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Populäre Musik macht Angebote zur soziokulturellen Orientierung und Positionierung ihrer Hörer*innen. Damit verbunden sind Machtstrukturen - etwa im Verhältnis der Geschlechter, der Generationen, Ethnien oder sozialen Milieus -, die populäre Musik reproduzieren, aber auch aufbrechen kann, sodass Des- oder Neuorientierungen entstehen können. Die Beiträge dieses Bandes analysieren solche Prozesse kritisch und auf mehreren Ebenen: vom Neosexismus in Indie Rock und feministischen Gegenstrategien, über sexualisierte Afrika-Bilder und osteuropäische Hardbass-Szenen bis zum Entwurf posthumaner Welten in Videoclips. Darüber hinaus werden Leitvorstellungen der Musikpädagogik hinterfragt und Vorschläge für methodologische Neuorientierungen der wissenschaftlichen Auseinandersetzung mit populärer Musik formuliert. »Der vorliegende Band vermittelt neben seinen inhaltlich enger gefassten Einzelbeiträgen vor allem einen beispielhaften Überblick über die thematische Breite und aktuelle Untersuchungsgegenstände der Popularmusikforschung und zeigt die gesellschaftliche Relevanz der Fragestellungen dieser vergleichsweise jungen Disziplin.« Stefanie Klos, MEDIENwissenschaft, 4 (2020) »Der Band bietet anregende Einblicke und Überlegungen zu einem breiten Spektrum an identitätsbezogenen Orientierungen.« Bernhard Steinbrecher, MDW-Magazin, 3/4 (2020) O-Ton: »Über Macht und Popmusik« - Ralf von Appen und Magdalena Fürnkranz im Interview bei Deutschlandfunk Kultur am 24.10.2019.

Populäre Musik; Musikpädagogik; Intersektionalität; Geschlecht; Generation; Ethnie; Milieu; Nation; Feminismus; Empowerment; Sexismus; Neosexismus; Identität; Soziale Medien; Rechtsextremismus; Europa; Afrika; Rock; Jazz; Pop; Studium; Remix; Musik; Popkultur; Kultur; Popmusik; Musikwissenschaft; Cultural Studies; Popular Music; Music Education; Intersectionality; Gender; Ethnicity; Feminism; Sexism; Neo-sexism; Identity; Social Media; Right-wing Extremism; Europe; Africa; Courses; Music; Popular Culture; Culture; Pop Music; Musicology --- Africa. --- Courses. --- Cultural Studies. --- Culture. --- Empowerment. --- Ethnicity. --- Europe. --- Feminism. --- Gender. --- Generation. --- Identity. --- Intersectionality. --- Jazz. --- Milieu. --- Music Education. --- Music. --- Musicology. --- Nation. --- Neo-sexism. --- Pop Music. --- Pop. --- Popular Culture. --- Remix. --- Right-wing Extremism. --- Rock. --- Sexism. --- Social Media.

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"Living Books explores the potential futures of the scholarly book in an increasingly digital environment"-- "Reimagining the scholarly book as living and collaborative-not as commodified and essentialized, but in all its dynamic materiality.In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project-not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality.Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn't cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make."--

Scholarly publishing --- Open access publishing. --- Learned institutions and societies --- Publishers and publishing --- Technological innovations. --- Publishing --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Academies (Learned societies) --- Learned societies --- Scholarly societies --- Associations, institutions, etc. --- Open access to research --- Research, Open access to --- Electronic publishing --- Academic publishing --- scholarly books --- posthumanities --- future of the book --- experimental publishing --- book history --- digital books --- radical open access --- new materialism --- digital humanities --- critical praxis --- scholarly poethics --- remix --- performative publications --- distributed authorship --- versioning.

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";...the best extant map of our sonic shadowlands, and it has changed how I listen.";-Alex Ross, The New Yorker ";...an essential survey of contemporary music.";-New York Times ";...sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound.";-The Wire 2017 Music Book of the Year-Alex Ross, The New YorkerMusic after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post-Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

Music --- Music. --- Neue Musik. --- Politischer Wandel. --- History and criticism. --- Social aspects --- History --- Social aspects. --- 1900-2099. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- compositie --- muziek --- anno 2000-2009 --- anno 2010-2019 --- anno 1990-1999 --- History and criticism --- arts and entertainment. --- cold war era music. --- concert hall. --- crossover work. --- evolution of music. --- excess. --- experimental music. --- fluidity. --- music composition. --- music criticism. --- music theory. --- musical anthropology. --- musical theorists. --- musician. --- musicians. --- permission. --- political and cultural influence. --- remix culture. --- sampling music. --- sound art. --- string quartets. --- western art.

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"In Strange Rites, Tara Isabella Burton takes a tour through contemporary American religiosity. As traditional churches continue to sink into obsolescence, people are looking elsewhere for the intensity and unity that religion once provided. We're carrying on a longstanding American tradition of religious eclecticism, DIY-innovation and "unchurched" piety (and highly effective capitalism)"--

Spirituality --- Non-church-affiliated people --- Capitalism --- Spiritualité --- Sans-religion --- Capitalisme --- History --- Religious aspects. --- Aspect religieux --- United States --- Etats-Unis --- Religion --- the death of God --- mainstream religion --- spirituality --- rejecting traditional worship --- USA --- spiritual traditions --- spiritual rituals --- spiritual subcultures --- astrology --- witchcraft --- SoulCycle --- the Alt-Right --- the Internet --- consumer capitalism --- lifestyle branding --- modern American religious culture --- organized religion and political establishments --- spiritual paths --- the techno-utopians of Silicon Valley --- Satanism --- polyamorous communities --- witches from Bushwick --- wellness junkies --- social justice activists --- devotees of Jordan Peterson --- religious remix-culture