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Book Description Since the early 1970s, Roman Signer has been making art that refuses to be described in conventional terms. His objects and installations look like science experiments, and his photographs and films seem only to document their results: In compliance with carefully planned and strictly executed and documented procedures, Signer sets off explosions and collisions, sending his materials flying through space. Videos like Boot with Rocket capture the original setup, soon to self-destruct. Signer's work gives cause and effect a humorous twist, as it does the scientific method, taking on the self-evidence of scientific logic as an artistic challenge. But in the midst of all this, Signer has also been making a much quieter and more conventional body of work, not unlike the one most readers keep in a shoebox on a shelf in their closets: His "Reisefotos," or travel photographs, track the great experiments of 20 years on and off the road, found works that, like Signer's own, called out to be documented. Whether his subj http://www.amazon.fr/Roman-Signer-Travel-Peter-Zimmermann/dp/3865212824 (7/12/10)
Paysage (thème) --- Photographie --- Signer, Roman --- kunst --- twintigste eeuw --- Zwitserland --- performances --- reisfotografie --- 7.071 SIGNER --- 77.071 SIGNER --- fotografie --- Signer Roman
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Photography --- travel photography --- art history --- travel --- artistieke fotografie --- Renaissance --- renaissancekunst --- reisfotografie --- kunstgeschiedenis --- reizen --- Goethe, von, Johann Wolfgang --- Italy
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Geography --- Nooteboom, Cees --- Photographie de voyage --- Reisfotografie --- Reisverhalen --- Récits de voyages --- Authors, Dutch --- Nooteboom, Cees, 1933 --- -Travel --- Authors, Dutch - 20th century - Biography --- Nooteboom, Cees, 1933- - Travel - Pictorial works --- -Geography --- -Authors, Dutch
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History --- Photography --- Photographie en archéologie --- Photographie de presse --- Photographie documentaire --- Academic collection --- fotografie --- archeologie --- fotografie en archeologie --- oudheid --- Griekenland --- Kessels Willy --- Misère au Borinage --- Storck Henri --- documentaire fotografie --- reportagefotografie --- Buls Karel --- reisfotografie --- postkaarten --- Kelley Mike --- Vandermeulen Bruno --- Veys Danny --- Michiels Bart --- Borghouts Karin --- De Keyzer Carl --- 77.044 --- History. --- CDL --- Photography in archaeology --- Archaeology --- Misère au Borinage
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Lara Gasparotto (Liège, 1989) is one of today's most fascinating photographers. She swiftly developed a spontaneous style in which she documents her own life. Gasparotto often photographs the young people around her, but she also has an unmatched ability to distil the atmosphere of landscapes and interiors. Her pictures reveal her love of the countryside in which she grew up and to which she frequently returns, also during her many journeys to places like Kyrgyzstan, Ethiopia, Mexico and Andalusia. The photographs are permeated with beauty and intimacy. Exhibition: Stieglitz 19, Antwerp, Belgium (18.09. - 29.10.2016).
Photography, Artistic. --- landschapsfotografie --- portretfotografie --- reportagefotografie (documentaire fotografie) --- Gasparotto, Lara --- 761.2 fotografen afzonderlijk --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Aesthetics --- Gasparotto, Lara, --- reisfotografie --- travel photography --- Art --- Photography, Artistic --- Fotografie --- 77.092.07 --- Vrouwelijke kunstenaars --- Belgische kunstenaars --- Fotografen A - Z --- Fotografen ; 1ste helft 21ste eeuw ; Lara Gasparotto --- Gasparotto, Lara °1989 (°Comblain-au-Pont, bij Luik, België)
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Accidentally Wes Anderson began as a personal travel bucket list, a catalog of visually striking and historically unique destinations that capture the imagined worlds of Wes Anderson. Now, inspired by a community of more than one million Adventurers, Accidentally Wes Anderson tells the stories behind more than 200 of the most beautiful, idiosyncratic, and interesting places on Earth. This book, authorized by Wes Anderson himself, travels to every continent and into your own backyard to identify quirky landmarks and undiscovered gems: places you may have passed by, some you always wanted to explore, and many you never knew existed. Fueled by a vision for distinctive design, stunning photography, and unexpected narratives, Accidentally Wes Anderson is a passport to inspiration and adventure. Perfect for modern travelers and fans of Wes Anderson's distinctive aesthetic, this is an invitation to look at your world through a different lens.
Film --- motion pictures [visual works] --- illustrations [layout features] --- Anderson, Wes --- Travel --- Curiosities and wonders --- architectuurfotografie --- landschapsfotografie --- fotografie --- 77.046 --- 77.047 --- 791.471 ANDERSON --- Anderson Wes --- eenentwintigste eeuw --- filmlocaties --- film --- Verenigde Staten --- Enigmas --- Facts, Miscellaneous --- Miscellaneous facts --- Oddities --- Trivia --- Wonders --- Anderson, Wes, --- Aesthetics. --- Voyages and travels --- 761.2 fotografen afzonderlijk --- 798.53 --- reisfotografie --- Reisgidsen --- film en architectuur --- film, cineasten
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Beginning with early abstractions and a project on the Brooklyn Bridge, this book covers the artist's work in New England, Tahiti, Cuba, Florida, and New Orleans, and his involvement with the Farm Security Administration which led to the book Let Us Now Praise Famous Men.
