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Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their workshops. However, technical studies often also reveal complex working methods, while new scientific imagery sometimes challenges accepted attributions and instigates reconsiderations of traditional attributions. The XIXth symposium for the Study of Underdrawing and Technology in Painting which was held in Bruges on 11-13 September 2014 was dedicated to technical studies of paintings: problems of attribution (15th-17th centuries). It focussed on the various ways in which technical studies can provide answers to the often complex issue of attribution and will discuss the challenges that art historians face in proposing conclusive theories. This book captures the variety of twenty-four papers presented at the symposium.
Schilderkunst --- toeschrijven --- ondertekeningen --- materiaaltechnisch onderzoek [kunst] --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Painting, Renaissance --- Painting, European --- Underdrawing --- Peinture de la Renaissance --- Peinture européenne --- Attribution --- Congresses. --- Expertising --- Congrès. --- Expertise --- Drawing --- Painting --- European painting --- Paintings, Renaissance --- Renaissance painting --- Technique --- Dessin sous-jacent --- Congrès --- attribution --- underdrawings --- technical art history --- Conferences - Meetings --- Peinture européenne --- Painting, Renaissance - Attribution - Congresses --- Painting, European - Attribution - Congresses --- Painting, Renaissance - Expertising - Congresses --- Painting, European - Expertising - Congresses --- Underdrawing - Europe - Congresses --- Peinture de la Renaissance - Attribution - Congrès --- Peinture européenne - Attribution - Congrès --- Peinture de la Renaissance - Expertise - Congrès --- Peinture européenne - Expertise - Congrès
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History --- ateliers [studios, organizations] --- attribution --- Art --- Eyck, van, Jan --- Perugino, Pietro --- Dürer, Albrecht --- Raphael --- Eyck, Lambert van --- Eyck, van, Hubert --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Painting --- Artists' studios --- Painting, European --- Peinture --- Ateliers d'artiste --- Peinture européenne --- Expertising --- Attribution. --- Expertise --- Attribution --- Histoire --- Dürer, Albrecht, --- Eyck, Jan van, --- Eyck, Hubert van, --- Perugino, --- Raffaello Sanzio, --- leerlingen --- ateliers --- origineel --- oude meesters --- Eyck, van (gebr.) --- Perugino --- Raphaël --- Herlin, Friedrich --- 15de eeuw --- 16de eeuw --- Peinture européenne --- Dürer, Albrecht, --- Raphael, --- Attribution of paintings --- Reattribution of paintings --- European painting --- Art studios --- Artists' workshops --- Ateliers --- Studios, Artists' --- Workshops, Artists' --- Workshops --- Reattribution --- Schilderkunst --- toeschrijven --- ateliers [studios] --- painting studios [organizations] --- masters [professionals] --- apprentices --- Eyck, Hubert van --- Eyck, Jan van --- atelier --- leerlingen. --- atelier. --- origineel. --- oude meesters. --- Dürer, Albrecht. --- van Eyck (gebr.). --- Eyck, Lambert van. --- Perugino. --- Rafaël. --- Herlin, Friedrich. --- van Eyck, Jan. --- 15de eeuw. --- 16de eeuw. --- kunsthistorisch onderzoek --- van Eyck (gebr.) --- Rafaël --- van Eyck, Jan --- Perugino, Pietro. --- Salon van Luik (1896). --- tentoonstelling Luik (1896). --- Association pour l'Encouragement des Beaux-Arts de Liège. --- 19de eeuw.
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