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For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively "ed literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the "to be or not to be" politics that have turned Shakespeare's tragedy into the essential Arab political text, cited by Arab liberals, nationalists, and Islamists alike. On the Arab stage, Hamlet has been an operetta hero, a firebrand revolutionary, and a muzzled dissident. Analyzing productions from Egypt, Syria, Iraq, Jordan, and Kuwait, Litvin follows the distinct phases of Hamlet's naturalization as an Arab. Her fine-grained theatre history uses personal interviews as well as scripts and videos, reviews, and detailed comparisons with French and Russian Hamlets. The result shows Arab theatre in a new light. Litvin identifies the French source of the earliest Arabic Hamlet, shows the outsize influence of Soviet and East European Shakespeare, and explores the deep cultural link between Egypt's Gamal Abdel Nasser and the ghost of Hamlet's father. Documenting how global sources and models helped nurture a distinct Arab Hamlet tradition, Hamlet's Arab Journey represents a new approach to the study of international Shakespeare appropriation.Some images inside the book are unavailable due to digital copyright restrictions.

Arabic drama --- Politics in literature. --- Heroes in literature. --- Political science in literature --- History and criticism. --- Hamlet --- Shakespeare, William, --- Amleth --- Translations into Arabic --- Appreciation --- Egypt --- Égypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- جمهورية مصر العربية --- مِصر‎ --- مَصر‎ --- Maṣr --- Khēmi --- エジプト --- Ejiputo --- Egypti --- Egypten --- מצרים --- United Arab Republic --- Civilization --- English influences. --- 1970s. --- Alfred Farag. --- Arab Hamlet tradition. --- Arab Hamlet. --- Arab Shakespeare. --- Arab politics. --- Arabic theatre. --- Egypt. --- Egyptian audiences. --- Egyptian theatre. --- English translations. --- Gamal Abdel Nasser. --- Hamlet adaptations. --- Hamlet rewriting. --- Hamlet. --- Hamletization. --- Iraq. --- Jabra Ibrahim Jabra. --- Jordan. --- June War. --- Kuwait. --- Salah Abdel Sabur. --- Shakespeare adaptations. --- Shakespeare. --- Sulayman of Aleppo. --- Syria. --- The Tragedy of Al-Hallaj. --- allegorical political theatre. --- authenticity. --- collective political identity. --- death. --- dramatic irony. --- global kaleidoscope theory. --- historical agency. --- interiorized subjectivity. --- ironic laughter. --- legacy. --- literary studies. --- modern Arab identity. --- modern Arab politics. --- modern political agents. --- moral personhood. --- moral subjects. --- offshoot plays. --- polemical writings. --- political agency. --- political crises. --- political participation. --- political theatre. --- postcolonial period. --- postcolonial rewriting. --- psychological interiority. --- self-determination. --- twenty-first-century politics. --- world classics. --- Arabic languages --- Drama --- Theory of literary translation --- English literature --- Shakespeare, William --- Hamlet (Legendary character)