Artistic photography --- Artistieke fotografie --- Fotografie [Kunst] --- Kunstfotografie --- Photographie artistique --- Photographie de voyage --- Photographie et voyage --- Photographie et voyages --- Photographie touristique --- Photography [Artistic ] --- Photography [Travel ] --- Photos de voyage --- Reisfoto's --- Reisfotografie --- Tourisme -- Photographie --- Travel photography --- Voyage -- Photographie --- Voyage et photographie --- Voyages -- Photographie --- Voyages et photographie --- CDL --- 77.071 EVANS --- Photographers --- Photography, Artistic --- Photography --- Outdoor photography --- Photography, Pictorial --- Pictorial photography --- Art --- Biography --- Aesthetics --- Evans, Walker, --- United States --- Evans, Walker
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In dit boek worden verschillende facetten van de rijke collectie van het Fotomuseum van de Provincie Antwerpen belicht. Ann Deckers, gastdocente aan de Hogeschool Antwerpen, geeft bij meerdere hoofdstukken een overzicht van de toepasselijke types van fotocamera's. Johan Pas, docent aan de Hogeschool Antwerpen, schreef het hoofdstuk "De realiteit als ruïne: romans, reizen, rampen & (andere) rotzooi".
musea --- museums [buildings] --- history [discipline] --- cameras [photographic equipment] --- photography [process] --- fotografie --- camera's --- Photography --- geschiedenis --- FotoMuseum [Antwerp] --- Fotografie --- Photographie --- FotoMuseum Provincie Antwerpen --- 779 --- Museumcatalogi ; Antwerpen ; FotoMuseum Provincie Antwerpen --- 77.01 --- 069 --- onder redactie van Inge Henneman ; Pool Andries, Ann Deckers, Johan De Vos, Dirk Lauwaert, Johan Pas, Luc Salu, Dominique Somers, Ann Van Dijck, Herman Van Goethem --- Fotografiemuseum Antwerpen --- FotoMuseum Antwerpen --- beeldarchieven --- etnografie --- fotografie en etnografie --- portret --- portretfotografie --- reisfotografie --- reportagefotografie --- Volksgazet --- stereoscopie --- stereofotografie --- autochromie --- boekillustraties --- illustraties --- 77.03 --- Fotografie--Fotoverzamelingen. Collecties --- Fotografie ; theorie, filosofie, esthetica --- Musea. Collecties --- 779 Fotografie--Fotoverzamelingen. Collecties --- Photograph collections --- History. --- Museum voor Fotografie (Antwerpen, Belgium). --- MAD-faculty 13 --- kunstgeschiedenis --- 750 --- Antwerpen musea --- photographie --- FOMU: Fotomuseum [Antwerp] --- FOMU: Fotomuseum Antwerp
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The road trip is an enduring symbol in American culture. Ever since cars became widely available, the road stretching over the horizon has represented a sense of possibility and freedom, discovery and escapea place to get lost and find yourself in the process. The American road trip has appeared prominently in literature, music, and movies, but it has had an especially powerful influence on photography. As photographers have embarked on trips across the United States with the express purpose of making work, they have created some of the most important photographs in the history of the medium: from images by Walker Evans, Henri Cartier-Bresson, and Berenice Abbott to Robert Franks seminal 1950s odyssey, The Americans. From Stephen Shore to Ryan McGinley, hundreds of other photographers have continued the tradition. The Open Road is the first book to explore the photographic road trip as a genre. It opens with a comprehensive introduction, which traces the rise of road culture in America and considers photographers on the move across the country and across the century, from the early 1900s to present day. Each chapter explores one body of work in depth through informative texts and a portfolio of images, beginning with Robert Frank, and including such renowned work as Garry Winogrands 1964, Joel Sternfelds American Prospects, William Egglestons Los Alamos, and Alec Soths Sleeping by the Mississippi. The Open Road is a visual tour-de-force, presenting the story of photographers for whom the American road is muse.
Amerikaanse cultuur --- artistieke fotografie --- reizen --- photography [process] --- fotografie --- Photography --- United States --- Photography, Artistic. --- Photographic criticism. --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- landschap --- reisfotografie --- auto's --- road trips --- Frank Robert --- Ruscha Ed --- Morath Inge --- Winogrand Garry --- Eggleston William --- Friedlander Lee --- Meyerowitz Joel --- Holdt Jacob --- Shore Stephen --- Plossu Bernard --- Burgin Victor --- Sternfeld Joel --- Fujiwara Shinya --- Soth Alec --- Hido Todd --- McGinley Ryan --- Krebs Nico --- Onorato Taiyo --- Kurland Justine --- 77.047 --- Photography criticism --- Criticism --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Social life and customs --- Description and travel --- Alltag. --- Dokumentarphotographie. --- Manners and customs. --- Photographie. --- USA. --- United States. --- Photography, Artistic --- Photographic criticism --- landschapsfotografie --- documentaire fotografie --- portretfotografie --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- États-Unis --- É.-U. --- ÉU
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