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Investigates how reformers, conservatives, and radicals used portraiture to connect with supporters and build identity in Victorian politics.
Visual communication in art. --- Portrait painting --- Politics and government. --- Caricatures and cartoons --- Art --- Visual communication in art --- Art and politics --- Politics and art --- Cartoons --- Humorous illustrations --- Illustrations, Humorous --- Pictures, Humorous --- Pictures --- Caricature --- Wit and humor, Pictorial --- Portraiture --- Painting --- Figure painting --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects. --- Political aspects --- History --- 1800 - 1899 --- Great Britain. --- Great Britain --- Politics and government --- Art, Primitive --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Conservative identities. --- Lord Derby. --- Lord John Russell. --- Reformer identities. --- cartoons. --- electoral politics. --- memorials. --- pictorial press. --- political culture. --- political likenesses. --- political portraits. --- portrait prints. --- portrait testimonials. --- public opinion. --- reform bills. --- representative system. --- statues. --- visual culture. --- visual politics.
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