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Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust.
Program music. --- Musique à programme --- Musique à programme --- Programmatic music --- Music --- Narrative in music --- History and criticism --- Program music
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The history of programme music stretches back centuries, but only in the nineteenth century did it enter into widespread use. Indeed, seminal compositions by Ludwig van Beethoven and Frédéric Chopin to Arnold Schoenberg and Jean Sibelius have helped programme music to secure a position within the artistic pantheon, albeit not without bringing a significant amount of controversy in tow. Yet despite its ubiquitous presence in the nineteenth century, scholarship has not adequately articulated the full extent of programme music’s range and impact. This volume explores the diverse ways in which programme music was defined, historicized, practiced, disseminated, and judged. It considers how biography, tradition, and function informed the compositional approaches taken by Beethoven, Joseph Joachim, Ethel Smyth, and Zygmunt Noskowski, among others. It draws on extra-musical elements—novels, poems, lithographs, and other forms of creative expression—to determine the ontological profile of works by Chopin, Franz Liszt, Antonio Pasculli, Piotr Tchaikovsky, and Leoš Janáček. It situates compositions by Johannes Brahms, Gustav Mahler, Sibelius, and Schoenberg within the ongoing discourse around Hanslickian absolute and Lisztian programme music. And it visits major European cities to highlight the critical streams of reception toward the end of the century. Throughout, it repeatedly engages with questions of generic identity (with special attention given to the symphonic poem), issues of narrativity and topicality, and considerations of form and structure.
Program music. --- Program music --- Programmatic music --- Music --- Narrative in music --- History and criticism --- programmamuziek --- anno 1800-1899 --- Europe
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"The Programmatic Action Framework (PAF) is the newcomer in the pluralistic set of the theories of the policy process." -Giliberto Capano, Professor of Political Science and Public Policy, University of Bologna, Italy "The book presents empirical cross-country evidence for the PAF's idea that overlapping biographies of policy actors and resulting social identities often drive collective action." -Tanya Heikkila, Professor of Public Affairs, University of Colorado Denver, USA "This work advances knowledge of programmatic actors comparatively." -Michael Howlett, Burnaby Mountain Professor, Simon Fraser University, Canada "Johanna Hornung shows that policy change is irrevocably linked to the programmatic group, framed by two specific institutions - the recruitment processes and career paths of administrative actors." -Sabine Saurugger, Professor of Political Science, Science Po Grenoble, France. This open access book is thefirst monograph to systematically apply the Programmatic Action Framework (PAF) in a comparative analysis of public policy in two institutionally different countries. The PAF seeks to explain long-term policy change by examining the shared biographies of policy actors who, to foster their careers, coalesce around policy programs which they promote throughout the policy process. Comparing health policy-making in France and Germany between 1990 and 2020, the book sheds light on the institutional settings that are necessary for programmatic action to occur. It will appeal to scholars and students of public policy, public administration, and health policy. Johanna Hornung is a Research Associate at the Institute of Comparative Politics and Public Policy, TU Braunschweig, Germany.
Political planning. --- Comparative government. --- Medical policy. --- Public Policy. --- Comparative Politics. --- Health Policy. --- Programmatic action --- Health policy --- Comparative politics --- Public policy --- Social identities --- French health policy --- German health policy
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"The Programmatic Action Framework (PAF) is the newcomer in the pluralistic set of the theories of the policy process." -Giliberto Capano, Professor of Political Science and Public Policy, University of Bologna, Italy "The book presents empirical cross-country evidence for the PAF's idea that overlapping biographies of policy actors and resulting social identities often drive collective action." -Tanya Heikkila, Professor of Public Affairs, University of Colorado Denver, USA "This work advances knowledge of programmatic actors comparatively." -Michael Howlett, Burnaby Mountain Professor, Simon Fraser University, Canada "Johanna Hornung shows that policy change is irrevocably linked to the programmatic group, framed by two specific institutions - the recruitment processes and career paths of administrative actors." -Sabine Saurugger, Professor of Political Science, Science Po Grenoble, France. This open access book is thefirst monograph to systematically apply the Programmatic Action Framework (PAF) in a comparative analysis of public policy in two institutionally different countries. The PAF seeks to explain long-term policy change by examining the shared biographies of policy actors who, to foster their careers, coalesce around policy programs which they promote throughout the policy process. Comparing health policy-making in France and Germany between 1990 and 2020, the book sheds light on the institutional settings that are necessary for programmatic action to occur. It will appeal to scholars and students of public policy, public administration, and health policy. Johanna Hornung is a Research Associate at the Institute of Comparative Politics and Public Policy, TU Braunschweig, Germany.
