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Soms horen we louter stilte, of veronderstellen we stilte te horen. Maar wie heeft ooit stilte gezíén? Hoe ziet stilte eruit? Hoe druk je de afwezigheid van geluid uit in beeld? De Belgische kunstenaar Luc Tuymans stelde eens dat kunstwerken, willen ze effect sorteren, ‘de immense intensiteit van stilte’ moeten verspreiden. De stilte van het licht is een onderzoek naar facetten van die immense stilte. Misschien belichaamt stilte in de kunst een verlangen om er niet te zijn. Dit verlangen vormt voor Zwagerman de aandrijfmotor in De stilte van het licht.
Esthetica. --- Kunstbeschouwing. --- Art --- Silence (philosophie) --- Esthétique --- Appréciation --- art criticism --- stilte --- beauty --- Aesthetics of art --- schoonheid --- aesthetics --- kunst --- kunsttheorie --- 7.03 --- Nooteboom Cees --- Kellendonk Frans --- Weijers Niña --- literatuur --- Hammershoi Vilhelm --- Delacroix Eugène --- Malevich Kazimir --- Van Veluw Levi --- Borremans Michael --- Dumas Marlene --- Ensor James --- Lucebert --- Miro Joan --- Spilliaert Léon --- Wall Jeff --- Koons Jeff --- Jackson Richard --- Polke Sigmar --- Hamilton Richard --- Wyeth Andrew --- Hopper Edward --- Bacon Francis --- Munch Edvard --- Goya y Lucientes Francisco --- Zandvliet Robert --- Benner Gerrit --- Van Goyen Jan --- Van Golden Daan --- McQueen Steve --- Klein Yves --- Schendel Mira --- Warhol Andy --- Matisse Henri --- Rembrandt --- Turner Joseph Mallord William --- Tartt Donna --- Fabritius Carel --- Nypels Rob --- Mondrian Piet --- Mondriaan Piet --- Rothko Mark --- Van Althuis Willem --- Mankes Jan --- Weissenbruch Jan Hendrik --- Abramovic Marina --- van Eyck Jan --- Morandi Giorgio --- de Zurbaran Francisco --- unheimliche --- MAD-faculty 15 --- kunst en filosofie --- Esthétique. --- Appréciation. --- Kunst --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur --- 830 --- kunstkritiek --- essay --- essai --- stilte (kunst)
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Dit magazine is onderdeel van een pakket met drie thematische magazine. Zap is een methode Beeld voor de 1e graad van het secundair. De methode is bruikbaar in de A- en de B-stroom, sluit aan bij de nieuwe eindtermen en is geschikt voor alle netten. De methode Zap is beschikbaar als pakket dat bestaat uit drie thematische magazines.Zap besteedt aandacht aan het ruime bouwstenenpakket van de beeldtaal en de rijkdom aan materiaal en technieken. Maar deze zijn nooit een doel op zich. De leerlingen integreren deze bouwstenen en technieken steeds in de unieke beeldboodschappen die ze creëren en uitdragen. Enkel zo bekom je de typische authenticiteit die eigen is aan kunst. De methode richt zich tot scholen die muzische vorming multidisciplinair aanbrengen. In totaal zijn er drie magazines voor de eerste graad. De activiteiten in Zap gaan steeds over expressie en over creatieve, persoonlijke beeldverwerkingen (interpretaties) rond een aantal thema?s.
