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Christian religion --- Drawing --- Graphic arts --- Literature --- graphic novels --- godsdienst --- beeldverhalen --- comic books --- social commentary --- religious thought --- religion --- new religious movements

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The wanderer is an indispensable part of the German cultural imaginary. The nineteenth-century prominence of the motif owes much to the self-conception of the intellectual pioneers of the day as wanderers. The motif is also a key to interpretation of the social and cultural phenomena of a turbulent century that began with the emancipatory claims of the Enlightenment and ended in untrammeled industrialism. Writers from Goethe to Büchner, Fontane to Holtei were keenly aware of the motif's interpretive value, attempting to grasp with it not only such developments as mass migration and disappearing institutions but also unprecedented opportunities for artistic and scientific innovation. This book re-interprets canonical works such as Goethe's 'Wilhelm Meister' novels, Heine's 'Harzreise', and Büchner's 'Lenz', examines underresearched works by Fontane and Raabe, and charts new territory with readings of works by Gotthelf and Holtei - a selection of texts that reveals the vast scope and changing function of the wanderer motif. Andrew Cusack pays scrupulous attention to the historical specificity of each work and to its relationship to contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism. Andrew Cusack is a Lecturer in the Department of Germanic Studies at Trinity College Dublin.

German literature --- Nomads in literature. --- History and criticism. --- 19th-century. --- Enlightenment. --- German literature. --- Romanticism. --- artistic innovation. --- cultural criticism. --- cultural memory. --- intellectual history. --- literary pioneers. --- mass migration. --- scientific innovation. --- social commentary. --- wanderer motif.

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One sure fact of humanity is that we all cherish our opinions and will often strongly resist efforts by others to change them. Philosophers and politicians have long understood this, and whenever they have sought to get us to think differently they have often resorted to forms of camouflage that slip their unsettling thoughts into our psyche without raising alarm. In this fascinating examination of a range of writers and thinkers, Ralph Lerner offers a new method of reading that detects this camouflage and offers a way toward deeper understandings of some of history's most important-and most concealed-messages. Lerner analyzes an astonishing diversity of writers, including Francis Bacon, Benjamin Franklin, Edward Gibbon, Judah Halevi, Thomas Jefferson, Abraham Lincoln, Moses Maimonides, and Alexis de Tocqueville. He shows that by reading their words slowly and naïvely, with wide-open eyes and special attention for moments of writing that become self-conscious, impassioned, or idiosyncratic, we can begin to see a pattern that illuminates a thinker's intent, new messages purposively executed through indirect means. Through these experimental readings, Lerner shows, we can see a deep commonality across writers from disparate times and situations, one that finds them artfully challenging others to reject passivity and fatalism and start thinking afresh.

Political science --- Philosophy. --- rhetoric, persuasion, opinion, literature, alexis de tocqueville, moses maimonides, abraham lincoln, thomas jefferson, judah halevi, edward gibbon, benjamin franklin, francis bacon, subconscious, argument, philosophy, hermeneutics, close reading, interpretation, judaism, politics, nonfiction, meaning, social commentary, history.

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In the hands of Bruce Smith, devotions are momentary stops to listen to the motor of history. They are meditations and provocations. They are messages received from the chatter of the street and from transmissions as distant as Memphis and al-Mansur. Bulletins and interruptions come from brutal elsewheres and from the interior where music puts electrodes on the body to take an EKG. These poems visit high schools, laundromats, motels, films, and dreams in order to measure the American hunger and thirst. They are interested in the things we profess to hold most dear as well as what's unspoken and unbidden. While we're driving, while riding a bus, while receiving a call, while passing through an X-ray machine, the personal is intersected-sometimes violently, sometimes tenderly-with the hum and buzz of the culture. The culture, whether New York or Tuscaloosa, Seattle or Philadelphia, past or present, carries the burden of race and "someone's idea of beauty." The poems fluctuate between the two poles of "lullaby and homicide" before taking a vow to remain on earth, to look right and left, to wait and to witness.

Poetry. --- poetry, desire, america, yearning, wealth, ambition, literature, creative writing, contemporary, history, social commentary, al-mansur, memphis, dreams, films, motels, laundromats, high schools, race, beauty standards, culture, conformity, difference, belonging, poetics, escape, freedom, distance, separation, love, loss, witness, survival, whitman.

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Alfred Döblin (1878-1957) was one of the great German-Jewish writers of the 20th century, a major figure in the German avant-garde before the First World War and a leading intellectual during the Weimar Republic. Döblin greatly influenced the history of the German novel: his best-known work, the best-selling 1929 novel Berlin Alexanderplatz, has frequently been compared in its use of internal monologue and literary montage to James Joyce's Ulysses and John Dos Passos's Manhattan Transfer . Döblin's oeuvre is by no means limited to novels, but in this genre, he offered a surprising variety of narrative techniques, themes, structures, and outlooks. Döblin's impact on German writers after the Second World War was considerable: Günter Grass, for example, acknowledged him as "my teacher." And yet, while Alexanderplatz continues to fascinate the reading public, it has overshadowed the rest of Döblin's immense oeuvre. This volume of carefully focused essays seeks to do justice to such important texts as Döblin's early stories, his numerous other novels, his political, philosophical, medical, autobiographical, and religious essays, his experimental plays, and his writings on the new media of cinema and radio.Contributors: Heidi Thomann Tewarson, David Dollenmayer, Neil H. Donahue, Roland Dollinger, Veronika Fuechtner, Gabriele Sander, Erich Kleinschmidt, Wulf Koepke, Helmut F. Pfanner, Helmuth Kiesel, Klaus Müller-Salget, Christoph Bartscherer, Wolfgang Düsing.Roland Dollinger is associate professor of German at Sarah Lawrence College; Wulf Koepke is professor emeritus of German at Texas A&M University; Heidi Thomann Tewarson is professor of German at Oberlin College.

Döblin, Alfred --- Döblin, Alfred, --- Criticism and interpretation. --- Döblin, Alfred --- Deblin, A., --- Poot, Linke, --- Doeblin, Alfred, --- דבלין, אלפרד, --- דעבלין, אלפרעד --- LITERARY CRITICISM / European / German. --- 20th Century Literature. --- Alfred Döblin. --- Berlin Alexanderplatz. --- German-Jewish Writer. --- Internal Monologue. --- Literary Montage. --- Modernist Novelist. --- Social Commentary. --- Urban Life. --- Weimar Republic. --- Doblin, Alfred,