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Book
Alcatraz
Authors: ---
ISBN: 1282772481 9786612772481 0520942981 9780520942981 9781282772489 6612772484 0520256077 9780520256071 Year: 2009 Publisher: Berkeley University of California Press

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Abstract

Al Capone, George "Machine Gun" Kelly, Alvin Karpis, "Dock" Barker-these were just a few of the legendary "public enemies" for whom America's first supermax prison was created. In Alcatraz: The Gangster Years, David Ward brings their stories to life, along with vivid accounts of the lives of other infamous criminals who passed through the penitentiary from 1934 to 1948. Ward, who enjoyed unprecedented access to FBI, Federal Bureau of Prisons, and Federal Parole records, conducted interviews with one hundred former Alcatraz convicts, guards, and administrators to produce this definitive history of "The Rock." Alcatraz is the only book with authoritative answers to questions that have swirled about the prison: How did prisoners cope psychologically with the harsh regime? What provoked the protests and strikes? How did security flaws lead to the sensational escape attempts? And what happened when these "habitual, incorrigible" convicts were finally released? By shining a light on the most famous prison in the world, Ward also raises timely questions about today's supermax prisons.


Book
Sounding Race in Rap Songs
Author:
ISBN: 0520283996 0520959663 9780520959668 1322889341 9781322889344 9780520283985 0520283988 9780520283992 Year: 2015 Publisher: Berkeley, CA : University of California Press,

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As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond.


Book
1989
Author:
ISBN: 1282772635 9786612772634 052094464X 9780520944640 9781282772632 9780520267879 0520267877 9780520252554 0520252551 Year: 2009 Publisher: Berkeley University of California Press

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In a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."


Book
Music is power
Author:
ISBN: 1978808151 9781978808157 9781978808126 1978808127 Year: 2020 Publisher: New Brunswick

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Popular music has long been a powerful force for social change. Protest songs have served as anthems regarding war, racism, sexism, ecological destruction and so many other crucial issues. Music Is Power takes us on a guided tour through the past 100 years of politically-conscious music, from Pete Seeger and Woody Guthrie to Green Day and NWA. Covering a wide variety of genres, including reggae, country, metal, psychedelia, rap, punk, folk and soul, Brad Schreiber demonstrates how musicians can take a variety of approaches— angry rallying cries, mournful elegies to the victims of injustice, or even humorous mockeries of authority—to fight for a fairer world. While shining a spotlight on Phil Ochs, Gil Scott-Heron, The Dead Kennedys and other seminal, politicized artists, he also gives readers a new appreciation of classic acts such as Lesley Gore, James Brown, and Black Sabbath, who overcame limitations in their industry to create politically potent music Music Is Power tells fascinating stories about the origins and the impact of dozens of world-changing songs, while revealing political context and the personal challenges of legendary artists from Bob Dylan to Bob Marley.

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