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Art --- art [discipline] --- public art --- emancipation --- interactive art --- resistance [political activity] --- art interventions --- Valero, Paula
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'Indigenous?, of in het Nederlands inheems of indigeen, duidt op de oorspronkelijke bewoners (en hun huidige nakomelingen) van een land of gebied. Vaak leven indigene bewoners in overeenstemming met natuurlijke cycli, met eigen culturele gebruiken en tradities, die ook hun levensonderhoud en omringende ecologie waarborgen. De specifieke gebruiken, ecologische omstandigheden, kunst en cultuur van indigenous gemeenschappen krijgen wereldwijd steeds meer aandacht, zeker ook met het oog op verantwoord omgaan met de aarde en haar natuurlijke bronnen. Uitgangspunt van dit boek is de rebellie van de Sámi, de inheemse bewoners van het gebied Sápmi, tegen het bouwen van een dam in de Álttáeatnu-rivier aan de Noorse kant van Sápmi. Voorop in deze Áltá-actie (ca. 1978-82), getiteld ?Let the River Live?, liepen inheemse Sámi-kunstenaars, die een brede solidariteitsbeweging wisten te mobiliseren, niet alleen in (Noord-) Scandinavië, maar met reacties van ?indigenous? kunstenaars van over de hele wereld. Deze actie katapulteerde de roep naar inheemse soevereiniteit naar de voorhoede van de politiek van die tijd en groeide uit tot een onverwacht brede internationale solidariteitsbeweging, waarin inheemse kunstenaars een centrale rol speelden. Veel belangrijke vragen die door de Áltá-actie zijn opgeworpen blijven vandaag onopgelost. Denk aan de oliepijpleidingen die Trump door het gebied van indianen wilde leggen; aan het verstoren van Australische aboriginal leefgebieden door westerse immigranten, en zo meer. Let the River Flow bevat essentiële bijdragen voor elke discussie over hoe regeringen, kunstenaars en burgers omgaan met vraagstukken in het kader van huidige wereldwijde oproepen tot dekolonisatie en indigenisatie. Nieuwe essays van 24 vooraanstaande inheemse kunstenaars, schrijvers, wetenschappers en bondgenoten, samengevoegd met belangrijke bestaande sleutelteksten, richten zich op de urgente politieke en artistieke vragen die de Áltá Action opriep, en hoe dit ?indigenous? kunstactivisme in het verleden en nu internationaal weerklank vond en vindt. Let the River Flow richt zich tot lezers met interesse in dekoloniale, inheemse, solidariteits- en milieukwesties binnen de artistieke praktijken en daarbuiten.
Environmental protection. Environmental technology --- Art --- art [fine art] --- environmental protection --- indigenous people --- Sami --- resistance [political activity] --- Norway --- Inheemse bevolking --- Noorwegen --- Dekolonisatie --- Politiek --- Politieke geschiedenis --- Kunst --- art [discipline] --- dekolonisatie
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"Jeune Américaine expatriée en France, Mary Louise Reynolds (1891-1950), entraînée dans le cercle des surréalistes, devient une artiste reconnue à la pointe de l’avant-garde et s’engage dans la Résistance en 1941. Veuve de guerre, la belle Mary débarque dans le Paris des années folles qui swingue au son du jazz et ferraille autour de Dada et du surréalisme. Du Dôme à Saint-Germain-des-Près, du Jockey à l’emblématique Bœuf sur le toit, Mary règne sur les nuits de la capitale et se lie avec Henri-Pierre Roché, Constantin Brancusi, Man Ray, Peggy Guggenheim, Jean Cocteau, André Breton et, surtout, le séduisant Marcel Duchamp dont elle s’éprend. Friande d’esthétisme, l’époque la conduit à la reliure d’art et ses réalisations, recherchées par une clientèle exigeante, rivalisent d’audace et d’humour. Alors que la France est à la merci des nazis, Mary entre dès mars 1941 dans la Résistance aux côtés de Gabrièle Picabia. Mais le réseau est donné : Mary échappe de peu à la Gestapo et, après une folle épopée, regagne clandestinement les États-Unis. Rentrée à Paris après-guerre, elle dirige une revue d’art, avant de s’éteindre, frappée par la maladie, veillée par Duchamp..."
