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Piracy is among the most prevalent and vexing issues of the digital age. In just the past decade, it has altered the music industry beyond recognition, changed the way people watch television, and made a dent in the buisness of the film and software industries. From MP3 files to recipes from French celebrity chefs to the jokes of American stand-up comedians, piracy is ubiquitous. And now piracy can even be an arbiter of taste, as seen in the decision by Netflix Netherlands to license heavily pirated shows. In this unflinching analysis of piracy on the Internet and in the markets of the Global South, Tilman Baumgärtel brings together a collection of essays examining the economic, political, and cultural consequences of piracy. The contributors explore a wide array of topics, which include materiality and piracy in Rio de Janeiro; informal media distribution and the film experience in Hanoi, Vietnam; the infrastructure of piracy in Nigeria; the political economy of copy protection; and much more. Offering a theoretical background for future studies of piracy, A Reader in International Media Piracy is an important collection on the burning issue of the Internet Age.

Mass media --- Piracy (Copyright) --- Unauthorized reproduction of copyrighted material --- Copyright infringement --- Economic aspects. --- Economic aspects --- E-books --- Médias --- Aspect économique. --- Mass media Economic aspects --- Media Piracy, Globalization, Audience Studies, Transnational Media, Global South.

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In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.

Zeus --- snowmen --- adaptation --- family jewels --- motherhood --- feminist political economy of media --- Lilo &amp --- music --- children --- heroism --- princess --- transnational media --- feminist film criticism --- EPCOT --- stereotyping --- applause --- family function --- queer --- gender --- entertainment --- masculinity --- fireworks --- diversity --- world --- coping mechanisms --- appropriation --- selflessness --- snowflake --- Megara --- Pixar --- Walter Benjamin --- cultivation --- gender nonconformity --- Disney --- Elsa --- enchantment --- witches --- empowered mothering --- cultural studies --- bullroarer --- postfeminism --- storms --- imperialism --- magic --- matrix of domination --- sexuality --- beauty --- children’s media --- fertility --- boobs and boyfriends --- girls --- parthenogenesis --- Polynesia --- coloniality --- commodification --- Marshmallow --- content coding analysis --- colonialism --- Moana --- Let it Go --- non-binary --- Africana --- family roles --- hypermasculinity --- media criticism --- cultures --- political economy of film --- mean girls --- death --- engagement ring --- Olaf --- intersectionality --- Hercules --- sounds --- Kristoff --- Dumbo --- hegemony --- park --- alternative royals --- prince --- girl cartoon --- pink elephants --- Stitch --- gender stereotypes --- standing ovation --- gender roles --- wedding toast --- diamond --- content analysis --- family structure --- feminism --- family --- Children's films --- Psychological aspects. --- Social aspects. --- Walt Disney Company --- Influence. --- Juvenile films --- Motion pictures for children --- Moving-pictures for children --- Video recordings for children --- Motion pictures --- Disney Studio --- 迪斯尼公司 --- Mei guo di shi ni gong si --- 美國迪士尼公司 --- Walt Disney Productions --- 21st Century Fox (Firm)