Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Al Capone, George "Machine Gun" Kelly, Alvin Karpis, "Dock" Barker-these were just a few of the legendary "public enemies" for whom America's first supermax prison was created. In Alcatraz: The Gangster Years, David Ward brings their stories to life, along with vivid accounts of the lives of other infamous criminals who passed through the penitentiary from 1934 to 1948. Ward, who enjoyed unprecedented access to FBI, Federal Bureau of Prisons, and Federal Parole records, conducted interviews with one hundred former Alcatraz convicts, guards, and administrators to produce this definitive history of "The Rock." Alcatraz is the only book with authoritative answers to questions that have swirled about the prison: How did prisoners cope psychologically with the harsh regime? What provoked the protests and strikes? How did security flaws lead to the sensational escape attempts? And what happened when these "habitual, incorrigible" convicts were finally released? By shining a light on the most famous prison in the world, Ward also raises timely questions about today's supermax prisons.
Prisons --- History. --- United States Penitentiary, Alcatraz Island, California. --- Alcatraz Island (Calif.) --- 20th century american crime. --- 20th century american history. --- al capone. --- alcatraz. --- alvin karpis. --- american government. --- convicts. --- crime. --- dock barker. --- escape attempts. --- fbi. --- federal bureau of prisons. --- federal government. --- federal parole records. --- gangsters. --- george kelly. --- infamous criminals. --- inmates. --- machine gun kelly. --- outlaws. --- penal policy. --- penitentiary. --- prison administrators. --- prison guards. --- prison. --- public enemy. --- resistance. --- security. --- supermax prison. --- the rock. --- worst of the worst.
Choose an application
As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond.
Rap (Music) --- Music and race. --- Race awareness --- Racism in popular culture --- Popular culture --- Race and music --- Race --- Hip-hop music --- Rap songs --- Rappin' (Music) --- Rapping (Music) --- African Americans --- Monologues with music --- Popular music --- Trip hop (Music) --- Social aspects --- blackness. --- dr dre. --- eminem. --- entertainment industry. --- ethnomusicology. --- grandmaster flash and the furious five. --- hearing race. --- imagery. --- interdisciplinary. --- lyrics. --- mass mediated culture. --- music. --- musical genres. --- musical. --- musicians. --- new understandings of race. --- nwa. --- performing arts. --- political. --- popular music. --- public enemy. --- race and nation. --- race relations. --- race. --- rap music. --- rap. --- rappers. --- representations of blackness. --- representations of identity. --- run dmc. --- singers. --- sound studies. --- sound. --- the sugarhill gang. --- urban culture.
Choose an application
In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."
Popular music --- Rap (Music) --- Underground dance music --- Grunge music --- Nineteen eighty-nine, A.D. --- 1989 A.D. --- Nineteen hundred eighty-nine, A.D. --- Year nineteen eighty-nine, A.D. --- Nineteen eighties --- Grunge rock music --- Alternative rock music --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Dance music --- Electronica (Music) --- Remixes --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- History and criticism. --- acid house. --- bands. --- cultural studies. --- de la soul. --- dr dre. --- entertainment industry. --- fall of the berlin wall. --- gangsta rap. --- george micheal. --- grunge music. --- historical. --- history. --- jesus jones. --- lyrical theory. --- madonna. --- media studies. --- music studies. --- music. --- musicians. --- nine inch nails. --- nirvana. --- nwa. --- performing arts. --- political aesthetics. --- politics. --- pop music. --- popular music. --- public enemy. --- rap music. --- retrospective. --- roxette. --- singers. --- social context. --- the end of history. --- the klf. --- the scorpions. --- u2.
Choose an application
Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches— angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority—to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley.
Popular music --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Political aspects --- History. --- Social aspects --- Music, power, popular music, popular songs, social justice, change, history of music, politically-conscious music, Pete Seeger, Woody Guthrie, Green Day, NWA, reggae, country, metal, soul, world-changing songs, social change, protest songs, war, racism, sexism, ecological destruction, psychedelia, rap, punk, folk, musicians, injustice, mocking authority, Phil Ochs, Gil Scott-Heron, The Dead Kennedys, politicized artists, Lesly Gore, James Brown, Black Sabbath, music industry, political context, Bob Dylan, Bob Marley, political science, hip-hop, sociopolitical songs, union songs, Joan Baez, the Folk Revival, Pink Floyd, Jimi Hendrix, psychedelic rock, R&B, Rhythm & Blues, Curtis Mayfield, The Temptations, The Sex Pistols, Public Enemy, John Lennon, Peter Gabriel, Frank Zappa, The Who, The Dixie Chicks, rock music history, music and politics, music activism.
Listing 1 - 4 of 4 |
Sort by
|