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This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to the ›energetic‹ in its aesthetic and political potential. Energetic processes cross dance, performance art and installations. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. They transform the body, evoke specific states and push towards intensities. International contributors (i.e. Gerald Siegmund, Susan Leigh Foster, Lucia Ruprecht) unfold thorough investigations, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and promises associated with the ›energetic‹. »Der reale Mangel an Energie auf vielen Bühnen lässt dieses Buch wie ein Gegengift wirken.« Arnd Wesemann, tanz, 10 (2019)
Transgressions; Aesthetics; Energy; Performance; Dance; Theatre; Body; Theatre Studies --- Aesthetics. --- Body. --- Dance. --- Energy. --- Performance. --- Theatre Studies. --- Theatre.
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This volume collects academic as well as artistic explorations highlighting historical and contemporary approaches to the ›energetic‹ in its aesthetic and political potential. Energetic processes cross dance, performance art and installations. In contemporary dance and performance art, energetic processes are no longer mere conditions of form but appear as distinct aesthetic interventions. They transform the body, evoke specific states and push towards intensities. International contributors (i.e. Gerald Siegmund, Susan Leigh Foster, Lucia Ruprecht) unfold thorough investigations, elucidating maneuvers of mobilization, activation, initiation, regulation, navigation and containment of forces as well as different potentials and promises associated with the ›energetic‹. »Der reale Mangel an Energie auf vielen Bühnen lässt dieses Buch wie ein Gegengift wirken.« Arnd Wesemann, tanz, 10 (2019)
Transgressions; Aesthetics; Energy; Performance; Dance; Theatre; Body; Theatre Studies; --- Aesthetics. --- Body. --- Dance. --- Energy. --- Performance. --- Theatre Studies. --- Theatre.
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This vividly detailed revisionist history exposes the underworld of the largest metropolis of the early modern Mediterranean and through it the entire fabric of a complex, multicultural society. Fariba Zarinebaf maps the history of crime and punishment in Istanbul over more than one hundred years, considering transgressions such as riots, prostitution, theft, and murder and at the same time tracing how the state controlled and punished its unruly population. Taking us through the city's streets, workshops, and houses, she gives voice to ordinary people-the man accused of stealing, the woman accused of prostitution, and the vagabond expelled from the city. She finds that Istanbul in this period remains mischaracterized-in part by the sensational and exotic accounts of European travelers who portrayed it as the embodiment of Ottoman decline, rife with decadence, sin, and disease. Linking the history of crime and punishment to the dramatic political, economic, and social transformations that occurred in the eighteenth century, Zarinebaf finds in fact that Istanbul had much more in common with other emerging modern cities in Europe, and even in America.
Crime --- Punishment --- History --- 18th century. --- civic. --- crime historians. --- crime history. --- crime. --- criminals. --- criminology. --- early modern history. --- economic history. --- government and governing. --- historians. --- historical analysis. --- istanbul. --- mediterranean. --- middle east scholars. --- middle east. --- multicultural society. --- murder. --- nonfiction. --- political history. --- prostitution. --- retrospective. --- revisionist history. --- riots. --- social change. --- social sciences. --- theft. --- transgressions. --- turkey. --- turkish society. --- world history. --- History. --- History of the law --- History of Southern Europe --- anno 1700-1799 --- Istanbul [city]
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