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Le Trompe-l'oeil : Plus vrai que nature? (Exposition Bourg-en-Bresse, Monastère royal de Brou, 21.05.2005 - 04.09.2005)
Authors: --- ---
ISBN: 2854952448 Year: 2005 Publisher: Bourg-en-Bresse Versailles : Musée de Brou Éditions Artlys,

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Trompe l'oeil
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Year: 2008 Publisher: Milano Skira Editore

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Trompe-l'oeil


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The eye deceived : an exhibition of trompe l'oeil paintings, drawings and objects
Year: 1954 Publisher: Sheffield Graves Art Gallery, Sheffield

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Art --- trompe-l'oeil


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La peinture des illusions
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Year: 1982

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trompe-l'oeil --- illusionism


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Painted paradoxes : the trompe-l'oeil fly in the renaissance
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Year: 2008

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trompe-l'oeil --- Renaissance


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Bedrog voor het oog
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Year: 2023 Publisher: Amsterdam Kunst en Schrijven bv.

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Painting --- trompe-l'oeil


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Trompe-l'oeil
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Year: 1983 Publisher: [s.l.] : Seth Eastman Moebs,

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Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva
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Year: 2018 Publisher: Florence : Firenze University Press,

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The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.


Book
Diminuzioni e accrescimenti : Le misure dei maestri di prospettiva
Authors: ---
Year: 2018 Publisher: Florence : Firenze University Press,

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The perspective in graphic arts was born with a different form than the one used to present it in today's courses, and it developed along with the transformations of scientific thought. This study disassembles from the inside the perspective images of a series of works, and then assembles them again, using clear graphic elaborations to show every step of the process. The sequence of the essays illustrates the evolution of role of the abacus and of measures in the works of the first artist-scientists, according to the scientific thought of the time. From Humanism to Baroque, perspective ceases to be a research on the truth of the eye. On the contrary, it becomes the search of the the eye's deception, exploiting mechanical devices and complex theorems of geometric optics. The original quest is therefore replaced by technical virtuosity. The final repertoire offers a selection of examples showing the wideness of the theme over the centuries.


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Le trompe-l'œil de 1520 à nos jours : [exposition, Paris, musée Marmottan Monet 17.10.2024-2.3.2025]
Authors: ---
ISBN: 9789461619143 Year: 2024 Publisher: Paris : Musee Marmottan Monet,

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