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Cette étude cherche à identifier les besoins primaires selon le « Good Lives Model » chez des adolescents en conflits avec la loi. Sur cette base, notre principale question de recherche s’intitulera donc : « Comment se distribuent les besoins primaires du GLM chez des adolescents placés en institution publique ? ».
Notre échantillon est composé de vingt adolescents de treize à dix-huit ans, résidant au moment du remplissage du questionnaire dans une institution publique de protection de la jeunesse en Wallonie. Ce questionnaire est constitué de trois parties distinctes reposant sur le « Good Lives Questionnaire » (GLQ) de Harper (2021), le « Wolrd Health Quality of Life » (WHOQOL-BREF) de Finnerty (2020) et du questionnaire sur la représentation de soi actuelle et future de Fouquet (2022). 
Les résultats ont démontré des tendances chez certains besoins primaires tandis que d’autres ont affiché des différences. Cependant, il reste primordial dans un cadre comme celui-ci de travailler de manière individuelle avec les jeunes.

GLM --- Adolescents --- IPPJ --- Qualité de vie --- Représentation de soi --- Good Lives Model --- IPPJ --- Adolescents --- Quality of life --- Self-representation --- Droit, criminologie & sciences politiques > Criminologie

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International expositions or "world's fairs" are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference. Rather than looking at Asian representation at the hands of colonizing powers, something already much examined, Asian Self-Representation at World's Fairs instead focuses on expressions of an empowered Asian self-representation at world's fairs in the West after the so-called golden age of the exhibition. New modes of representation became possible as the older "exhibitionary order" of earlier fairs gave way to a dominant "performative order," one increasingly preoccupied with generating experience and affect. Using case studies of national representation at selected fairs over the hundred-year period from 1915-2015, this book considers both the politics of representation as well as what happens within the imaginative worlds of Asian country pavilions, where the performative has become the dominant mode for imprinting directly on human bodies.

Self-perception --- National characteristics, Asian. --- Exhibitions --- Self-concept --- Self image --- Self-understanding --- Perception --- Self-discrepancy theory --- Self-evaluation --- Exhibits --- Expos (Exhibitions) --- Expositions --- Industrial arts --- Industrial exhibitions --- International exhibitions --- Technology --- World's fairs --- Sales promotion --- Fairs --- Asian national characteristics --- History. --- Asian self-representation Asian modernities Asian cultural flows Performance and performativity international expositions.

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All groups tell stories about their beginnings. Such tales are oft-repeated, finely wrought, and usually much beloved. Among those institutions most in need of an impressive creation account is the state: it's one of the primary ways states attempt to legitimate themselves. But such founding narratives invite revisionist retellings that modify details of the story in ways that undercut, ironize, and even ridicule the state's ideal self-representation. Medieval accounts of how Norway was unified by its first king provide a lively, revealing, and wonderfully entertaining example of this process. Taking the story of how Harald Fairhair unified Norway in the ninth century as its central example, Bruce Lincoln illuminates the way a state's foundation story blurs the distinction between history and myth and how variant tellings of origin stories provide opportunities for dissidence and subversion as subtle-or not so subtle-modifications are introduced through details of character, incident, and plot structure. Lincoln reveals a pattern whereby texts written in Iceland were more critical and infinitely more subtle than those produced in Norway, reflecting the fact that the former had a dual audience: not just the Norwegian court, but also Icelanders of the twelfth and thirteenth centuries, whose ancestors had fled from Harald and founded the only non-monarchic, indeed anti-monarchic, state in medieval Europe. Between History and Myth will appeal not only to specialists in Scandinavian literature and history but also to anyone interested in memory and narrative.

Harald --- Norway --- History --- harald fairhair, norway, founding narratives, state power, national identity, legitimacy, authority, government, nation, nonfiction, history, politics, self representation, unification, king, monarchy, dissidence, subversion, resistance, iceland, court, aristocracy, folklore, medieval, exile, audience, literature, scandinavia, memory, narrative, rognvald the powerful, snorri sturluson, ragnhild, dofri giant, halfdan black, ingjald wicked, revolution, kingdom.

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In this skillful analysis, Leslie Peirce delves into the life of a sixteenth-century Middle Eastern community, bringing to light the ways that women and men used their local law court to solve personal, family, and community problems. Examining one year's proceedings of the court of Aintab, an Anatolian city that had recently been conquered by the Ottoman sultanate, Peirce argues that local residents responded to new opportunities and new constraints by negotiating flexible legal practices. Their actions and the different compromises they reached in court influenced how society viewed gender and also created a dialogue with the ruling regime over mutual rights and obligations. Locating its discussion of gender and legal issues in the context of the changing administrative practices and shifting power relations of the period, Morality Tales argues that it was only in local interpretation that legal rules acquired vitality and meaning.

