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The study analyses Cold War discourses in Austrian post-war literature, a subject that so far has been neglected in Austrian literary history. Through extensive research, 50 mainly unknown or little acknowledged novels, stories, plays and scenes were discovered which discuss phenomena of the Cold War that defined the first post-war decades. The theoretical focus on New Historicism allows an analysis of a broad spectrum of thematic clusters, images, discursive constellations and narratives which are contextualised both in national and international Cold War discourse./ In 15 chapters, the study discusses the discursive patterns of more than 50 rather unknown books from Austrian literature from the period 1945 to 1966, such as constructions and imaginations of borders, fictive travels behind the Iron Curtain, the Gulag, and metaphors of disease and narratives of espionage. These discourse patterns are positioned within the context of the Cold War.
1900-1999 --- Kalter Krieg --- Österreichische Literatur --- Nachkriegsliteratur --- Diskurs --- New Historicism --- Cold War --- Austrian Literature --- Postwar Literature --- Discourse --- Kommunismus --- Sowjetunion --- Wien --- Austrian literature --- Cold War in literature. --- History and criticism.
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Literature departments are staffed by, and tend to be focused on turning out, "good" readers-attentive to nuance, aware of history, interested in literary texts as self-contained works. But the vast majority of readers are, to use Merve Emre's tongue-in-cheek term, "bad" readers. They read fiction and poetry to be moved, distracted, instructed, improved, engaged as citizens. How should we think about those readers, and what should we make of the structures, well outside the academy, that generate them? We should, Emre argues, think of such readers not as non-literary but as paraliterary-thriving outside the institutions we take as central to the literary world. She traces this phenomenon to the postwar period, when literature played a key role in the rise of American power. At the same time as American universities were producing good readers by the hundreds, many more thousands of bad readers were learning elsewhere to be disciplined public communicators, whether in diplomatic and ambassadorial missions, private and public cultural exchange programs, multinational corporations, or global activist groups. As we grapple with literature's diminished role in the public sphere, Paraliterary suggests a new way to think about literature, its audience, and its potential, one that looks at the civic institutions that have long engaged readers ignored by the academy.
Books and reading --- Literature and society --- Reading --- Communication in international relations --- History --- Sociological aspects. --- Philosophy. --- United States --- Intellectual life --- cultural diplomacy. --- institutional sociology. --- paraliterary. --- postwar literature. --- sociology of reading. --- 20th century --- Sociological aspects --- Philosophy --- United States.
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Combining literary, cultural, and political history, and based on extensive archival research, including previously unseen FBI and CIA documents, Archives of Authority argues that cultural politics--specifically America's often covert patronage of the arts--played a highly important role in the transfer of imperial authority from Britain to the United States during a critical period after World War II. Andrew Rubin argues that this transfer reshaped the postwar literary space and he shows how, during this time, new and efficient modes of cultural transmission, replication, and travel--such as radio and rapidly and globally circulated journals--completely transformed the position occupied by the postwar writer and the role of world literature. Rubin demonstrates that the nearly instantaneous translation of texts by George Orwell, Thomas Mann, W. H. Auden, Richard Wright, Mary McCarthy, and Albert Camus, among others, into interrelated journals that were sponsored by organizations such as the CIA's Congress for Cultural Freedom and circulated around the world effectively reshaped writers, critics, and intellectuals into easily recognizable, transnational figures. Their work formed a new canon of world literature that was celebrated in the United States and supposedly represented the best of contemporary thought, while less politically attractive authors were ignored or even demonized. This championing and demonizing of writers occurred in the name of anti-Communism--the new, transatlantic "civilizing mission" through which postwar cultural and literary authority emerged.
