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Even though sitcom has been a consistent staple of broadcasting the world over, rigorous academic work on it as a genre remains limited. This book examines sitcom as an industry in terms of production, audiences and texts, drawing on a range of examples and case studies in order to examine the genre's characteristics, social position, and pleasures. In highlighting this long-lasting and popular form of television, it offers insights into genre theory and explores how the comic aim of sitcom forms a central characteristic of the genre. Brett Mills takes a global view of sitcom, examining international examples as well as those produced by the more dominant British and American broadcasting industries, in order to explore the relationships between sitcom, nation, and identity. Sitcoms considered include Extras, My Family, Curb Your Enthusiasm, One Foot in the Grave, Peep Show, Summer Heights High, Popetown, and Friends. Key Features *Draws on original research into the television industry, incorporating interviews with sitcom writers, directors and producers *Includes research on audience responses to sitcom, with reference to offence, pleasure, and social change *Offers detailed textual analyses of a range of programmes, drawing on Humour Theory to explore the ways in which jokes and comic moments work *Outlines the future for sitcom, considering new media developments and the changing relationships between broadcasters and audiences.

Situation comedies (Television programs) --- History and criticism. --- Mass communications --- Sitcoms (Television programs) --- Television sitcoms --- Television situation comedies --- Television comedies

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This updated and expanded anthology offers an engaging overview of one of the oldest and most ubiquitous forms of television programming: the sitcom. Through an analysis of formulaic conventions, the contributors address critical identities such as race, gender, and sexuality, and overarching structures such as class and family. Organized by decade, chapters explore postwar domestic ideology and working-class masculinity in the 1950s, the competing messages of power and subordination in 1960s magicoms, liberated women and gender in 1970s workplace comedies and 1980s domestic comedies, liberal feminism in the 1990s, heteronormative narrative strategies in the 2000s, and unmasking myths of gender in the 2010s. From I Love Lucy and The Honeymooners to Roseanne, Cybill, and Will & Grace to Transparent and many others in between, The Sitcom Reader provides a comprehensive examination of this popular genre that will help readers think about the shows and themselves in new contexts.For access to an online resource created by Mary Dalton, which includes interviews with contributors and course lectures, visit: The Sitcom Reader: A Companion Website @ https://build.zsr.wfu.edu/sitcomreader

Situation comedies (Television programs) --- Sitcoms (Television programs) --- Television sitcoms --- Television situation comedies --- Television comedies --- History and criticism.

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This collection offers an overview of British TV comedies, ranging from the beginnings of sitcoms in the 1950s to the current boom of 'Britcoms'. It provides in-depth analyses of major comedies, systematically addressing their generic properties, filmic history, humour politics and cultural impact.

Communication & Mass Media --- Journalism & Communications --- Television comedies --- Situation comedies (Television programs) --- History and criticism --- History and criticism. --- Sitcoms (Television programs) --- Television sitcoms --- Television situation comedies --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Culture-Study and teaching. --- Motion pictures and television. --- Communication. --- Motion pictures-History. --- Arts. --- Regional and Cultural Studies. --- Screen Studies. --- Media Studies. --- Film History. --- Media Research. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Communication, Primitive --- Mass communication --- Sociology --- Moving-pictures and television --- Television and motion pictures --- Television --- Culture—Study and teaching. --- Motion pictures—History. --- Sociology. --- Social theory --- Social sciences --- Arts, Primitive

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This is the first-ever critical work on Jack Rosenthal, the award-winning British television dramatist. His career began with Coronation Street in the 1960's and he became famous for his popular sitcoms, including The Lovers and The Dustbinmen. During what is often known as the 'golden age' of British television drama, Rosenthal wrote such plays as The Knowledge, The Chain, Spend, Spend, Spend and P'tang, Yang, Kipperbang, as well as the pilot for the series London's Burning. This study offers a close analysis of all Rosenthal's best-known works, drawing on archival material as well as interview...

Television plays, English --- English television plays --- English drama --- History and criticism. --- Rosenthal, Jack, --- Criticism and interpretation. --- Film and Media --- Film --- ART --- Electronic, holographic & video art --- TV & Radio --- Film & Video --- British television dramatist. --- Coronation Street. --- Don Black. --- Jack Rosenthal. --- Jonathan Lynn. --- London's Burning. --- Thatcherism. --- permissive society. --- recession. --- sitcoms.

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Television was one of the forces shaping the cultural revolution of the 1960s and 1970s, when a blockbuster TV series could reach up to a third of a country's population. This book explores television's impact on social change by comparing three sitcoms and their audiences. The shows in focus - Till Death Us Do Part in Britain, All in the Family in the United States, and One Heart and One Soul in West Germany - centered on a bigoted anti-hero and his family. Between 1966 and 1979 they saturated popular culture, and managed to accelerate as well as deradicalize value changes and collective attitudes regarding gender roles, sexuality, religion, and race.

Situation comedies (Television programs) --- Television --- Comédies de situation --- Télévision --- Social aspects --- Aspect social --- #SBIB:309H402 --- #SBIB:309H1520 --- #SBIB:309H040 --- 316.42 --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Sitcoms (Television programs) --- Television sitcoms --- Television situation comedies --- Television comedies --- History --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, ... --- Radio en/of televisieprogramma’s: algemene werken (functies, genres, taalgebruik, historiek) --- Populaire cultuur algemeen --- Social change. Sociale ontwikkeling. Sociale veranderingen. Modernisering. Evolutie .Sociale revolutie. Modernisme --- Optical communication systems --- 316.42 Social change. Sociale ontwikkeling. Sociale veranderingen. Modernisering. Evolutie .Sociale revolutie. Modernisme --- Comédies de situation --- Télévision --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media,