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In the spring of 1944, nearly 500,000 Jews were deported from the Hungarian countryside and killed in Auschwitz. In Budapest, only 150,000 Jews survived both the German occupation and dictatorship of the Hungarian National Socialists, who took power in October 1944. Zsuzsanna Ozsváth's family belonged among the survivors. This memoir begins with the the author's childhood during the Holocaust in Hungary. It captures life after the war's end in Communist-ruled Hungary and continues with her and her husband's flight to Germany and eventually the United States. Ozsváth's poignant story of survival, friendship, and love provides readers with a rare glimpse of an extraordinary journey.
Jews, Hungarian --- Jews --- Holocaust survivors --- Hungarian Jews --- Ozsváth, Zsuzsanna, --- Abonyi, Zsuzsanna, --- Ozsváth, Zsuzsi, --- Budapest (Hungary) --- Budimpešta (Hungary) --- Budapesht (Hungary) --- Voudapestē (Hungary) --- Buda (Hungary) --- Pest (Hungary) --- Budapest. --- Diaspora. --- European History. --- Exile. --- Flight to Germany Post WWII. --- Holocaust Literature. --- Holocaust memoir. --- Holocaust. --- Hungarian Mathematician. --- Hungarian National Socialists. --- Immigrant Literature. --- Jewish Literature. --- National Socialists. --- Post-WWII Hungary. --- Soviet Occupation. --- WWII. --- World War 2. --- World War II. --- World War Two. --- memoir. --- survival memoir. --- survival. --- Óbuda (Hungary)
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Bird-Bent Grass chronicles an extraordinary mother-daughter relationship that spans distance, time, and, eventually, debilitating illness. Personal, familial, and political narratives unfold through the letters that Geeske Venema-de Jong and her daughter Kathleen exchanged during the late 1980s and through their weekly conversations, which started after Geeske was diagnosed with Alzheimer's disease twenty years later. In 1986, Kathleen accepted a three-year teaching assignment in Uganda, after a devastating civil war, and Geeske promised to be her daughter's most faithful correspondent. The two women exchanged more than two hundred letters that reflected their lively interest in literature, theology, and politics, and explored ideas about identity, belonging, and home in the context of cross-cultural challenges. Two decades later, with Geeske increasingly beset by Alzheimer's disease, Kathleen returned to the letters, where she rediscovered the evocative image of a tiny, bright meadow bird perched precariously on a blade of elephant grass. That image - of simultaneous tension, fragility, power, and resilience - sustained her over the years that she used the letters as memory prompts in a larger strategy to keep her intellectually gifted mother alive. Deftly woven of excerpts from their correspondence, conversations, journal entries, and email updates, Bird-Bent Grass is a complex and moving exploration of memory, illness, and immigration; friendship, conflict, resilience, and forgiveness; cross-cultural communication, the ethics of international development, and letter-writing as a technology of intimacy. Throughout, it reflects on the imperative and fleeting business of being alive and loving others while they're ours to hold.
Mothers and daughters --- Alzheimer's disease --- Patients --- Family relationships. --- Venema-de Jong, Geeske. --- Venema, Kathleen Rebecca, --- Alzheimer's Disease. --- Canada. --- Netherlands. --- Uganda. --- civil war. --- conflict. --- correspondence. --- cross-cultural communication. --- cross-cultural identity. --- death. --- dementia. --- dying. --- identity deformation. --- identity formation. --- international development. --- letter writing. --- memory loss. --- mother-daughter relationship. --- post-WWII immigration. --- progressive theology. --- resilience.
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This absorbing biography, often conveyed through Peter Selz's own words, traces the journey of a Jewish-German immigrant from Hitler's Munich to the United States and on to an important career as a pioneer historian of modern art. Paul J. Karlstrom illuminates key historical and cultural events of the twentieth-century as he describes Selz's extraordinary career-from Chicago's Institute of Design (New Bauhaus), to New York's Museum of Modern Art during the transformative 1960's, and as founding director of the University Art Museum at UC Berkeley. Karlstrom sheds light on the controversial viewpoints that at times isolated Selz from his colleagues but nonetheless affirmed his conviction that significant art was always an expression of deep human experience. The book also links Selz's long life story-featuring close relationships with such major art figures as Mark Rothko, Dore Ashton, Willem de Kooning, Sam Francis, and Christo-with his personal commitment to political engagement.
