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Iconography --- Art --- art [discipline] --- mass media --- radio [telecommunication system] --- anno 1900-1999 --- Canada
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This book explores the central themes and techniques of artist-made radio, emerging from over 20 years of practice by a multitude of artists in the field. It brings to the page excerpts of long-form radio works from the world’s largest exhibition of radio art, Radio Art Zone, a joint project by the artist duo Mobile Radio (Sarah Washington & Knut Aufermann) and the Luxembourg community station Radio ARA, which was broadcast for 100 days as part of the programme of the European Capital of Culture Esch2022. Interspersed with newly commissioned works ranging from micro-essays and texts on radio form, practice and poetics, to radio plays and illustrations, it is full of unique images which allow the imagination to expand outward into radio space. Radio Art Zone performs an exquisite transformation from airwaves to paper, providing a treasury of ideas and reflections about radio as art.
Station de radio --- Sociologie de la communication --- Art --- radio [telecommunication system] --- broadcasts --- interactive art --- sound art --- art interventions
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Radio broadcasting. --- Radio broadcasting. --- Radio. --- Radio. --- Radio. --- Telegraph, Wireless. --- Telegraph, Wireless. --- Télégraphie sans fil. --- radio (telecommunication system).
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Art --- Sculpture --- sculpture [visual works] --- assemblages [sculpture] --- installations [visual works] --- wars --- National Socialism --- propaganda --- radio [telecommunication system] --- Kienholz, Edward
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Art styles --- Iconography --- Art --- mass media --- computer art [visual works] --- radio [telecommunication system] --- Internet --- anno 1900-1999
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Art --- multimedia works --- film [discipline] --- video art --- television [telecommunication system] --- radio [telecommunication system] --- new media art --- Beuys, Joseph
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political art --- radio [telecommunication system] --- video art --- scripts [writing] --- Film --- Iconography --- Art --- Gunther, Ingo --- anno 1900-1999 --- Germany --- Günther, Ingo --- mass media --- kunstsociologie
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Art --- diaries --- copy art [reprographic art] --- performance art --- artists' books [books] --- freewheeled vehicles --- radio [telecommunication system] --- fanzines --- photocopying machines --- power producing equipment --- McCarthy, Pat --- Marseilles
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Cinema and radio in Britain and America, 1920-60 charts the evolving relationship between the two principal mass media of the period. It explores, for the first time in print, the creative symbiosis that developed between the two, including regular film versions of popular radio series as well as radio versions of hit films. This fascinating volume, now available in paperback, examines specific genres (comedy and detective stories) to identify similarities and differences in their media appearances, and in particular issues arising from the nature of film as predominantly visual and radio as exclusively aural. Richards also highlights the interchange of personnel, such as Orson Welles, between the two media. Throughout the book runs the theme of comparison and contrast between the experiences of the two media in Britain and America. The book culminates with an in-depth analysis of the media appearances of three enduring mythic figures in popular culture: Sherlock Holmes, Tarzan and The Scarlet Pimpernel.
Motion pictures --- Radio programs --- Cinéma --- Emissions radiophoniques --- History --- Histoire --- Mass communications --- motion picture theaters --- radio [telecommunication system] --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- Great Britain --- United States --- United States of America
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