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The year 2017 saw a multitude of conferences and exhibitions devoted to the centenary of the Russian Revolutions, both in Russia and in other parts of the world. The commemoration of this event would be incomplete without an exploration of its Northern dimension; in October 2017, the University of Tromsø, The Arctic University of Norway hosted the conference The Russian Revolutions of 1917: The Northern Impact and Beyond. Norway and Russia are both northern states, and the two countries have a common border in the High North. Some articles in this volume, based on the conference proceedings, investigate the impact of the Russian Revolution in Norway and Sweden, while others deal with the High North, e.g. the Revolution and Civil War in Northern Russia and the radicalization of the workers’ movement of Northern Norway; some are also devoted to representations of the Russian Revolution at exhibitions and on the big screen.
Russia, Northern --- Soviet Union --- Norway --- Sweden --- History --- Influence. --- Aftenposten. --- Alexandra Kollontai. --- Arkhangelsk. --- Bolsheviks. --- February Revolution. --- Lenin. --- October Revolution. --- Olaf Broch. --- Petrograd. --- Putin. --- Russia;Revolution;Emigration;Scandinavia;Norway;Sweden;High North;Film;Exhibitions;Europe;history;international relations;1917;war;Russian Revolution;workers' movements;Nordic countries;geography;class;economy;politics. --- Russian Civil War. --- Russian Empire. --- Scandinavia. --- Siberia. --- Soviet Union. --- USSR. --- Whites. --- collectivization. --- communism. --- diplomacy. --- historiography. --- international relations. --- journalism. --- labor. --- peasant-agrarian issues. --- political activism. --- postrevolutionary emigration. --- tsarist state. --- twentieth century. --- HISTORY / Russia & the Former Soviet Union. --- 1917. --- Emigration. --- Europe. --- Exhibitions. --- Film. --- High North. --- Nordic countries. --- Norway. --- Revolution. --- Russia. --- Russian Revolution. --- Sweden. --- class. --- economy. --- geography. --- history. --- politics. --- war. --- workers' movements.
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The oldest written tradition of European music, the art we know as Gregorian chant, is seen from an entirely new perspective in Katherine Bergeron's engaging and literate study. Bergeron traces the history of the Gregorian revival from its Romantic origins in a community of French monks at Solesmes, whose founder hoped to rebuild the moral foundation of French culture on the ruins of the Benedictine order. She draws out the parallels between this longing for a lost liturgy and the postrevolutionary quest for lost monuments that fueled the French Gothic revival, a quest that produced the modern concept of "restoration." Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. She discusses such issues as architectural restoration, the modern history of typography, the uncanny power of the photographic image, and the authority of recorded sound. She also shows the extent to which different media shaped the modern image of the ancient repertory, an image that gave rise to conflicting notions not only of musical performance but of the very idea of music history.
Gregorian chants --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Vocal --- History and criticism --- Abbaye Saint-Pierre de Solesmes. --- Saint-Pierre de Solesmes (Benedictine abbey : Solesmes, Sarthe, France) --- Solesmes, France. --- Solesmes (Sarthe, France). --- Solesmes Abbey --- Solesmes (Benedictine abbey : Solesmes, Sarthe, France) --- St. Peter's Abbey, Solesmes --- Abbey of St. Peter, Solesmes --- History and criticism. --- benedictine order. --- european music. --- french culture. --- french gothic revival. --- french monks. --- gregorian chant. --- gregorian restoration. --- gregorian revival. --- lost liturgy. --- modern concepts. --- monastic choir. --- new perspective. --- postrevolutionary. --- public commodities. --- rebuilding. --- restoration. --- romantic origins. --- solesmes. --- technological development. --- tradition.
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This new collection views Russian music through the Greek triad of "the Good, the True, and the Beautiful" to investigate how the idea of ";nation"; embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, post-Cold War, and now post-9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much of the volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; and to the tension between the compelling artistic quality of works such as Stravinsky's Sacre du Printemps or Prokofieff's Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating Taruskin's authority and ability to bring living history out of the shadows.
