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The publication is an attempt to describe (without the ambition to be exhaustive) the phenomenon of contrast in language, literature, and culture. Such a wide perspective allows a variety of possible interpretations and provides the topic with an interdisciplinary context. The scientific character of the publication is ensured by an organized choice of content aimed at analyzing the aforementioned points, based on a wide corpus of texts from various eras and countries, and the use of multiple methodologies supported by a carefully selected bibliography. Since the monograph addresses the needs of a wide range of readers (students, literary scholars, philologists, literature lovers and French language speakers), it has the potential to exert considerable social influence.

Language and Literature Studies --- Studies of Literature --- Theory of Literature

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Periodicals --- Arts and Humanities --- Language & Linguistics --- literature --- linguistics --- philology --- theory of literature

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theory of literature --- poetics --- methodology of literary research --- new humanities --- anthropology of literature --- cultural linguistics

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The collection of contributions from the twentieth year of the competitive Student Literary Conference (May 4–5, 2022, Faculty of Arts, UP in Olomouc), organized by the Bohemian Studies Department of the Faculty of Arts, UP in Olomouc and the Institute of Czech Literature, v. v. i., contains nine articles that were created on the basis of conference contributions awarded by the jury. As a result, the publication is varied both thematically and methodologically. It is dominated by texts dealing with works and authors from various stages of the development of Czech literature, a significant number of articles were inspired by Slovak literature, and two studies are devoted to world literature. The main goals of the collection are the presentation of the results of talented adepts of literary science, as well as their motivation for further professional growth.

Language and Literature Studies --- Studies of Literature --- Western Slavic Languages --- Theory of Literature --- Sociology of Literature

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The book under the title Chekhov in Sarajevo: The Works of Anton Pavlovich Chekhov in Sarajevan Theatre in Light of Bosnian-Herzegovinian Literary and Theatre Critique offers a systematization and analysis of BH critical thought concerning this classical Russian author, whose works were performed at professional Sarajevan theatres over the course of almost a century In that sense, the book in question represents, to a degree, a syn-thesis and analysis of the reception of Chekhov's opus in predominantly Bosnian-Herzegovinian literary critique, and moderately within BH theatre critique, which together point to the quantity and quality of Chekhov's presence on Sarajevan stagesThe book features a scale of development of BH critique, as well as changes in reception within the historical timeline of staging theatre plays;this is why a special emphasis is made on Chekhov's main dramas, which enjoyed a broader, stronger, and longer critical reception Other than the most prominent names of BH literary and theatre thought (Nazif Kusturica, Josip Lešić, Zdenko Lešić, Luka Pavlović, Tvrtko Kulenović, DževadKarahasan, Čedo Kisić, Gradimir Gojer, Ljubica Ostojić, Almir Bašović,and others) and relevant texts dedicated to the researched subject, the book also references anonymous articles concerning the topic, which were avail-able at the time of writing. One of the chapters is dedicated to the dramatization of Chekhov's short stories The Witch and Ward No. 6, which appeared only within the first artistic season at the Sarajevo National Theatre in 1921; this means that the potential which Chekhov's short stories had for theatre (and which were described as "short dramatic scenes" by BH critic Nazif Kusturica)remained mostly unrealised This chapter covers the general issue of theatre adaptation process for classic Russian prose in light of contemporary cognition, which identifies how the strategy of reading, especially theatre reading, is in fact a creative process in and of itself, the logic of which de-pends on various components which accommodate "the event of meeting"between the text and the reader.

Theatre, Dance, Performing Arts --- Russian Literature --- Theory of Literature --- Chekhov, Anton Pavlovich, --- Stage history --- Dramatic production.