Art historians --- Art critics --- Art museum curators --- Art curators --- Curators, Art museum --- Art museums --- Museum curators --- Historians --- Employees --- Selz, Peter, --- Selz, Peter Howard, --- Selz, Hans Peter, --- Selz, Peter Howard, -- 1919-. --- Art historians -- United States -- Biography.. --- Art critics -- United States -- Biography.. --- Art museum curators -- United States -- Biography. --- 1960s artists. --- 20th century artists. --- american art museums. --- art and politics. --- art collectors. --- art culture. --- art history majors. --- art history. --- art museum history. --- art. --- artist biography. --- artists. --- california art enthusiasts. --- california art. --- christo. --- contemporary art. --- dore ashton. --- gallery directors. --- history. --- influential artists. --- jewish german artists. --- mark rothko. --- modern art. --- moma. --- museum curators. --- museums. --- new bauhaus. --- new york art. --- post wwii art. --- post wwii era. --- sam francis. --- uc berkley. --- willem de kooning. --- wwii artists.
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"Any book on my life would start with my basic philosophy of fighting racial prejudice. I loved jazz, and jazz was my way of doing that," Norman Granz told Tad Hershorn during the final interviews given for this book. Granz, who died in 2001, was iconoclastic, independent, immensely influential, often thoroughly unpleasant-and one of jazz's true giants. Granz played an essential part in bringing jazz to audiences around the world, defying racial and social prejudice as he did so, and demanding that African-American performers be treated equally everywhere they toured. In this definitive biography, Hershorn recounts Granz's story: creator of the legendary jam session concerts known as Jazz at the Philharmonic; founder of the Verve record label; pioneer of live recordings and worldwide jazz concert tours; manager and recording producer for numerous stars, including Ella Fitzgerald and Oscar Peterson.
Impresarios --- Jazz --- History and criticism. --- Granz, Norman, --- 20th century jazz. --- african american jazz. --- african american performers. --- billie holiday. --- ella fitzgerald. --- entertainment industry. --- history of jazz. --- history of music. --- influential african americans. --- inspiring musicians. --- jazz and blues. --- jazz at the philharmonic. --- jazz biography. --- jazz icons. --- jazz lovers. --- jazz stars. --- music and theater. --- music lovers. --- musician biography. --- musician books. --- oscar peterson. --- overcoming prejudice. --- post war jazz. --- post wwii. --- racial prejudice. --- social activist. --- social prejudice. --- verve records. --- world of jazz.
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This definitive biography gives a brilliant account of the life and art of Robert Duncan (1919-1988), one of America's great postwar poets. Lisa Jarnot takes us from Duncan's birth in Oakland, California, through his childhood in an eccentrically Theosophist household, to his life in San Francisco as an openly gay man who became an inspirational figure for the many poets and painters who gathered around him. Weaving together "ations from Duncan's notebooks and interviews with those who knew him, Jarnot vividly describes his life on the West Coast and in New York City and his encounters with luminaries such as Henry Miller, Anaïs Nin, Tennessee Williams, James Baldwin, Paul Goodman, Michael McClure, H.D., William Carlos Williams, Denise Levertov, Robert Creeley, and Charles Olson.
Gay men --- Modernism (Literature) --- Poets, American --- Art and literature --- History --- Duncan, Robert, --- Duncan, Robert Edward, --- Symmes, Robert, --- Duncan, Edward Howard, --- R. D. --- D., R. --- Duncan, Edward Howe, --- Symmes, Robert Edward, --- San Francisco (Calif.) --- San Francisco County (Calif.) --- San Francisco --- San Francisco City & County (Calif.) --- San Francisco City and County (Calif.) --- City & County of San Francisco (Calif.) --- City and County of San Francisco (Calif.) --- Saint Francisco (Calif.) --- Yerba Buena (Calif.) --- Intellectual life --- Duncan, Robert Edward --- Poets [American ] --- 20th century --- Biography --- United States --- 20th century america. --- 20th century lgbt community. --- 20th century literature. --- 20th century poets. --- american poetry. --- american poets. --- books for english majors. --- charles olson. --- coming of age. --- gender studies. --- inspirational biography. --- inspirational poets. --- jack spicer. --- lgbt figures. --- lgbt inspiration. --- lgbt poets. --- life lessons. --- modernism literary criticism. --- poet biography. --- poetry and poets. --- post wwii america. --- postwar literature. --- postwar poetry. --- robert creeley. --- robin blaser. --- san francisco poets. --- san francisco renaissance.
