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De nombreux écrivains ont débuté leur vie professionnelle dans des domaines très divers avant d’embrasser l’écriture, ou au contraire de s’en éloigner. Ce volume cherche à explorer la relation complexe entre cette « autre vie » et l’écriture. L’objectif est de déterminer si l’« autre vie » d’un écrivain figure dans son œuvre, l’influence voire la façonne, et si tel est le cas, dans quelle mesure. Quelle est la part de la gestation et celle de la rupture ? Est examinée l’œuvre d’écrivains aussi différents que Patrick Chamoiseau, J. M. Coetzee, Jan J. Dominique, Janet Frame, Amitav Ghosh, L. K. Johnson, Wilson Harris, Dany Laferrière, Yannick Lahens, NourbeSe Philip, Emmelie Prophète, Arundhati Roy, Edward Said, mais aussi Bartolomé de las Casas et E. L. Grant Watson. Deux essais autobiographiques et un poème inédits sont inclus, spécialement écrits pour le volume par Marie-Célie Agnant, Cyril Dabydeen et Fred D’Aguiar. Many writers started their professional lives in very diverse fields before embracing writing, or on the contrary have turned away from writing. The present volume seeks to explore the complex relationship between that ‘other life’ and writing. The aim is to determine whether a writer’s ‘other life’ appears in, influences or even shapes his/her work, and to what extent. What is the part of gestation and that of rupture? A diversity of writers is examined: Patrick Chamoiseau, J. M. Coetzee, Jan J. Dominique, Janet Frame, Amitav Ghosh, L. K. Johnson, Wilson Harris, Dany Laferrière, Yannick Lahens, NourbeSe Philip, Emmelie Prophète, Arundhati Roy, Edward Said, but also Bartolomé de las Casas and E. L. Grant Watson. Unpublished autobiographical essays and a poem are included, especially written for the volume by Marie-Célie Agnant, Cyril Dabydeen and Fred D’Aguiar.

Literature, Romance --- Literature (General) --- critique génétique --- Caraïbe --- littérature postcoloniale --- littérature caribéenne --- genetic criticism --- Caribbean --- postcolonial literature --- Caribbean literature

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As liminal beings, ghosts seem particularly appropriate to define, question or challenge hybrid cultures where several, seemingly irreconcilable, identities coexist. The present volume wonders how they manifest themselves in the English-speaking world, and whether there is a specifically postcolonial kind of haunting. The twenty-two articles deal with textual, translational or historical ghosts, and take us to Canada, Australia, Africa, India or the Caribbean. Poems by Gerry Turcotte literally haunt the volume, which thus juxtaposes theory and practice in a dynamic and fruitful way. De par leur liminalité, les fantômes semblent particulièrement adaptés pour définir, interroger ou remettre en question des cultures hybrides où coexistent plusieurs identités apparemment inconciliables. Ce volume explore leurs diverses manifestations dans le monde anglophone, se demandant s’il existe une hantise proprement postcoloniale. Les vingt-deux articles nous présentent des fantômes historiques ou textuels, et nous emmènent du Canada à l’Australie, de l’Afrique à l’Inde ou à la Caraïbe. Des poèmes de Gerry Turcotte hantent littéralement le volume, qui juxtapose ainsi théorie et pratique de façon dynamique et féconde.

Literature (General) --- traduction --- politique --- mythologie --- intertextualité --- spectralité --- littérature postcoloniale --- fantôme --- commonwealth --- translation --- politics --- mythology --- intertextuality --- spectrality --- postcolonial literature --- ghost --- ghostwriting

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Lange Zeit galten Reiseberichte als Wegbegleiter des Kolonialismus. Dies ändert sich im Lateinamerika der 1920er Jahre, wovon die in Vergessenheit geratenen Feuilletonartikel, Tagebücher und Aufzeichnungen der chilenischen Nobelpreisträgerin Gabriela Mistral, des »Papstes des brasilianischen Modernismus« Mário de Andrade und des belgisch-französischen Avantgardisten Henri Michaux zeugen. Marília Jöhnk geht dem wissensgeschichtlichen Interesse der drei Reisenden am Kontinent und ihrem Spiel mit etablierten Formen literarischer Wahrnehmung nach. Mit dem tief in der aztekischen Mythologie verankerten Kolibri eint deren kleine Reiseprosa nicht nur die kompakte Größe, sondern auch die Mobilität und Geschwindigkeit.

Henri Michaux; Gabriela Mistral; Mario De Andrade; Reisebericht; Postkoloniale Literatur; Literatur; Kulturgeschichte; Kultur; Allgemeine Literaturwissenschaft; Literaturtheorie; Romanistik; Literaturwissenschaft; Travelogue; Postcolonial Literature; Literature; Cultural History; Culture; Literary Studies; Theory of Literature; Romance Studies --- Cultural History. --- Culture. --- Gabriela Mistral. --- Literary Studies. --- Literature. --- Mario De Andrade. --- Postcolonial Literature. --- Romance Studies. --- Theory of Literature. --- Travelogue.

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This is the first text to focus solely on the writing of British writers of South Asian descent born or raised in Britain. Exploring the unique contribution of these writers, it positions their work within debates surrounding black British, diasporic, migrant, and postcolonial literature in order to foreground both the continuities and tensions embedded in their relationship to such terms, engaging in particular with the ways in which this 'new' generation has been denied the right to a distinctive theoretical framework through absorption into pre-existing frames of reference. Focusing on the

Oriental fiction (English) --- English fiction --- Oriental literature (English) --- British writers. --- South Asian descent. --- black British literature. --- diasporic literature. --- gender. --- migrant literature. --- national identity. --- post-9/11 Britain. --- postcolonial literature. --- religious identity.

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Based on a study of V. S. Naipaul's postcolonial writings, this book explores the process of postcolonial subjects' special route of identification. This enables the readers to see how in our increasingly diverse and fragmented post-modern world, identity is a vibrant, complex, and highly controversial concept. The old notion of identity as a prescribed and self-sufficient entity is now replaced by identity as a plural, floating and becoming process. Min Zhou shows how postcolonial literature, among other artistic forms, is one of the most representative reflections of this floating identity.

Exiles in literature. --- Identity (Philosophical concept) --- Postcolonialism in literature. --- American Studies. --- Cultural Studies. --- General Literature Studies. --- Literary Studies. --- Literature. --- Postcolonial Literature. --- Postcolonialism. --- V. S. Naipaul. --- Identität --- Postkoloniale Literatur --- LITERARY CRITICISM / American / General. --- Naipaul, V. S. --- Criticism and interpretation. --- Identity --- Philosophy --- Comparison (Philosophy) --- Resemblance (Philosophy) --- Nachkoloniale Literatur --- Entkolonialisierung --- Kolonialliteratur --- Motiv --- Cultural Identity; Postcolonial Literature; V. S. Naipaul; Literary Studies; Literature; Postcolonialism; American Studies; General Literature Studies; Cultural Studies