Art --- biographies [documents] --- resistance movements --- resistance [political activity] --- Surrealist --- Duchamp, Marcel --- Reynolds, Mary --- Paris --- Women artists --- Surrealism --- Reynolds, Mary, --- Duchamp, Marcel, --- biographies [literary works] --- vrouwelijke kunstenaar
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"For more than two decades, the artist-activist LaToya Ruby Frazier has used photography, text, moving images, and performance to revive and preserve forgotten narratives of labor, gender, and race in the postindustrial era. Frazier has cultivated a practice that builds on the legacy of the social documentary tradition of the 1930s, the photo-conceptual forays of the 1960s and 1970s, and the work of socially conscious writers like Upton Sinclair, James Baldwin, and bell hooks. Monuments of Solidarity celebrates the creativity and collaboration that persist in the face of industrialization and deindustrialization, racial and environmental injustice, gender disparities, unequal access to health care and clean water, and the erosion or denial of fundamental human rights. A form of Black feminist world-building, Frazier's nontraditional 'monuments' demand recognition of the crucial role that women and people of color have played, and continue to play, in histories of labor and the working class. Published in conjunction with the first comprehensive museum survey dedicated to the artist, LaToya Ruby Frazier: Monuments of Solidarity presents the full range of her practice and includes both rarely seen and brand-new bodies of work. An illuminating overview essay by the exhibition's curator, Roxana Marcoci, is accompanied by a manifesto by the artist and a suite of focused essays by other curators and scholars"--
Photography, Artistic --- Documentary photography --- Working class --- Working class African Americans --- African American women photographers --- Social justice in art --- Photography of families --- Social conditions --- Frazier, LaToya Ruby, --- Huerta, Dolores, --- Braddock (Pa.) --- Flint (Mich.) --- Baltimore (Md.) --- Lordstown (Ohio) --- Art --- photographs --- installations [visual works] --- industry [economic concept] --- feminism --- performance art --- environmental impact --- flags --- decline --- resistance [political activity] --- Frazier, LaToya Ruby
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"With the global rise of a politics of shock driven by authoritarian regimes that subvert the rule of law and civil liberties, what paths to resistance, sanctuary, and change can cultural institutions offer? What about activism in curatorial practice? In this book, more than twenty leading curators and thinkers about contemporary art present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy. What unfolds in these pages is a vast range of ideas-a tool kit for cultural producers everywhere to engage audiences and face the fierce political challenges of today and tomorrow. Contributors Defne Ayas, Ute Meta Bauer, Nicolas Bourriaud, Carolyn Christov-Bakargiev, Joshua Decter, Clémentine Deliss, Irmgard Emmelhainz, Boris Groys, Hou Hanru, Pi Li, Maria Lind, Steven Henry Madoff, Antonia Majaca, Gabi Ngcobo, Hans Ulricht Obrist, Jack Persekian with Alison Ramer, María Belén Saéz de Ibarra, Terry Smith, Nato Thompson, Mick Wilson, Brian Kuan Wood, Tirdad Zolghadr
Museology --- museology --- audiences --- political art --- exhibition curators --- resistance [political activity] --- Aktivismus. --- Art and social action. --- Art and society. --- Art --- Politische Beteiligung. --- Political aspects. --- politieke kunst --- protest --- Art and society --- Art and social action --- 7.01 --- Kunst en maatschappijkritiek ; activisme --- Social action and art --- Social action --- Art and sociology --- Society and art --- Sociology and art --- Art and politics --- Politics and art --- Political aspects --- Kunst ; theorie, filosofie, esthetica --- Social aspects --- Art et politique. --- Muséologie --- Militantisme --- Commissaires d'exposition --- Aspect politique. --- Dans l'art. --- Pensée politique et sociale. --- Aspect social.
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L'exposition "Global(e) Resistance" pose de nouveaux jalons dans l'histoire de la collection du Musée national d'art moderne du Centre Pompidou, à travers plus d'une centaine d'oeuvres - acquises au cours de la dernière décennie - d'artistes contemporains issus en majorité des "Suds" (Afrique, Moyen-Orient, Asie, Amérique latine). Elle interroge les stratégies de résistance esthétique et éthique mises en oeuvre par ces artistes. Des luttes politiques aux questions postcoloniales, en passant par l'écologie ou les questions de genre, les artistes répondent à l'urgence des temps présents tout en proposant des alternatives.
Art --- Art et politique --- Musées --- Aspect social --- 21e siècle. --- Acquisitions --- Musée national d'art moderne (Paris, France) --- Acquisitions. --- Musées --- photographs --- sculpture [visual works] --- installations [visual works] --- ecology --- video art --- performance art --- political art --- postcolonialism --- gender [sociological concept] --- resistance [political activity] --- kunst --- Zuid-Amerika --- 7.039 --- Azië --- Afrika --- kunst en ethiek --- kunst en ecologie --- kunst en economie --- eenentwintigste eeuw --- globalisering --- kunst en politiek --- Exhibitions --- Kunst en politiek ; globalisering --- Niet-Westerse kunst --- Kunstgeschiedenis ; 2000 - 2050 --- Art and society --- Art, Modern --- Centre Georges Pompidou --- Art and society - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Art, Modern - 20th century - Exhibitions
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The first volume in the new "Plural" series, this publication seeks to critically dissect the term "activism", which today seems to have become a catchword for any woman's empowerment through the arts, and reveal the diversity of practices and realities that it comprises. Presenting a range of critical insights, perspectives, and practices from artists, activists, and academics, it reflects on the role of feminist interventions in the field of contemporary art, the public sphere, and politics. In the process, it touches upon broader questions of cultural difference, history, class, economic standing, ecological issues, and sexual orientation, as well as the ways in which these intersect.
Feminism and art --- Feminism in art --- Art, Modern --- kunst --- kunsttheorie --- kunstgeschiedenis --- kunst en feminisme --- feminisme --- activisme --- kunst en activisme --- cultuursociologie --- cultuurfilosofie --- fotografie --- film --- documentaire --- twintigste eeuw --- eenentwintigste eeuw --- 7.036/039 --- Modern art --- Nieuwe Ploeg (Group of artists) --- Art and feminism --- Art --- Feminism and art. --- Feminism in art. --- Art, Modern. --- economics --- ecology --- social stratification --- feminism --- emancipation --- maternity --- women [female humans] --- art [fine art] --- racial discrimination --- gender issues --- resistance [political activity] --- 7.01 --- Kunst en feminisme --- Kunst en activisme --- Kunst ; theorie, filosofie, esthetica --- #breakthecanon --- art [discipline] --- Feminismus. --- Frauenkunst. --- Féminisme dans l'art. --- Féminisme et art. --- Feminism --- Feminist art --- Gender --- Queer --- Body --- Menstruation --- Racism --- Film directors --- Sexism --- Theatre --- Telework --- Trauma --- Second feminist wave --- Care work --- Book --- Discrimination --- Intersectionality --- Empowerment --- Féminisme et art. --- Femmes artistes.
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