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Dissertation
The Art of Intaglio Printmaking : an English Translation of a Subchapter from 'De grafische technieken' by Fons van der Linden with Terminological Annotations
Authors: ---
Year: 2007 Publisher: Gent : s.n.,

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Doelstelling: Deze scriptie bestaat uit een Engelse vertaling van een Nederlandse tekst over diepdruk en aansluitend terminografisch onderzoek. Het hoofdstuk over chemisch manuele diepdrukvormen uit ‘De grafische technieken' van Fons van der Linden werd vertaald in het Engels. Uit de brontekst werden 31 technische termen geselecteerd voor verder onderzoek. Deze scriptie heeft tot doel een idiomatische en accurate vertaling te geven voor de brontekst en eveneens voor de 31 gespecialiseerde termen. Middelen of methode: Het register van de brontekst werd behouden in de vertaling. De complexe stijl van de brontekst werd soms vereenvoudigd. Aangezien de brontekst gericht is op een specifiek lezerspubliek en veel technische termen bevat, diende de vertaling zo accuraat mogelijk te zijn. Vijftien geselecteerde termen werden besproken in terminografische fiches, die opgesteld zijn volgens de GenTermmethode. Daarnaast werden nog zestien gespecialiseerde termen gekozen uit de brontekst die terminografisch geanalyseerd werden. Om geschikte definities en contexten te vinden van elke term, werden zowel primaire als secundaire bronnen geraadpleegd. Door het gebrek aan vakwoordenboeken werd er vooral een beroep gedaan op standaardwerken rond grafiek. Resultaten: Deze scriptie bevat een Engelse vertaling van een Nederlandse tekst over diepdruk, alsook geschikte vertalingen voor vaktermen rond diepdruk. Tijdens het onderzoek bleek dat het aantal woordenboeken over grafiek in het Nederlands bijna onbestaande is, terwijl er in het Engels meerdere vakwoordenboeken voorhanden zijn. Het aantal primaire bronnen in het Nederlands omtrent grafiek was ook beperkter dan in het Engels. Het vakgebied van diepdruktechnieken (en grafiek in het algemeen) is een uiterst gespecialiseerd onderwerp, dat door linguïsten nog niet uitvoerig in kaart is gebracht. Verder lexicologisch en encyclopedisch werk is daarom nodig.


Book
La gravure en taille douce : art, histoire, technique
Authors: ---
ISBN: 2080117238 9782080117236 Year: 1992 Publisher: Paris: Flammarion,


Book
The renaissance of etching
Authors: --- --- --- --- --- et al.
ISBN: 9781588396495 1588396495 Year: 2019 Publisher: New York, N.Y. The Metropolitan Museum of Art

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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries. The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Durer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks.--éd.


Book
Incisori tedeschi del Cinquecento
Author:
ISBN: 9788833670744 8833670740 Year: 2020 Publisher: Milano Officina libraria

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L'incisione moderna nacque nel XVI secolo in territorio tedesco. Quando la Germania non era ancora stato unitario, gli artisti di lingua tedesca svilupparono un efficiente sistema di produzione e diffusione delle stampa che ne elevò lo status, da mezzo di moltiplicazione delle immagini a basso costo, a linguaggio artistico indipendente. Ciò avvenne principalmente grazie a una delle massime menti del Rinascimento, quella di Albrecht Dürer: ma le sue intuizioni furono replicate, sviluppate e consolidate da una formidabile schiera di maestri incisori. Questo è il primo studio comprensivo in lingua italiana sull'argomento: raccoglie le biografie, una bibliografia di riferimento e un'antologia di opere rappresentative di oltre sessanta artisti compresi tra l'ultimo decennio del Quattrocento e la fine del secolo successivo, da Schongauer ai Piccoli Maestri di Norimberga, da Cranach a Altdorfer, passando per figure meno note e confronti con l'Italia, la Francia, la Svizzera e le Fiandre. Completa il testo una selezione di saggi che approfondiscono il mondo dell'incisione tedesca nelle sue molteplici sfaccettature storiche, tecniche e di espressione visiva.


Book
Engraving and etching 1400-2000 : a history of the development of manual intaglio printmaking processes
Author:
ISBN: 9789061945918 9781904982715 Year: 2012 Publisher: Londen Houten Archetype Publications Hes & De Graaf

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This book surveys the history of the techniques of engraving, etching and plate printing - ie that of manual intaglio printmaking processes - from its beginning in the 1430s until today. These developments are observed in the light of the coherence between the technique of the intaglio print (such as its materials and methods of production); the 'style' or outward appearance of the print; the creator of the print; and the fashion typical of a particular social group, place and time. Economic, educational and social aspects are discussed, as well as the worldwide dissemination of the trade of intaglio printmaking. The author shows how intaglio printmaking developed steadily from the mid-fifteenth century, with the invention of the roller press and the etching of printing plates. By 1525 intaglio printmaking techniques could be said to have reached maturity and spread east and west following the European trade routes and colonisation. Further developments in plate-making resulted from a series of inventions and reinventions. After the abolition of the guilds on the European continent around 1800, and the introduction of photography and the expansion of the graphic industry, the engraving of images became a mere mechanical procedure. The handcrafted print made way for the large-scale mechanised graphic industry which emerged in the middle of the nineteenth century. Consequently artist-etchers withdrew to an elite position to concentrate on the manual aspects of printmaking, which is the situation today. This comprehensively illustrated study is the first of its kind to cover all elements of the trade of engraving and etching throughout six centuries. Based on an exhaustive number of primary sources it will be an essential resource for collectors, curators, conservators, printmakers and students of technical art history.


Book
De grafische kunsten : techniek, geschiedenis, meesterwerken
Authors: --- --- ---
ISBN: 9061410398 Year: 1981 Publisher: Nieuwkoop : Heuff,


Book
The "Writing" of Modern Life : The Etching Revival in France, Britain, and the U.S., 1850-1940 (exhibition Chicago, Smart Museum of Art - University of Chicago, 18.11.2008 - 19.04.2009)
Authors: --- ---
ISBN: 9780935573459 Year: 2008 Publisher: Chicago : Smart Museum of Art (Chicago),

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