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art criticism --- musicology --- pedagogical sciences --- musical education --- study of culture --- music in the system of culture
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How can we approach possible but unknown futures of the study of culture? This volume explores this question in the context of a changing global world. The contributions in this volume discuss the necessity of significant shifts in our conceptual and epistemological frameworks. Taking into account changing institutional research settings, the authors develop pathways to future cultural research, addressing the crucial concerns of the cultural and social worlds themselves. The contributions thereby utilize contact zones within a wide range of disciplines such as cultural anthropology, sociology, cultural history, literary studies, the history of science and bioethics as well as the environmental and medical humanities. Examining emerging inter- and transdisciplinary points of reference, the volume invites scholars in the humanities and social sciences to take part in a conversation about theories, methods, and practices for the future study of culture.
Culture --- Cultural studies --- Study and teaching --- E-books --- SOCIAL SCIENCE / General. --- Futures/Futurity. --- Interdisciplinary Research. --- Study of Culture.
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cultural studies --- study of culture --- literary studies --- history --- social sciences --- cultural concepts --- Ethnology --- Ethnology. --- Cultural anthropology --- Ethnography --- Races of man --- Social anthropology --- Anthropology --- Human beings
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Taking as its point of departure Nelson Goodman's theory of symbol systems as delineated in his seminal book "Ways of Worldmaking", this volume gauges the possibilities and perspectives offered by the worldmaking approach as a model for the study of culture. Its main objectives are to explore the usefulness and scope of the approach for the study of culture and to supplement Goodman's philosophy of worldmaking with a number of complementary disciplinary perspectives, literary and cultural approaches, and new questions and applications. It focuses on three key issues or concepts which illuminate ways of worldmaking and their interdisciplinary relevance and ramifications, viz. (1) theoretical approaches to ways of worldmaking, (2) the impact of media on ways of worldmaking, and (3) narratives as ways of worldmaking. The volume serves to demonstrate how specific media and narratives affect the worlds that are created, and shows how these worlds are established as socially relevant. It also illustrates the extent to which ways of worldmaking are imbued with cultural values, and thus inevitably implicated in power relations.
Mass media and culture. --- Language and culture. --- Culture in literature. --- Discourse analysis, Narrative. --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Narrative discourse analysis --- Narration (Rhetoric) --- Culture and language --- Culture --- Culture and mass media --- Cultural Studies. --- Nelson Goodman. --- Study of Culture. --- Ways of Worldmaking.
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Bringing together innovative and internationally renowned experts, this volume provides concise presentations of the main concepts and cutting-edge research fields in the study of culture (rather than the infinite multitude of possible themes). More specifically, the volume outlines different models for the study of culture, explores avenues for interdisciplinary exchange, assesses key concepts and traces their travels across various disciplinary, historical and national contexts. To trace the travelling of concepts means to map both their transfer from one discipline, approach or culture of research to another, and also to identify the transformations which emerge through these processes of transfer. The volume serves to show that working with (travelling) concepts provides a unique strategy for research and research design which can open up a wide range of promising perspectives for interdisciplinary exchange. It offers an exemplary overview of an interdisciplinary and international approach to the travelling concepts that organize, structure and shape the study of culture. In doing so, the volume serves to initiate a dialogue that exceeds disciplinary and national boundaries and introduces a self-reflexive dimension to the field, thus affording a recognition of how deeply disciplinary premises and nation-specific research traditions affect different approaches in the study of culture.