Political planning. --- Comparative government. --- Medical policy. --- Public Policy. --- Comparative Politics. --- Health Policy. --- Programmatic action --- Health policy --- Comparative politics --- Public policy --- Social identities --- French health policy --- German health policy
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“The Programmatic Action Framework (PAF) is the newcomer in the pluralistic set of the theories of the policy process." -Giliberto Capano, Professor of Political Science and Public Policy, University of Bologna, Italy “The book presents empirical cross-country evidence for the PAF's idea that overlapping biographies of policy actors and resulting social identities often drive collective action.” -Tanya Heikkila, Professor of Public Affairs, University of Colorado Denver, USA “This work advances knowledge of programmatic actors comparatively.” -Michael Howlett, Burnaby Mountain Professor, Simon Fraser University, Canada “Johanna Hornung shows that policy change is irrevocably linked to the programmatic group, framed by two specific institutions - the recruitment processes and career paths of administrative actors.” -Sabine Saurugger, Professor of Political Science, Science Po Grenoble, France. This open access book is the first monograph to systematically apply the Programmatic Action Framework (PAF) in a comparative analysis of public policy in two institutionally different countries. The PAF seeks to explain long-term policy change by examining the shared biographies of policy actors who, to foster their careers, coalesce around policy programs which they promote throughout the policy process. Comparing health policy-making in France and Germany between 1990 and 2020, the book sheds light on the institutional settings that are necessary for programmatic action to occur. It will appeal to scholars and students of public policy, public administration, and health policy. Johanna Hornung is a Research Associate at the Institute of Comparative Politics and Public Policy, TU Braunschweig, Germany.
Political planning. --- Comparative government. --- Medical policy. --- Public Policy. --- Comparative Politics. --- Health Policy. --- Programmatic action --- Health policy --- Comparative politics --- Public policy --- Social identities --- French health policy --- German health policy
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Musique à programme --- Nature in music --- Program music --- Programmamuziek --- 78 "17" --- -Programmatic music --- Music --- Narrative in music --- Muziek--18e eeuw. Periode 1700-1799 --- History and criticism --- -Muziek--18e eeuw. Periode 1700-1799 --- 78 "17" Muziek--18e eeuw. Periode 1700-1799 --- Programmatic music --- 78.26
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The Reputational Premium presents a new theory of party identification, the central concept in the study of voting. Challenging the traditional idea that voters identify with a political party out of blind emotional attachment, this pioneering book explains why party identification in contemporary American politics enables voters to make coherent policy choices. Standard approaches to the study of policy-based voting hold that voters choose based on the policy positions of the two candidates competing for their support. This study demonstrates that candidates can get a premium in support from the policy reputations of their parties. In particular, Paul Sniderman and Edward Stiglitz present a theory of how partisans take account of the parties' policy reputations as a function of the competing candidates' policy positions. A central implication of this theory of reputation-centered choices is that party identification gives candidates tremendous latitude in their policy positioning. Paradoxically, it is the party supporters who understand and are in synch with the ideological logic of the American party system who open the door to a polarized politics precisely by making the best-informed choices on offer.
Political parties --- Party affiliation. --- Parties, Political --- Party systems, Political --- Political party systems --- Political science --- Divided government --- Intra-party disagreements (Political parties) --- Political conventions --- Affiliation, Party --- Political affiliation --- Public opinion. --- Membership --- American party system. --- American politics. --- Democrats. --- Republicans. --- candidate positioning. --- democratic experiment. --- democratic politics. --- elected representatives. --- electoral punishment. --- partisans. --- party identification. --- policy conviction. --- policy positions. --- policy preferences. --- policy reputations. --- policy-based voting. --- political competence. --- political landscape. --- political parties. --- political party. --- programmatic partisanship. --- programmatic party identifiers. --- reputational premium. --- spatial reasoning. --- spatial voting. --- supply-side theory. --- voters.
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The musical leitmotif, having reached a point of particular forcefulness in the music of Richard Wagner, has remained a popular compositional device up to the present day. In this book, Matthew Bribitzer-Stull explores the background and development of the leitmotif, from Wagner to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series. Analyzing both concert music and film music, Bribitzer-Stull explains what the leitmotif is and establishes it as the union of two aspects: the thematic and the associative. He goes on to show that Wagner's Ring cycle provides a leitmotivic paradigm, a model from which we can learn to better understand the leitmotif across style periods. Arguing for a renewed interest in the artistic merit of the leitmotif, Bribitzer-Stull reveals how uniting meaning, memory, and emotion in music can lead to a richer listening experience and a better understanding of dramatic music's enduring appeal.
Leitmotif. --- Motion picture music --- Program music. --- Programmatic music --- Music --- Narrative in music --- Leading motif --- Leading motive --- Leitmotiv --- Opera --- History and criticism. --- History and criticism --- Wagner, Richard, --- Opera's --- Filmmuziek --- Leidmotieven --- Musical analysis --- Leitmotiv. --- Film, Musique de --- Musique à programme. --- Analyse musicale --- Motion picture music. --- Filmmusik --- Histoire et critique. --- Operas (Wagner, Richard) --- Bibel
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Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly.
Composers --- Music --- Musical form. --- Metaphor. --- Program music. --- Compositeurs --- Musique --- Formes musicales --- Métaphore --- Musique à programme --- Biography --- Philosophy and aesthetics. --- Biographies --- Philosophie et esthétique --- Berlioz, Hector, --- Criticism and interpretation. --- Métaphore --- Musique à programme --- Philosophie et esthétique --- Metaphor --- Musical form --- Program music --- Programmatic music --- Narrative in music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Form, Musical --- Parabole --- Figures of speech --- Reification --- Philosophy and aesthetics --- History and criticism --- Philosophy --- Berlioz, Gektor, --- Berlioz, Khektor, --- Berlioz, Louis Hector, --- Berlioz, H. --- Berlioz, Hector
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Music and language --- Music and mythology --- Music --- National music --- Program music --- Mythology and music --- Mythology --- Language and music --- Language and languages --- Programmatic music --- Narrative in music --- Patriotic music --- Criticism --- History and criticism --- Wagner, Richard --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Criticism and interpretation. --- muziekgeschiedenis --- Austria
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