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What is the purpose of travel in an age when millions are displaced against their will or have no home to speak of in the first place? How can we travel without being tourists, without erasing the stories of those who live where we visit? These are some of the questions addressed in Cristian Aliaga's compelling collection of prose poems, 'Music for Unknown Journeys'.
Aliaga, Cristián, --- prose poetry --- Patagonia --- Cristian Aliaga --- travel --- Argentina
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In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval."Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, à la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it--they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius").
Biographical poetry, American. --- Prose poems, American. --- Middle Ages --- Gay men --- prose poetry --- gay life --- memoir --- medievalism
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In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval."Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, à la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it--they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius").
Biographical poetry, American. --- Prose poems, American. --- Middle Ages --- Gay men --- prose poetry --- gay life --- memoir --- medievalism
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In the world of My Gay Middle Ages, Chaucer and Boethius are the secret-sharers of A.W. Strouse's "gay lifestyle." Where many scholars of the Middle Ages would "get in from behind" on cultural history, Strouse instead does a "reach around." He eschews academic "queer theory" as yet another tedious, normative framework, and writes in the long, fruity tradition of irresponsible, homo-medievalism (a lineage that includes luminaries like Oscar Wilde, who was sustained by his amateur readings of Dante and Abelard during the darks days of his incarceration for crimes of "gross indecency"). Strouse experiences medieval literature and philosophy as a part of his everyday life, and in these prose poems he makes the case for regarding the Middle Ages as a kind of technology of self-preservation, a posture through which to spiritualize the petty indignities of modern urban life. With a Warholian flair for insouciant name-dropping and a Steinian appetite for syntactic perversion, Strouse monumentalizes the medieval within the contemporary and the contemporary within the medieval."Today, almost nobody reads Boethius, which if you ask me is a crying shame. Because Boethius is so gay. First of all, the heroine of the Consolation is this great big fierce diva, whose name is Lady Philosophy. She's a Lady, and she doesn't stand for anybody's crap. At the beginning of the book, Boethius is crying, all alone in prison, depressed that he's lonely and loveless and is going to be killed. Lady Philosophy descends from the heavens, à la Glinda the Good Witch in The Wizard of Oz. The first thing Boethius notices about her is that she's wearing an amazing dress with Greek letters embroidered on it--they stand for practical and theoretical philosophy. Her dress has been torn to shreds by the hands of uncouth philosophers. They didn't know how to treat a lady." (from "My Boethius").
Biographical poetry, American. --- Prose poems, American. --- Middle Ages --- Gay men --- prose poetry --- gay life --- memoir --- medievalism
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An engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry's key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today's most inventive writing.
Prose poems, English --- Prose poems, American --- American prose poems --- American poetry --- American prose literature --- English prose poems --- English poetry --- English prose literature --- History and criticism. --- American poetry. --- Baudelaire. --- France. --- French. --- Macpherson. --- Ossian. --- analysis. --- box. --- contemporary prose poetry. --- digital media. --- famous prose poems. --- famous prose poets. --- flaneur. --- fragment. --- guidebook. --- handbook. --- how is prose poetry different from poetry. --- how to interpret prose poetry. --- how to read prose poetry. --- neo surreal. --- neo surrealism. --- postmodern writing. --- romantic fragment. --- surrealism. --- surrealists. --- symbolism. --- symbolists. --- what is difference between prose poetry and poetry. --- what is prose poetry. --- who writes prose poetry.
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Wandering in Circles examinesthe definition of redemption in Venedikt Erofeev's Moskva-Petushki. By placing Erofeev's poema in conversation withother travel narratives from Russia and the West, the book explores the meaningof redemption across societies and cultures.
Redemption in literature. --- Erofeev, Venedikt, --- Aleksandr Radishchev. --- Dante Alighieri. --- Grief. --- John Milton. --- Journeys. --- Parody. --- Redemption. --- Russia. --- Travel Narratives. --- Venedikt Erofeev. --- comparative literature. --- criticism. --- politics. --- prose poetry. --- religious imagery.
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The book provides a comprehensive summary of the existing approaches to the prose poem and offers an original conception of it, remaining close to the poetic texts by following the intricate line of development of the prose poem, in Modern Polish and European literary history and literary genre theory.
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The book provides a comprehensive summary of the existing approaches to the prose poem and offers an original conception of it, remaining close to the poetic texts by following the intricate line of development of the prose poem, in Modern Polish and European literary history and literary genre theory.
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Sonosyntactics introduces the reader to over forty-five years of Paul Dutton’s diverse and inventive poetry, ranging from lyrics, prose poems, and visual work to performance texts and scores. Perhaps best known for his acclaimed solo sound performances and his contributions to the iconic sound poetry group The Four Horsemen, Dutton is a surprising, witty, sensitive, and innovative explorer of language and of the human. This volume gathers a representative selection of his most significant and characteristic poetry together with a generous selection of uncollected new work. Sonosyntactics demonstrates Dutton’s willingness to (re)invent and stretch language and to listen for new possibilities while at the same time engaging with his perennial concerns—love, sex, music, time, thought, humour, the materiality of language, and poetry itself. Gary Barwin’s introduction outlines the major subjects and techniques of Dutton’s poetry: an intricate weaving of thought and language, sound and emotion, sound and sense, and the unfolding of a text through the logic of language play such as puns, paradoxes, ambiguity, and sound relations. In an afterword by Dutton himself, the poet insightfully lays out the terms of his engagement with the materiality—both visual and aural—of language, often beyond the purely recountable, representational, or depictive.
Canadian poetry --- 21st century. --- Canadian literature. --- Canadian poetry. --- Four Horsemen. --- Gary Barwin. --- Paul Dutton. --- concrete poetry. --- dirty concrete. --- experimental poetry. --- jazz poetry. --- lyric poetry. --- narrative poetry. --- poetry. --- prose poetry. --- serial poetry. --- sound poetry. --- typewriter art. --- typewriter poetry. --- vispo. --- visual poetry.
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This landmark collection brings together poetry, performance pieces, "traditional" verse, prose poems, and other poetical texts from Jackson Mac Low's lifetime in art. The works span the years from 1937, beginning with "Thing of Beauty," his first poem, until his death in 2004 and demonstrate his extraordinary range as well as his unquenchable enthusiasm. Mac Low is widely acknowledged as one of the major figures in twentieth-century American poetry, with much of his work ranging into the spheres of music, dance, theater, performance, and the visual arts. Comparable in stature to such giants as Robert Creeley, John Ashbery, and Allen Ginsberg, Mac Low is often associated with composer John Cage, with whom he shared a delight in work derived from "chance operations." This volume, edited by Anne Tardos, his wife and frequent collaborator, offers a balanced arrangement of early, middle, and late work, designed to convey not just the range but also the progressions and continuities of his writings and "writingways."
Experimental poetry. --- Performance art --- Arts, Modern --- Happenings (Art) --- Performing arts --- Avant-garde poetry --- Literature, Experimental --- Poetry --- 20th century poetry. --- allen ginsberg. --- american poet. --- contemporary poetry. --- creative writer. --- creative writing. --- dance. --- famous poet. --- john ashbery. --- mfa. --- modern poetry. --- music. --- performance art. --- performance. --- poet. --- poetic influences. --- poetic verse. --- poetics. --- poetry. --- prose poems. --- prose poetry. --- robert creeley. --- theater. --- traditional verse. --- visual arts. --- writing.
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