beeld --- secundair onderwijs --- leerboeken --- Schoolbooks - Didactic material --- 486 --- muzische vorming --- didactiek secundair onderwijs - expressievakken, lichamelijke opvoeding --- Expressievakken --- Beeld --- 1e graad secundair onderwijs --- A-stroom --- B-stroom --- Muzische opvoeding --- Kunst --- Landschappen --- Plastische opvoeding --- Hundertwasser, Friedensreich --- Bloemen --- Planten --- Stillevens --- Perspectieftekenen --- Friedrich, Caspar David --- Turner, William --- Oliepastel --- Gerards, Marcus --- Fairburn, Ed --- Kaarten --- Abstracte schilderkunst --- Land art --- Da Vinci, Leonardo --- Dieren --- Houtskool --- Pastelkrijt --- Affichekunst --- Druktechnieken --- Bourgeois, Louise --- De Bruyckere, Berlinde --- Panamarenko --- Identiteit --- Zelfportretten --- Borremans, Michaël --- Sherman, Cindy --- Bacon, Francis --- van Veluw, Levi --- Kleurenleer --- Collages --- Modellen --- Beeldbewerking --- Mascottes --- Avatars --- Warhol, Andy --- PXL-Education 2020 --- handboeken secundair onderwijs --- beeldende expressie --- Beeldopvoedi --- Expressievakken - Lichamelijke opvoeding --- Cultuurwetenschappen --- Secundair onderwijs. --- Kunsten --- Landschap --- Bloem (plant) --- Plant --- Stilleven --- Kaart (geografie) --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Ecologie --- Fotografie --- Motief --- Nomenclatuur --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur --- Dier --- Druktechniek --- de Bruyckere, Berlinde --- Beeldhouwkunst --- Geluid --- Naamgeving --- Vervoer --- Sociologie --- Verzorging --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Erfelijkheidsleer --- Stadssamenleving --- Verpleegkunde --- Beroep --- Zelfportret --- Collage --- Model --- Avatar --- Model (persoon) --- 456.7 --- didactiek algemeen - expressievakken, lichamelijke opvoeding
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The digital age has fundamentally changed traditional notions of who we are and how we wish to be perceived. The music producer Chris Walla puts it this way: Confronted with our significantly more banal everyday life, we're measuring our actual selves against our online selves with hopeful resignation. Doppelganger presents current trends in the depiction of human beings. In today's images and sculptures, personal identities are being intensified, altered, or created through the use of techniques such as deformation and construction/deconstruction as well as the obliteration of classical proportions, visual traditions, and what is generally considered beautiful and fashionable. The book shows permutations of the outer human shell created with costumes and masks as well as photo-technical and artistic manipulation. These take their visual cues from such diverse aesthetics as Dada, surrealism, high tech, cutting-edge fashion design, and the folklore of other cultures. Masquerades and artificial characters are used imaginatively to enhance and obscure true identities. With examples ranging from the intimate to the radical, Doppelganger explores how many or how few effects the depiction of a person can take in order to function as such. In doing so, the book shows that the unique visual appearances being created today often reveal more about the identities of their subjects and creators than their real faces ever could.
Iconography --- Sculpture --- design [discipline] --- iconography --- nudes [representations] --- identity --- sculpting --- lichaamstaal (kunst) --- transformatie (kunst) --- human figures [visual works] --- iconografie --- beeldhouwkunst --- menselijk lichaam --- Wurm, Erwin --- Blume, Bernhard --- Blume, Anna --- Oscar & Ewan --- Amano, Daikichi --- Andersen, Astrid --- Anzeri, Maurizio --- Baldock, Jonathan --- Bernadine, Alva --- Bischof, Beni --- Blommers & Schumm --- Brewster, Simone --- Byrne, Nadine --- Cabrera, Federico --- Cave, Nick --- Collinge, Annie --- Daubal, Frédérique --- Joode, de, Rachel --- Demetz, Aron --- Dourado, Luis --- Eun-Sil Han, Eva --- Feser, Christiane --- Flabbyhead --- Fugier, Stéphane --- Gaida, Gregor --- Galembo, Phyllis --- Ganz Toll --- Gold, Zoren --- Gray, Kevin Francis --- Grigorev, Dmitry --- Hanania, Estelle --- Honarvar, Ashkan --- Isenstein, Jamie --- Jackson, Paul --- Jo, Ara --- Khamara, Justine --- Kim, Joon --- Klune, Noil --- Kretschmer, Hugh --- Krisar, Anders --- Lanzini, Aldo --- Lavanchy, Matthieu --- Lebain, Frederic --- Lindén, Anders --- Lori, Anika --- Lozano, Ignacio --- Macdowell, Kate --- Madame Peripetie --- Magnin, Gordon --- Mardahl, Helle --- McRae, Lucy --- Meade, Alexa --- Minori --- Nolte, Marcia --- Palmen, Désirée --- Pell, Chris --- Podhajsky, Leif --- Puckey, Jonathan --- Recht, Sruli --- Sabarese, Ted --- Scarborough, Chris --- Seale, Ansen --- Shanabrook, Stephen J. --- Smith, Leemun --- Speed, Emily --- Stipl, Richard --- Stone, Matthew --- Urban Camouflage --- Usdin, Elene --- Van Der Hoek, Dindi --- Van Veluw, Levi --- Woert, van, Nick --- Vanlangen, Betsy --- Von Holleben, Jan --- Wahlström, Erik --- Weiss, Roger --- Yoon, Bohyun --- Yoshida, Kimiko --- Zu Pan, Kerstin --- Zybura, Sylwana --- Veilhan, Xavier --- Gormley, Antony --- Oursler, Tony --- Compagnie Willi Dorner --- Akatre --- Kraffhics --- Sibling
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Landscape photography has traveled far from its origins in the picturesque or pastoral. It is at the cutting edge of contemporary image-making with leading photographers creating work that transcends definitions of art or documentary. This is the first truly international survey of a vibrant, burgeoning field of photography, its masterful image-makers, and their work. William A. Ewing has selected more than 230 photographs by over 100 photographers, ranging from renowned figures such as Susan Derges, Edward Burtynsky, and Simon Norfolk, to younger rising stars including Pieter Hugo, Olaf Otto Becker, and Penelope Umbrico. Each of them represents an individual viewpoint of a shared concernfor our changing landscape and environment. Organized into ten themes Sublime; Pastoral; Artefacts; Rupture; Playground; Scar; Control; Enigma; Hallucination; and Reverie Landmark is an intelligent and poetic survey which captures a genre of photography to perfection."
