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A obra apresenta o processo de produção e a pesquisa teórica do projeto PROGRAME-SE, proposta de experimentação transmídia desdobrada em um documentário, uma websérie e um e-book. O projeto centra-se na análise dos impactos da convergência midiática na linguagem e na produção de conteúdos para a televisão brasileira, bem como no comportamento do público contemporâneo. As discussões traçam um panorama acerca das tendências e perspectivas para o futuro da televisão em meio à ascensão de outras mídias.

Television production: technical & background skills --- Television production: technical and background skills

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"Equal parts historical study, industrial analysis and critical survey of some of the most important films and television programs in recent European history, this book gives readers an overview of the development and output of this important company while also giving them a ringside seat for the latest round of the oldest battle in the film business. With films like Lucy, The Impossible and Paddington, European studios are producing hits that are unprecedented in terms of global success. Christopher Meir delves into StudioCanal, the foremost European company in the contemporary film and television industries, and chronicles its rise from a small production subsidiary of Canal Plus to being the most important global challenger to Hollywood's dominance"--Bloomsbury Publishing.

Motion picture studios --- Television production companies --- History. --- Studio Canal --- Studio Canal+

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This book explains the production process from beginning to end and covers everything media students need to know to create a successful studio television programme. The book is packed with interviews from top TV executives from the UK, USA, Australia, and China and includes live case studies and scripts from hit international formats covering every genre. Spanning from reality, to drama, to news, with scripts from Britain's Got Talent, Big Brother, Coronation Street, The Chase, Teletubbies, Channel 4 News and more. The authors, both award-winning TV programme-makers and academic programme leaders, break things down genre by genre and explore pre-production, casting, scripting, as well as all the required paperwork, from call sheets to running orders. They also examine the future of studio and the multiplatform opportunities available for programme makers internationally.

Television --- Television direction --- Television production --- Television program direction --- Television program production --- Television programs --- Production and direction --- Production and direction. --- Direction

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In 'De blik van Bourlon' geeft de gedreven ondernemer ons met veel gevoel voor humor en zelfrelativering een inkijk in zijn leven als CEO. Tegelijk legt hij raak en precies de Vlaamse ziel van vandaag bloot. Bourlon zoekt al schrijvend naar waar het echt om draait in het leven en schetst hoe hij in zijn gejaagde bestaan (mede)menselijkheid, zingeving en stilte vindt. Bourlon beschrijft hoe vooral geluk hem succes heeft gebracht; zijn jeugdvriend is het totaal anders vergaan. Je leert zijn collega's kennen en ontdekt hoe het er achter de schermen van Studio 100 aan toegaat. Je leest over het succes, de tegenslagen en de menselijke drama's die ondernemen soms met zich meebrengt. Verder vertelt hij over zijn jeugd en de invloed van zijn familie. Hij beschrijft hoe hij door zijn deelname aan De Slimste Mens ter Wereld plots overal herkend werd en wat de hilarische gevolgen daarvan zijn. Onvergetelijk is het verhaal over de visser die hem haarfijn uitlegt waarom hij niet de echte Hans Bourlon kan zijn.

National characteristics, Flemish. --- Flemish wit and humor. --- Bourlon, Hans, --- Studio 100 (Television production company) --- Flanders (Belgium) --- Social conditions.

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Focusing on the growing power of transnational media corporations in an increasingly globalized environment for distribution of television content, and on the effects of mergers and acquisitions involving local and independent television production companies, this book examines how current and recent re-structurings in ownership across the television industry reflect changing business models, how they affect creativity and diversity of television output, and to what extent they call for new approaches to regulation and policy. Based on a major study of the UK production sector as a case study, it offers a unique analysis of wider transformations in ownership affecting the television production industry worldwide and of their economic, socio-cultural and policy implications.

Television broadcasting. --- Television --- Production and direction. --- Television direction --- Television production --- Television program direction --- Television program production --- Television programs --- Telecasting --- Television industry --- Broadcasting --- Mass media --- Direction --- Production and direction