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Impressionist [style] --- Painting --- landscapists --- Art styles --- easel paintings [paintings by form] --- seascapes --- anno 1800-1899 --- France --- Great Britain --- riviergezichten --- rivieren --- zee --- marines --- Turner, Joseph Mallord William --- Courbet, Gustave --- Signac, Paul --- 19de eeuw --- Engeland --- Frankrijk --- Somme --- zee (zeelandschap, zeegezicht, marine) --- rivieren. --- zee (zeelandschap, zeegezicht, marine). --- marines. --- Turner, Joseph Mallord William. --- Courbet, Gustave. --- Signac, Paul. --- 19de eeuw. --- Engeland. --- Frankrijk. --- Somme. --- Sea in art --- England

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Thames --- riviergezichten --- Turner, Joseph Mallord William --- 1805 --- 19de eeuw --- Groot-Brittannië --- Turner Joseph Mallord William --- schilderkunst --- tekenkunst --- aquarellen --- negentiende eeuw --- landschap --- landschapsschilderkunst --- 75.071 TURNER --- Thames River (England) in art --- Turner, J. M. W. --- -Turner, J. M. W. --- -Criticism and interpretation --- Notebooks, sketchbooks, etc --- Terner, Dzhozef Mallord Uilʹi︠a︡m, --- Tarner, Tzozeph Mallornt Ouilliam, --- Turner, Joseph Mallord William, --- Turner, William, --- Tŭrnŭr, Dzhouzef Mŭlord Uili︠a︡m, --- Tʻou-na, Yüeh-se-fu Ma-lo-te Wei-lien, --- Tʻou-na, --- טרנר, ג׳וזף מאלור ויליאם, --- Criticism and interpretation. --- Notebooks, sketchbooks, etc. --- Thames. --- Turner, Joseph Mallord William. --- 1805. --- 19de eeuw. --- Groot-Brittannië. --- sculptuur. --- 15de eeuw. --- 16de eeuw. --- Mechelen.

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The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture,' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of significationt. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen,' in which new knowledge is visually recorded."—George Steiner, Sunday Times.

Painting, Dutch --- Visual perception --- Peinture hollandaise --- Perception visuelle --- Visual Perception --- Painting, Dutch - 17th century --- Svetlana Alpers --- Nederland --- schilderkunst --- zeventiende eeuw --- portret --- portretschilderkunst --- stillevens --- landschap --- landschapsschilderkunst --- perspectief --- zeegezichten --- riviergezichten --- stagdsgezichten --- architectuurschilderkunst --- Saenredam Pieter --- Rembrandt --- Rembrandt van Rijn --- van Everdingen Caesar --- van Goyen Jan --- Dou Gerard --- van der Helst Bartholomeus --- Rubens Peter Paul --- Leemans Anthony --- Koninck Philips --- Steen Jan --- Bol Ferdinand --- Cats Jacob --- De Bray Joseph --- Matham Jacob --- Van Rijswick Dirck --- Kalf Willem --- de Gheyn Jacques --- Goltzius Hendrick --- Huyghens Constantijn --- van Beyeren Abraham --- Vermeer Johannes --- Delft --- van Diest Jeronimus --- Metsu Gabriel --- Lastman Pieter --- 75.034 --- Visual perception. --- 7 <492> "16" --- 75 <492> "16" --- 75 <492> "16" Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- 7 <492> "16" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699 --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699