Music --- History and criticism. --- Stravinsky, Igor, --- Stravinsky, Igor --- Stravinski, Igor --- Strawinsky, Igor --- Strawinski, Igor --- Criticism and interpretation. --- Stravinskij, Igor' Fëdorovič --- Istrāvīnskī, Īgūr, --- Stravinski, Igor, --- Stravinskiĭ, I. F. --- Stravinskiĭ, Igorʹ Fedorovich, --- Stravinskij, Igor Fiodorovič, --- Strawiński, Igor Fiodorowicz, --- Strawinskij, Igor, --- Strawinsky, I. --- Strawinsky, Igor, --- Strawinsky, Jgor, --- Стравинский, Игорь, --- סטראווינסקי, איגור --- סטראוינסקי, איגור --- 19th century russian music. --- 20th century russian music. --- contemporary russian music. --- international response to russian music. --- music history. --- music of the former soviet union. --- musicology. --- pokifieff. --- postrevolutionary russian music. --- pussy riot. --- russian composers. --- russian cultural products. --- russian music history. --- russian music. --- russian musicology. --- russian national music. --- russias antihumanistic music. --- sacre du printemps. --- stavinsky. --- zdravitsa.
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The "Argentine disappointment"-why Argentina persistently failed to achieve sustained economic stability during the twentieth century-is an issue that has mystified scholars for decades. In Straining the Anchor, Gerardo della Paolera and Alan M. Taylor provide many of the missing links that help explain this important historical episode. Written chronologically, this book follows the various fluctuations of the Argentine economy from its post-revolutionary volatility to a period of unprecedented prosperity to a dramatic decline from which the country has never fully recovered. The authors examine in depth the solutions that Argentina has tried to implement such as the Caja de Conversión, the nation's first currency board which favored a strict gold-standard monetary regime, the forerunner of the convertibility plan the nation has recently adopted. With many countries now using-or seriously contemplating-monetary arrangements similar to Argentina's, this important and persuasive study maps out one of history's most interesting monetary experiments to show what works and what doesn't.
336.74 <82> --- Monetary policy --- -Currency question --- -Currency boards --- -336.74 <09> --- Financial institutions --- Fiat money --- Free coinage --- Monetary question --- Scrip --- Currency crises --- Finance --- Finance, Public --- Legal tender --- Money --- Monetary management --- Economic policy --- Currency boards --- Money supply --- Geld. Geldwezen. Monetaire sector.--Argentinië --- History --- Geschiedenis van het geldwezen --- Argentina. Caja de Conversión. --- 336.74 <09> Geschiedenis van het geldwezen --- 336.74 <82> Geld. Geldwezen. Monetaire sector.--Argentinië --- Currency question --- History. --- Argentina. --- Argentine Currency Board --- Argentine Republic. --- 336.74 <09> --- economic development, macroeconomics, argentine disappointment, stability, economy, economics, 20th century, historical episode, postrevolutionary volatility, unprecedented prosperity, dramatic decline, caja de conversion, currency board, gold-standard monetary regime, persuasive study, experiments, money, wealth, investments, policy, government, administration, baring crisis, belle epoque, national guaranteed banks, interwar years.
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Moliére's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views post revolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this play in the 1820's to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. She re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memory and commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices.
Legitimacy of governments --- Monarchy --- Democracy --- Self-government --- Political science --- Equality --- Representative government and representation --- Republics --- Kingdom (Monarchy) --- Executive power --- Royalists --- Governments, Legitimacy of --- Legitimacy (Constitutional law) --- Consensus (Social sciences) --- Revolutions --- Sovereignty --- State, The --- General will --- Political stability --- Regime change --- History --- Molière, --- Influence. --- France --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ --- Frant︠s︡ Uls --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Γαλλική Δημοκρατία --- Γαλλία --- Франц --- Франц Улс --- Французская Рэспубліка --- Францыя --- Франция --- Френска република --- פראנקרייך --- צרפת --- רפובליקה הצרפתית --- فرانسه --- فرنسا --- フランス --- フランス共和国 --- 法国 --- 法蘭西 --- 法蘭西共和國 --- 프랑스 --- France (Provisional government, 1944-1946) --- Political aspects. --- Theater and the revolution. --- anticlerical comedy. --- anticlericalism. --- clerics. --- comedy. --- cultural history. --- cultural studies. --- dauphin. --- democracy. --- ecclesiastical officials. --- europe. --- french catholicism. --- french comedy. --- french history. --- french revolution. --- government. --- history. --- king. --- monarchy. --- political engagement. --- political legitimacy. --- politics. --- postrevolutionary france. --- protest. --- public spectacles. --- regime. --- reign. --- religion. --- representative government. --- republic. --- restoration. --- restored monarch. --- revolutionary period. --- satire. --- social commentary. --- tartuffe. --- theatricality. --- Moliere,
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