Cold War in literature. --- Criticism --- History --- American postwar ascendancy. --- CCF. --- CIA. --- Central Intelligence Agency. --- Cold War. --- Communism. --- Congress for Cultural Freedom. --- Edward Said. --- Erich Auerbach. --- Frankfurt School. --- Freedom of Information Act. --- George Orwell. --- Institute for Social Research. --- Nineteen Eighty-Four. --- Orientalism. --- Stephen Spender. --- Theodor Adorno. --- World War II. --- anticommunism. --- colonialism. --- cultural diplomacy. --- cultural domination. --- cultural politics. --- cultural space. --- cultural translation. --- cultural transmission. --- decolonization. --- empiricism. --- exile. --- exiled intellectual. --- global literary landscape. --- globalization. --- humanism. --- humanistic practice. --- imperial authority. --- institutional challenges. --- journals. --- knowledge suppression. --- literary diplomacy. --- literature. --- magazines. --- national identity. --- philology. --- positivism. --- postcolonial space. --- postwar culture. --- postwar literature. --- totalitarianism. --- translation zone. --- transnational postwar writers. --- transnationalization. --- world literature.
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A case study of one of the most important global institutions of cultural policy formation, UNESCO and the Fate of the Literary demonstrates the relationship between such policymaking and transformations in the economy. Focusing on UNESCO's use of books, Sarah Brouillette identifies three phases in the agency's history and explores the literary and cultural programming of each. In the immediate postwar period, healthy economies made possible the funding of an infrastructure in support of a liberal cosmopolitanism and the spread of capitalist democracy. In the decolonizing 1960s and '70s, illiteracy and lack of access to literature were lamented as a "book hunger" in the developing world, and reading was touted as a universal humanizing value to argue for a more balanced communications industry and copyright regime. Most recently, literature has become instrumental in city and nation branding that drive tourism and the heritage industry. Today, the agency largely treats high literature as a commercially self-sustaining product for wealthy aging publics, and fundamental policy reform to address the uneven relations that characterize global intellectual property creation is off the table. UNESCO's literary programming is in this way highly suggestive. A trajectory that might appear to be one of triumphant success—literary tourism and festival programming can be quite lucrative for some people—is also, under a different light, a story of decline.
Unesco --- Book industries and trade --- Books and reading --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading --- Reading interests --- Reading promotion --- Book trade --- Cultural industries --- Manufacturing industries --- History. --- International cooperation --- Appraisal --- Evaluation --- Marxist theory. --- UNESCO. --- contemporary literature. --- creative industries. --- cultural policy. --- economic development. --- postwar literature. --- world literature. --- Organisation des Nations Unies pour l'éducation, la science et la culture --- ユネスコ --- 国際連合教育科学文化機関 --- Organización de las Naciones Unidas para la educación, la ciencia y la cultura --- United Nations educational, scientific and cultural organization --- Verenigde Naties. Organisatie voor onderwijs, wetenschap en cultuur
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This definitive biography gives a brilliant account of the life and art of Robert Duncan (1919-1988), one of America's great postwar poets. Lisa Jarnot takes us from Duncan's birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for the many poets and painters who gathered around him. Weaving together "ations from Duncan's notebooks and interviews with those who knew him, Jarnot vividly describes his life on the West Coast and in New York City and his encounters with luminaries such as Henry Miller, Anaïs Nin, Tennessee Williams, James Baldwin, Paul Goodman, Michael McClure, H.D., William Carlos Williams, Denise Levertov, Robert Creeley, and Charles Olson.
Gay men --- Modernism (Literature) --- Poets, American --- Art and literature --- History --- Duncan, Robert, --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- San Francisco (Calif.) --- San Francisco County (Calif.) --- San Francisco --- San Francisco City & County (Calif.) --- San Francisco City and County (Calif.) --- City & County of San Francisco (Calif.) --- City and County of San Francisco (Calif.) --- Saint Francisco (Calif.) --- Yerba Buena (Calif.) --- Intellectual life --- Duncan, Robert Edward --- Poets [American ] --- 20th century --- Biography --- United States --- 20th century america. --- 20th century lgbt community. --- 20th century literature. --- 20th century poets. --- american poetry. --- american poets. --- books for english majors. --- charles olson. --- coming of age. --- gender studies. --- inspirational biography. --- inspirational poets. --- jack spicer. --- lgbt figures. --- lgbt inspiration. --- lgbt poets. --- life lessons. --- modernism literary criticism. --- poet biography. --- poetry and poets. --- post wwii america. --- postwar literature. --- postwar poetry. --- robert creeley. --- robin blaser. --- san francisco poets. --- san francisco renaissance.
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