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Photography --- fotografie --- fotografiegeschiedenis --- negentiende eeuw --- twintigste eeuw --- portretfotografie --- stillevenfotografie --- landschapsfotografie --- documentaire fotografie --- straatfotografie --- reportagefotografie --- fotojournalistiek --- 77.03 --- CDL

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Still-life photography --- 77.071 PENN --- fotografie --- Penn Irving --- stillevenfotografie --- stillevens --- twintigste eeuw --- Verenigde Staten --- Photography, Still-life --- Photography, Artistic

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‘Death is Not Here’ is a personal time capsule for a particularly significant period in Wouter van de Voorde’s life. Coinciding with the Covid-19 lockdown, the Belgian born, Australia based photographer was also about to become a father for the second time. He reflects on the convergence of life and death. Exploring and photographing the areas surrounding his adoptive homeland give him a sense of belonging. Having studied painting before, Van de Voorde approaches lighting and photography with a painter’s eye. The monochrome images in this book were created on the lands of the Indigenous Ngunnawal people, the First Nation and Traditional Custodians of the Canberra, Australia, region. He had been making still lifes with fossils, and in his spare time he had begun digging in the backyard with his son unearthing the grave of a family chicken. Photographs of subsequent excavations, rock sculptures, an eroded gorge and an ongoing preoccupation with ravens are combined to create a new narrative representing everyday encounters between life and death. The book is punctuated with disquieting and ambiguous photographs of hand dug holes.

fotografie --- kunst --- natuurfotografie --- stillevenfotografie --- stillevens --- eenentwintigste eeuw --- België --- Van de Voorde Wouter --- 77.071 VAN DE VOORDE --- Photographie

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Steichen, Edward --- fotografie --- Verenigde Staten --- Steichen Edward --- modefotografie --- architectuurfotografie --- portretfotografie --- stillevenfotografie --- 77.071 STEICHEN --- 77 STEICHEN, EDWARD --- Fotografie--STEICHEN, EDWARD --- 77 STEICHEN, EDWARD Fotografie--STEICHEN, EDWARD

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This mid-career retrospective volume focuses on Viviane Sassen's fine art photography, revealing a surrealist undercurrent in her work. Sassen recognizes Surrealism as one of her earliest artistic influences, seen in the uncanny shadows, fragmented bodies, and otherworldly landscapes she captures in her work. In addition to images from the acclaimed series Umbra, this volume draws from the series Flamboya, in which she returned to Kenya, Parasomnia, a dreamlike exploration of sleep, the Roxane series, a mutual portrait created with her muse, Roxane Danset, Of Lotus and Mud, a study of procreation and fecundity, and Pikin Slee, a journey to a remote village in Suriname. This book features a contextualizing essay and an insightful interview with the artist. Throughout, Sassen emerges as a poetic photographer obsessed with light and shadow and a brilliant technician, who is a master of both vibrant color and muted hues. Selected by Sassen herself from across the last ten years, the images draw on the surrealist strategies of collage and unexpected juxtapositions to give a survey of her practice.

Sassen, Viviane --- 761.2 --- modefotografie --- naaktfotografie --- fotografen, afzonderlijk --- reportagefotografie (documentaire fotografie) --- landschapsfotografie --- stillevens --- fotografie --- eenentwintigste eeuw --- Nederland --- Sassen Viviane --- documentaire fotografie --- portretfotografie --- stillevenfotografie --- 77.071 SASSEN --- Exhibitions --- Photography --- photography [process]