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Researchers frequently experience sexualized interactions, sexual objectification, and harassment as they conduct fieldwork. These experiences are often left out of ethnographers' "tales from the field" and remain unaddressed within qualitative literature. Harassed argues that the androcentric, racist, and colonialist epistemological foundations of ethnographic methodology contribute to the silence surrounding sexual harassment and other forms of violence. Rebecca Hanson and Patricia Richards challenge readers to recognize how these attitudes put researchers at risk, further the solitude experienced by researchers, lead others to question the validity of their work, and, in turn, negatively impact the construction of ethnographic knowledge. To improve methodological training, data collection, and knowledge produced by all researchers, Harassed advocates for an embodied approach to ethnography that reflexively engages with the ways in which researchers' bodies shape the knowledge they produce. By challenging these assumptions, the authors offer an opportunity for researchers, advisors, and educators to consider the multiple ways in which good ethnographic research can be conducted. Beyond challenging current methodological training and mentorship, Harassed opens discussions about sexual harassment and violence in the social sciences in general.
Sexual harassment of women. --- Ethnologists --- Social conditions. --- advisors. --- androcentric. --- colonialist. --- data collection. --- educators. --- ethnographers. --- ethnographic methodology. --- fieldwork. --- improve methodological training. --- mentorship. --- qualitative literature. --- question validity of work. --- racist. --- researchers at risk. --- researchers. --- sexual harassment. --- sexual objectification. --- sexualized interactions. --- social sciences. --- solitude. --- tales from the field. --- violence. --- workplace harassment.
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This path-breaking book examines the lives of five topless dancers in the economically devastated "rust belt" of upstate New York. With insight and empathy, Susan Dewey shows how these women negotiate their lives as parents, employees, and family members while working in a profession widely regarded as incompatible with motherhood and fidelity. Neither disparaging nor romanticizing her subjects, Dewey investigates the complicated dynamic of performance, resilience, economic need, and emotional vulnerability that comprises the life of a stripper. An accessibly written text that uses academic theories and methods to make sense of feminized labor, Neon Wasteland shows that sex work is part of the learned process by which some women come to believe that their self-esteem, material worth, and possibilities for life improvement are invested in their bodies.
Sex industry --- Women dancers --- Women --- Self-perception in women --- Femininity --- Social aspects --- Social conditions --- Family relationships --- Northeastern States --- Social conditions. --- Economic conditions. --- abuse. --- adultery. --- anthropology. --- cultural studies. --- economic justice. --- exotic dancers. --- exotic dancing. --- femininity. --- feminism. --- feminized labor. --- fidelity. --- gender studies. --- gender. --- gws. --- motherhood. --- needs. --- new york. --- nonfiction. --- performance. --- poverty. --- resilience. --- rust belt. --- self esteem. --- sex work. --- sex workers. --- sexual objectification. --- sexuality. --- social commentary. --- social science. --- social systems. --- strippers. --- topless dancers. --- vulnerability. --- women. --- womens issues. --- womens studies. --- womens work. --- Sex-oriented businesses
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