Landscape photography. --- Photography, Artistic. --- fotografie --- landschap --- landschapsfotografie --- eenentwintigste eeuw --- Almond Darren --- Alveng Dag --- Aquin Benoit --- Barbieri Olivo --- Becker Olaf Otto --- Beltrá Daniel --- Bendiksen Jonas --- Bernard-Reymond Mathieu --- Bialobrzeski Peter --- Blau Justine --- Bourdeau Robert --- Braas Sonja --- Brandt Matthew --- Breuning Olaf --- Burtynsky Edward --- Campigotto Luca --- Catiere Alexandra --- Chancel Philippe --- Cohen Lynne --- Conarroe Scott --- Couturier Stéphane --- Dallaporta Raphaël --- Davies John --- Davies Robert --- De Ruijter Gerco --- Deges Susan --- Dobrowner Mitch --- Dvir Natan --- Epstein Mitch --- Esser Elger --- Evans Susan --- Fair J. Henry --- Faure Nicolas --- Fontcuberta Joan --- Friedlander Lee --- Gafsou Matthieu --- Gefeller Andreas --- Gerrad John --- Gersht Ori --- Gerster Georg --- Gursky Andreas --- Gütschow Beate --- Hamill Leonora --- Hann Rob --- Hatakeyama Naoya --- Hechenblaikner Lois --- Henner Mishka --- Holdsworth Dan --- Hugo Pieter --- Hütte Axel --- James Geoffrey --- Jendly Vincent --- Joye Florian --- Kander Nadav --- Kenna Michael --- Kerekes Gabor --- Klett Mark --- Wolfe Byron --- Knapp Peter --- Kooi Ellen --- Kvaal Ivar --- Lê An-My --- Light Michael --- Xiaofang Liu --- López Luz Pablo --- Lyon Marcus --- Macdonald Patricia --- Maclean Alex S. --- Maisel David --- Malin David --- Mann Sally --- March Charles --- Marsolier Lauren --- Martins Edgar --- Massard Didier --- McCaw Chris --- Ming Dodo Jin --- Misrach Richard --- Moore Brad --- Mosse Richard --- Müller Karen Apollonia --- Najjar Michael --- Nefzger Jürgen --- Niedermayr Walter --- Norfolk Simon --- Paglen Trevor --- Polidori Robert --- Power Mark --- Price Giles --- Radisic Pierre --- Riedler Reiner --- Roberts Simon --- Rogowski Kent --- Roux Edith --- Sherry David Benjamin --- Shibata Toshio --- Siber Matt --- Southam Jem --- Spinatsch Jules --- Staller Jan --- Stein Amy --- Steketee Anoek --- Sternfeld Joel --- Stezaker John --- Stillings Jamey --- Struth Thomas --- Sugimoto Hiroshi --- Tettamanti Joël --- Thomsen Pétur --- Umbrico Penelope --- Uzzle Burk --- Valsecchi Carlo --- Van Veluw Levi --- Vitali massimo --- Voit Robert --- Wan Donna J. --- Wrede Thomas --- Wright Harry Cory --- Yongliang Yang --- Yao Lu --- 77.047 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Landscape --- Outdoor photography --- Aesthetics --- Landscapes --- Landscape photography --- Photography, Artistic --- Maclean Alex S --- Wan Donna J
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