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Historical dictionary of utopianism
Authors: --- --- ---
ISBN: 0810849127 Year: 2004 Volume: 51

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Book
Beyond tomorrow : German science fiction and utopian thought in the 20th and 21st centuries
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ISBN: 1787447979 9781787447974 9781640140356 1787449874 1640140352 Year: 2020 Publisher: Rochester, NY : Camden House,

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Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.


Book
Inventions of nemesis : utopia, indignation, and justice
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ISBN: 0691212309 0691199256 0691211647 Year: 2021 Publisher: Princeton : Princeton University Press,

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Examining literary and philosophical writing about ideal societies from Greek antiquity to the present, 'Inventions of Nemesis' offers a striking new take on utopia's fundamental project.


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The Danger of Music and Other Anti-Utopian Essays
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ISBN: 1282360817 9786612360817 0520942795 9780520942790 9781282360815 Year: 2008 Publisher: Berkeley University of California Press

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The Danger of Music gathers some two decades of Richard Taruskin's writing on the arts and politics, ranging in approach from occasional pieces for major newspapers such as the New York Times to full-scale critical essays for leading intellectual journals. Hard-hitting, provocative, and incisive, these essays consider contemporary composition and performance, the role of critics and historians in the life of the arts, and the fraught terrain where ethics and aesthetics interact and at times conflict. Many of the works collected here have themselves excited wide debate, including the title essay, which considers the rights and obligations of artists in the aftermath of the 9/11 terrorist attacks. In a series of lively postscripts written especially for this volume, Taruskin, America's "public" musicologist, addresses the debates he has stirred up by insisting that art is not a utopian escape and that artists inhabit the same world as the rest of society. Among the book's forty-two essays are two public addresses-one about the prospects for classical music at the end of the second millennium C. E., the other a revisiting of the performance issues previously discussed in the author's Text and Act (1995)-that appear in print for the first time.

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