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This work explores the changing representation of the couple in romantic comedy, focusing on the key themes of marriage, equality and desire. It considers the three cycles of production: screwball comedy in the thirties; career woman comedy in the forties; and sex comedy in the fifties. This work analyses shifting discourses around heterosexuality, gender, romance and love; includes detailed discussion of Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson; and, enables a more sophisticated understanding of the functions of such generic conventions

Romantic comedy films --- Motion pictures --- History and criticism. --- Hollywood. --- career woman. --- desire. --- equality. --- gender. --- heterosexual couple. --- marriage. --- romantic comedy. --- screwball comedy. --- sex comedy.