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Schaap maakt een schilderij.
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ISBN: 9789044810721 Year: 2009 Publisher: Hasselt Clavis

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Schaap wil een schilderij maken, maar ze kan niet kiezen in welke kleur. Muis zegt geel. Kip zegt rood. Tijger zegt blauw. Maar wat wil Schaap zelf?


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Prosper de Troyer
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Year: 1959 Publisher: Antwerpen : Artistenfonds Rockkoxhuis,

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Jan van Eyck in de Kempen : bijdrage tot het Van Eyck-probleem
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Year: 1964 Publisher: Arendonk : Goris,

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André Bogaert, 1920-1986 : ... hoe groter de liefde voor het leven, hoe groter de angst voor de dood ...
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Year: 2013 Publisher: : Moreels,

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Marc Kennes
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ISBN: 9789491349010 Year: 2013 Publisher: [Antwerpen] Vrienden van de Zwarte Panter

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Balthus
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ISBN: 0500283400 Year: 1996 Publisher: Londen Thames & Hudson

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Hannsjörg Voth : Acrylbilder, 1969-1973
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ISBN: 9783903228184 Year: 2017 Publisher: Nürnberg Verlag für Moderne Kunst

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Onvoltooide levensbeschrijvingen 1997-2003
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Year: 2003 Publisher: Antwerpen : Ubicumque,

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Het penseel in vrouwenhanden
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Year: 2016 Publisher: Gent : OKV,

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Degas and the Little Dancer
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ISBN: 0936364289 Year: 1998 Publisher: New Haven, Conn. Yale University Press

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Degas's sculpture of the Little Dancer Aged Fourteen is one of the most celebrated images of our age. Although it caused immediate controversy when first exhibited in 1881, it is now recognized as the sculptural masterpiece of Impressionism. After the artist's death, the Original wax was reproduced in at least thirty plaster and bronze casts that are now scattered throughout the world and inspire delight among museum-goers and continuing debate among art historians. &#13;&#13;This beautiful book is the first full-length study of the subject and offers entirely new perspectives on a work that is widely regarded as a key precursor of twentieth-century sculpture. In three chapters, Richard Kendall analyzes the origins of this distinctive figure in Degas's ballet imagery; explores the condition of French sculpture in the 1870s and the significance of Degas's choice of materials, procedures, and exhibition strategy; and describes the critical responses to the first public display of the statuette, particularly those comparing it with dolls and the art of ancient Egypt. Douglas W. Druick then explores the fascinating association between the sculpture and views of criminality current in the artist's day, and for the first time in the history of the work, Arthur Beale examines the technical character of its variant forms using laboratory analysis and X-ray photography. The book presents sixty-five color plates of major works by Degas that encompass the genesis and legacy of the Little Dancer, as well as a wealth of comparative plates and preparatory drawings, some never before published.&#13;&#13;

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