with the world, and - with one of their key applications being aerial photography - the way we look at it. With over 1.5 million posts on Instagram are tagged with #drone, a revolution in photography is taking place over our heads! Drone Photography & Video Masterclass contains everything a photographer needs to take their craft confidently and expertly into the skies; and everything a drone pilot needs to master this photographic genre. The book takes the view that successful drone photography is all about the shot, not the drone. So, while the reader is equipped with an essential introduction to drone technology, flying skills, safety measures, and legal requirements, author Fergus Kennedy demonstrates how the skills of planning, composition, lighting, focus, and exposure remain essential to capturing great images. Drone Photography & Video Masterclass is the essential guide to realizing the full potential of this exciting new playing field, and elevating the art of your photography to dizzying new heights.
Aerial photography --- Aerial videography --- Micro air vehicles --- Technique --- Technological innovations
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Natural resources management areas. --- Aerial videography. --- Remote sensing --- Equipment and supplies.
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Durchgängige Sprachbildung zu gewährleisten wird seit einigen Jahren zunehmend als Aufgabe aller LehrerInnen angesehen. Voraussetzung dafür ist eine eingehende Auseinandersetzung damit, welche fachlichen und sprachlichen Anforderungen SchülerInnen im Unterricht meistern müssen. Grundlegend ist also zu untersuchen, wie Sprache im Fach beschaffen ist. Die vorliegende Arbeit geht daher u.a. folgenden Fragen nach:Welchen (fach-)sprachlichen Input erhalten SchülerInnen? Welche Gemeinsamkeiten und Unterschiede lassen sich hinsichtlich des schriftlichen fachlichen Inputs in Form des Schulbuchs und hinsichtlich des mündlichen fachlichen Inputs in Form von Lehrer- und Schüleraussagen feststellen?Die Untersuchung dieser Fragen erfolgt an einer videographierten Unterrichtseinheit von sieben Stunden zum Thema Blut und Blutkreislauf in einer 8. Klasse im Fach Biologie. Den theoretischen Rahmen für die Untersuchung liefert der konzept-orientierte Ansatz, wobei ein für das Unterrichtsthema zentrales Konzept - das von Raum und Bewegung - ausgewählt, modelliert und analysiert wird. Die Ergebnisse zeigen auf, welches Potential die Kombination einer sprach- und fachdidaktischen Perspektive für die Gestaltung von sprachsensiblen Fachunterricht hat.
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Electronics --- Video recording --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Electronic methods
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"Against Immediacy is a history of early video art considered in relation to television in the United States during the 1960s and 1970s. It examines how artists questioned the ways in which 'the people' were ideologically figured by the commercial mass media. During this time, artists and organizations including Nam June Paik, Juan Downey, and the Women's Video News Service challenged the existing limits of the one-to-many model of televisual broadcasting while simultaneously constructing more democratic, bottom-up models in which the people mediated themselves. Operating at the intersection between art history and media studies, Against Immediacy connects early video art and the rise of the media screen in gallery-based art to discussions about participation and the activation of the spectator in art and electronic media, moving from video art as an early form of democratic media practice to its canonization as a form of high art."--Publisher description.
ART --- PHOTOGRAPHY --- Television and art --- Television and art. --- Video art --- Video art. --- Film & Video. --- Techniques --- Cinematography & Videography. --- History --- 1900-1999. --- United States.
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621.397.13 --- Video recording --- #KVIV --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Television --- Electronic methods --- 621.397.13 Television
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Photography --- Video recording --- Equipment and supplies --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Electronic methods --- Magnetic recorders and recording --- Video recording. --- Equipment and supplies.
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Mass communications --- Video recording --- Social aspects --- -#SBIB:309H160 --- Cinematography --- Electronic cinematography --- Video tape recorders and recording --- Video tape recording --- Video taping --- Videography --- Videorecording --- Videotape recording --- Videotaping --- Magnetic recorders and recording --- Video: algemene werken --- Electronic methods --- Social aspects. --- #SBIB:309H160 --- Video recording - Social aspects
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Barney, Matthew --- 791.45 BARNEY --- Barney Matthew --- Mullins Aimee --- Serra Richard --- Verenigde Staten --- Written and Directed by Matthew Barney ; Videography Peter Strietman ; Photography Chris Winget ; Music composed by Jonathan Bepler --- kunst --- twintigste eeuw --- videokunst --- 1990 --- -705.8 --- fotografie --- installaties --- kunstgeschiedenis, 20e eeuw
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