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This volume is a continuation of deliberations published in previous books in the series on verbal originality. The present collection relates to broadly defined cyberculture viewed from the perspective of language, text and genology, i.e. literary genre analysis. It is preceded by an article introducing the problem of creativity, pointing to different ways of understanding it in contemporary linguistic discourse. The inspiration for the publication was a conviction that the internet is a hugely diversified information exchange platform, a medium of styles, content and forms of message transfer incorporated into various types of discourse space.

Language and the Internet.

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"Electronic Literature as Digital Humanities: Contexts, Forms & Practices is a volume of essays that provides a detailed account of born-digital literature by artists and scholars who have contributed to its birth and evolution. Rather than offering a prescriptive definition of electronic literature, this book takes an ontological approach through descriptive exploration, treating electronic literature from the perspective of the digital humanities (DH)--that is, as an area of scholarship and practice that exists at the juncture between the literary and the algorithmic. The domain of DH is typically segmented into the two seemingly disparate strands of criticism and building, with scholars either studying the synthesis between cultural expression and screens or the use of technology to make artifacts in themselves. This book regards electronic literature as fundamentally DH in that it synthesizes these two constituents. Electronic Literature as Digital Humanities provides a context for the development of the field, informed by the forms and practices that have emerged throughout the DH moment, and finally, offers resources for others interested in learning more about electronic literature." -- Provided by publisher.

Literature and the Internet.

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"Electronic Literature as Digital Humanities: Contexts, Forms & Practices is a volume of essays that provides a detailed account of born-digital literature by artists and scholars who have contributed to its birth and evolution. Rather than offering a prescriptive definition of electronic literature, this book takes an ontological approach through descriptive exploration, treating electronic literature from the perspective of the digital humanities (DH)--that is, as an area of scholarship and practice that exists at the juncture between the literary and the algorithmic. The domain of DH is typically segmented into the two seemingly disparate strands of criticism and building, with scholars either studying the synthesis between cultural expression and screens or the use of technology to make artifacts in themselves. This book regards electronic literature as fundamentally DH in that it synthesizes these two constituents. Electronic Literature as Digital Humanities provides a context for the development of the field, informed by the forms and practices that have emerged throughout the DH moment, and finally, offers resources for others interested in learning more about electronic literature." -- Provided by publisher.

Literature and the Internet.

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Ein Auftritt im Internet erregt - wie jener auf dem Theater - Aufmerksamkeit und bringt den theatralen Hang des Digitalen auf den Begriff. Von Internettheater und interaktiver Kunst zu Computerspielen und Cosplays, von Wagner zu World of Warcraft und vom bürgerlichen Trauerspiel ins soziale Netzwerk verfolgt der Band die historischen Verstrickungen von Theaterkultur und neuen Medien. Hinter den Transformationen der theatralen Praktiken und Diskurse in der Informationsgesellschaft zeichnet sich dabei ein epochaler Bruch des Theatralitätsgefüges ab, der auch zu einer grundlegenden Verschiebung dessen führt, was Theater ist und sein kann.

Theater and the Internet --- Theater

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Over the past half century, computing has profoundly altered the ways stories are imagined and told. Immersive, narrative, and database technologies transform creative practices and hybrid spaces revealing and concealing the most fundamental acts of human invention: making stories.The Digital Imaginary illuminates these changes by bringing leading North American and European writers, artists and scholars, like Sharon Daniel, Stuart Moulthrop, Nick Montfort, Kate Pullinger and Geof Bowker, to engage in discussion about how new forms and structures change the creative process. Through interviews, commentaries and meta-commentaries, this book brings fresh insight into the creative process form differing, disciplinary perspectives, provoking questions for makers and readers about meaning, interpretation and utterance. The Digital Imaginary will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including storymakers, educators, curators, critics, readers and artists, alike.

Literature and technology. --- Literature and the Internet.