Women (Islamic law) --- Sex and law --- Law and sex --- Sex --- Sex crimes --- Women --- Islamic law --- History. --- Law and legislation --- Legal status, laws, etc. (Islamic law) --- History --- Women (Islamic law) - Turkey - History --- Sex and law - History --- 16th century. --- administrative. --- analysis. --- anatolian. --- class issues. --- community. --- court cases. --- courtroom. --- domestic. --- family issues. --- family life. --- gender issues. --- justice. --- law. --- legal issues. --- local justice. --- middle east. --- middle eastern. --- morality. --- ottoman empire. --- power relations. --- power. --- property. --- punishment. --- self representation. --- social hierarchy. --- sultan. --- violence.

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Wenn ein Rockgitarrist von einer Kokospalme purzelt, wie 2010 Keith Richards, wird seine Genesung jubelnd medial gefeiert. Literaten hingegen haben es schwer - für werbewirksame Kapriolen gelten sie als nicht realitätstüchtig genug. Was also bleibt den Dichtern? Sich medienwirksam intellektuell und sprach-artistisch ins Rampenlicht zu manövrieren! Carolin John-Wenndorf entwickelt eine längst überfällige Theorie schriftstellerischer Selbstinszenierung: von einem Werkzeugkasten zur Analyse visueller, verbaler und performativer schriftstellerischer Handlungen, einem Gang durch die Kulturgeschichte dichterischer Selbstinszenierung - von Walther von der Vogelweide bis Charlotte Roche - sowie einem Katalog universeller Inszenierungsstrategien bis hin zu einer kleinen Dichter-Typologie. Es ist ein Grundlagenwerk über die Selbstdarstellung von Autoren aus historischer, diskursanalytischer und repräsentationskritischer Sicht. »Mit leichter Feder und einer gehörigen Portion Ironie formuliert.« Steffen Martus, GERMANISTIK, 58/1-2 (2017) »Carolin John-Wenndorfs Arbeit [bildet] einen innovativen Beitrag zur gegenwärtig florierenden Literaturbetriebsforschung, an dessen Materialfülle und Thesen künftige Überlegungen anknüpfen können.« Steffen Richter, Zeitschrift für Germanistik, 1 (2016) O-Ton: »Wie sich Schriftsteller öffentlich inszenieren« - Carolin John-Wenndorf im Gespräch beim SRF am 09.03.2015. »[Eine] große Leistung der Verfasserin, das komplexe Thema einmal in all seinen Facetten ausgeleuchtet zu haben.« Regina Roßbach, www.literaturkritik.de, 12 (2014) »Wer mehr über Geschichte und Hintergründe öffentlicher Autorenauftritte erfahren möchte, dem sei Carolin John-Wenndorfs Studie [...] empfohlen.« Eva Karnofsky, SWR2 - Die Buchkritik, 23.10.2014 O-Ton: »Die Posen und Eitelkeiten der Künstler« - Carolin John-Wenndorf im Interview beim Deutschlandfunk am 20.08.2014. Besprochen in: SWR2 - Forum Buch, 27.07.2014, Katharina Borchardt Deutschlandfunk - Büchermarkt, 17.08.2014, Angela Gutzeit KunstKulturLifestyle, 28.07.2014 Modern Language Review, 110/3 (2015), Joanna Neilly

Schriftsteller. --- Selbstdarstellung. --- Commercial art --- Graphic arts --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Motion picture billboards --- Marketing. --- Autorinszenierung; Literaturbetrieb; Medien; Image; Autorschaft; Diskurs; Selbstdarstellung; Inszenierung; Kulturgeschichte; Dichtertypen; Literatur; Allgemeine Literaturwissenschaft; Literaturtheorie; Germanistik; Literaturwissenschaft; Writers Self-representation; Contemporary Literature Scene; Media; Authorship; Discourse; Staging; Cultural History; Literature; General Literature Studies; Theory of Literature; German Literature; Literary Studies --- Authorship. --- Contemporary Literature Scene. --- Cultural History. --- Discourse. --- General Literature Studies. --- German Literature. --- Image. --- Literary Studies. --- Literature. --- Media. --- Staging. --- Theory of Literature.