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Utopias --- Utopies --- History --- Dictionaries. --- Histoire --- Dictionnaires anglais --- Dictionaries --- Utopianism --- utopian thought --- Thomas More --- the Shakers --- Oneida --- Robert Owen --- the Fourierists
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Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.
German fiction --- Science fiction, German --- Future, The, in literature. --- Utopias in literature. --- Dystopias in literature. --- Socialism in literature. --- Utopian literature --- Future in literature --- German science fiction --- German literature --- Themes, motives. --- History and criticism. --- German Science Fiction. --- German literary tradition. --- dystopian outlook. --- future speculation. --- literature and technology. --- social change. --- speculative fiction. --- utopian thought.
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Examining literary and philosophical writing about ideal societies from Greek antiquity to the present, 'Inventions of Nemesis' offers a striking new take on utopia's fundamental project.
Utopias. --- Utopias --- Social aspects. --- Political aspects. --- Aldous Huxley. --- B. F. Skinner. --- Blithedale Romance. --- Charles Fourier. --- Chernyshevksy. --- Dispossessed. --- Jonathan Swift. --- Looking Backward. --- Margaret Atwood. --- Republic. --- Thomas Hardy. --- arrangement. --- authenticity. --- conditioning. --- dystopia. --- global justice. --- literary criticism. --- literary utopias. --- migration. --- mobility. --- nomos. --- philosophical utopias. --- social engineering. --- understanding utopia. --- utopian history. --- utopian ideas. --- utopian studies. --- utopian thought. --- utopian visions. --- workers.
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The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's "public" musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses-one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's Text and Act (1995)-that appear in print for the first time.
Musical criticism. --- Music trade. --- 21st century art criticism. --- 21st century music criticism. --- aesthetics. --- anti utopian thought. --- art post 9/11. --- arts. --- bach. --- beethoven. --- boris goudenow. --- career. --- classical music. --- colonialism. --- contemporary composition. --- contemporary performance. --- critics. --- ethics. --- ezra pound. --- hindemith legacy. --- historians. --- lifetime. --- modernism. --- music. --- musicology. --- nationalism. --- nature. --- optimism. --- performance. --- political art. --- politics. --- public musicologist. --- pundits. --- sterility. --- stravinsky. --- terrorist attacks. --- teutonic train wreck. --- the new york times. --- wagner.
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