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Sound recording industry --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- Graphics industry --- Italy

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Enregistrements sonores--Industrie --- Geluidsopnamen--Industrie --- Music trade --- Musique--Commerce --- Muziek--Handel --- Organ trade --- Piano trade --- Popular music record industry --- Record industry --- Recorded music industry --- Sound recording industry --- Music trade. --- Sound recording industry.

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Sound recording industry --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- History. --- King Record Company --- King Records (Firm) --- History --- E-books

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"From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as ?indie-pop,? ?C86,? ?cutie? and ?twee?) whose moment had passed. Yet now, more than 20 years after its founders symbolically ?destroyed? it, Sarah is among the most passionately fetishized record labels of all time. Its rare releases command hundreds of dollars, devotees around the world hungrily seek out any information they can find about its poorly documented history, and young musicians-some of them not yet born when Sarah shut down-claim its bands (such as Blueboy, the Field Mice, Heavenly, and the Wake) as major influences. Featuring dozens of exclusive interviews with the music-makers, producers, writers and assorted eyewitnesses who played a part in Sarah's eight-year odyssey, Popkiss: The Life and Afterlife of Sarah Records is the first authorised biography of an unlikely cult legend."--

Sound recording industry --- Indie pop music --- Independent pop music --- Alternative rock music --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Music trade --- History. --- History and criticism. --- Sarah Records --- Music

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The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, The Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant, and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication.

Musique --- Musique et technologie --- Sound recording industry --- Music and technology. --- Industrie et commerce --- Aspect social --- Social aspects. --- muziek --- muziekindustrie --- nieuwe media --- cultuurfilosofie --- digitale muziek --- 78 --- Aspect social. --- Musique et technologie. --- Music and technology --- Audio recording industry --- Popular music record industry --- Record companies --- Record industry --- Record music industry --- Recorded music industry --- Recording industry --- Technology and music --- Social aspects --- Music trade --- Technology