Pragmatics --- Philosophy and psychology of culture --- Mass communications --- Mass media and culture --- Discourse analysis, Narrative --- Popular culture --- Collective memory --- Cross-cultural studies --- Médias et culture --- Analyse du discours narratif --- Culture populaire --- Mémoire collective --- Études transculturelles --- Study and teaching. --- Etude et enseignement --- Mass media and culture. --- Discourse analysis, Narrative. --- Culture --- Collective memory. --- Culture -- Study and teaching. --- Journalism & Communications --- Communication & Mass Media --- Study and teaching --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Cultural studies --- Narrative discourse analysis --- Culture and mass media --- Memory --- Social psychology --- Group identity --- National characteristics --- Narration (Rhetoric) --- Médias et culture. --- Analyse du discours narratif. --- Mémoire collective. --- Études transculturelles. --- Etude et enseignement. --- E-books --- Culture - Study and teaching --- Interdisciplinary Research. --- Key Concepts / Study of Culture. --- Étude et enseignement --- Médias et culture. --- Mémoire collective. --- Études transculturelles --- Étude et enseignement
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The year 1910 marks an astonishing, and largely unrecognized, juncture in Western history. As the spectacle of Halley's Comet pierces the skies of Europe, traditional harmonies fade away and dissonance dawns. In this brilliantly conceived work, Thomas Harrison defines 1910 through a perceptive interdisciplinary analysis of the creative works produced during or close to that year, most of them as unsettling as the comet itself: the atonal music of Schoenberg, Berg, and Webern; the distraught poetry of Trakl, Campana, and Rilke; the militant philosophy of Lukacs, Simmel, and Buber; the abstract or subjectivist paintings of Kandinsky, Schiele, and Kokoschka. All are matched by historical and existential turbulence: epidemics of suicide and madness and the plight of Italians and Jews in the empire of Austria-Hungary. Unlike previous cultural studies of the pre-World War I era, this book locates the most significant traits of the period in Middle rather than Western Europe and in expressionism rather than in more celebrated developments of the avant-garde. Expressionism's violent extremes, Harrison argues provocatively, were the explosions of a last, desperate attempt by the intelligentsia to defend some of the most venerable presuppositions of Western culture. Among these were the idea of human subjectivity as the measure of all things, the habit of thinking in terms of antitheses, and belief in the universality of the understanding. Ultimately, Harrison claims, this ideological desperation was not only a spiritual prelude to World War I but also a prophetic, unheeded critique.
Angoisse --- Angst --- Angstigheid --- Anxieties --- Anxiety --- Anxiousness --- Anxiété --- Expressionism --- Expressionisme --- Expressionnisme --- Aesthetics, Modern --- Philosophy, Modern --- Esthétique moderne --- Philosophie --- Michelstaedter, Carlo, --- Europe --- Intellectual life --- Vie intellectuelle --- Expressionism. --- Anxiety. --- Aesthetics --- Philosophy --- Philosophy & Religion --- Esthétique moderne --- Modern philosophy --- History --- Michelstädter, C. --- Emotions --- Stress (Psychology) --- Agitation (Psychology) --- Fear --- Worry --- Aesthetics [Modern ] --- 20th century --- Michelstaedter, Carlo --- Philosophy [Modern ] --- 20th century europe. --- 20th century history. --- academic textbooks. --- carlo michelstaedter biographies. --- development of science. --- european anthropology. --- european cultural climate. --- european culture. --- european history textbooks. --- european history. --- european literature. --- european philosophy. --- european science. --- evolution of science. --- history of carlo michelstaedter. --- homeschool history textbooks. --- human sciences. --- learning from experts. --- philosophy textbooks. --- postwar history. --- study of culture. --- world war i history. --- year 1910.
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This tripartite study of the monkey metaphor, the monkey performance, and the 'special status' people traces changes in Japanese culture from the eighth century to the present. During early periods of Japanese history the monkey's nearness to the human-animal boundary made it a revered mediator or an animal deity closest to humans. Later it became a scapegoat mocked for its vain efforts to behave in a human fashion. Modern Japanese have begun to see a new meaning in the monkey--a clown who turns itself into an object of laughter while challenging the basic assumptions of Japanese culture and society.
Monkeys --- Animals and civilization --- Buraku people. --- Social aspects. --- Japan --- Civilization. --- Kultur --- Geschichte --- Affen --- Japanese culture --- Social aspects --- Sociological perspectives. --- Japan. --- Civilization --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Haplorhini --- Primates --- Civilization and animals --- Human-animal relationships --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Azuma Kagami. --- Buddhism. --- Kojiki. --- Mountain Deity. --- Murasaki family. --- Nihongi. --- Oda Nobunaga. --- Ouwehand, C. --- Samson, G. --- Sarumaru Tayū. --- Shintoism. --- agriculture. --- ambiguity. --- anomalous symbol. --- catfish. --- cultured monkeys. --- dualism. --- dualistic cosmology. --- emotion. --- eta hinin. --- framing. --- healing, meaning of. --- hierarchy of meaning. --- historical actors. --- historical regularities. --- human-animal relationship. --- impurity. --- indexicality. --- inversion. --- kawaramono. --- laughter. --- long-term study of culture. --- marginals. --- mirror. --- multivocal symbols. --- non-agrarian population. --- nonresidents. --- oxen. --- performance. --- pronouns. --- radical negativity. --- reflexive monkey. --- reflexive symbol. --- residents. --- sansho. --- scapegoat. --- shomoji. --- sign. --- social position. --- stranger-deity. --- taboo. --- trickster. --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- Tiere --- Tierdarstellung --- Motiv --- Landesgeschichte --- Regionalgeschichte --- Ortsgeschichte --- Zeitgeschichte --- Geschichtsphilosophie --- Vergangenheit --- I͡Aponii͡
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