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Neither Arkadii nor Boris Strugatskii had originally intended to make a living in writing. Arkadii dreamed of becoming an astronomer, but his wartime experience and training led him to work as a translator and editor of Japanese literature. Boris intended to become a physicist, trained as an astronomer, and ended up as a computer specialist at Pulkovo Observatory. This common thread of astronomy turns out to be fantastically important for understanding their works, as their most important ones are experiments in cosmology, and their shared expertise is instrumental in their construction of literary hellscapes. This book explores how the Strugatskiis' cosmological explorations are among the most fundamental elements of their art. It examines also how these explorations connect to their predecessors in the Russian literary tradition-particularly to the poetry of Pushkin.
Science fiction, Russian --- Cosmology in literature. --- Astronomy in literature. --- Russian science fiction --- Russian fiction --- History and criticism. --- Strugat͡skiĭ, Arkadiĭ, --- Strugat͡skiĭ, Boris, --- Strougatski, Boris, --- Strugacki, Boris, --- Strugacki, Borys, --- Strugackij, Boris, --- Strugackis, B. --- Strugackis, Boriss, --- Strugatski, Boris, --- Strugat︠s︡kiĭ, B. --- Strugat︠s︡kiĭ, Bor. --- Strugat︠s︡kiĭ, Boris Natanovich --- Strugatsky, Boris, --- Стругацкий, Борис, --- I︠A︡roslavt︠s︡ev, S. --- Vitit︠s︡kiĭ, S. --- Strougatski, Arkadi, --- Strugacki, Arkady, --- Strugackij, Akadij, --- Strugackis, A. --- Strugackis, Arkādijs, --- Strugatski, Arkadi, --- Strugat︠s︡kiĭ, A. --- Strugat︠s︡kiĭ, Ark. --- Strugat︠s︡kiĭ, Arkadiĭ Natanovich --- Strugatsky, Arkady, --- Стругацкий, Аркадий, --- Criticism and interpretation. --- 20th century literature. --- A Billion Years Until the End of the World. --- Aleksandr Pushkin. --- Andrei Tarkovsky. --- Arkady Strugatskii. --- Arkady Strugatsky. --- Arkady and Boris Strugatsky. --- Astronomy. --- Boris Strugatskii. --- Boris Strugatsky. --- Cosmology. --- Literary studies. --- Post-WWII Soviet literature. --- Roadside Picnic. --- Russian authors. --- Russian literature. --- Russian science fiction. --- Science fiction. --- Soviet Union literature. --- Soviet authors. --- Soviet literature. --- Soviet science fiction. --- Strugatskii brothers. --- Strugatskii. --- Strugatsky brothers. --- Strugatsky. --- Svoiet art. --- The Doomed City. --- The Inhabited Island. --- The Second Martian Invasion. --- The Stalker. --- The Yids of the City of Peter. --- The Zone. --- Those Burdened by Evil. --- comparative literature. --- postmodern literature. --- postmodernism. --- twentieth century literature. --- twentieth-century literature.
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Between 1945 and 1965, the catastrophe of war--and the social and political changes it brought in its wake--had a major impact on the construction of the Soviet masculine ideal. Drawing upon a wide range of visual material, The Fate of the New Man traces the dramatic changes in the representation of the Soviet man in the postwar period. It focuses on the two identities that came to dominate such depictions in the two decades after the end of the war: the Soviet man's previous role as a soldier and his new role in the home once the war was over. In this compelling study, Claire McCallum focuses on the reconceptualization of military heroism after the war, the representation of contentious subjects such as the war-damaged body and bereavement, and postwar changes to the depiction of the Soviet man as father. McCallum shows that it was the Second World War, rather than the process of de-Stalinization, that had the greatest impact on the masculine ideal, proving that even under the constraints of Socialist Realism, the physical and emotional devastation caused by the war was too great to go unacknowledged. The Fate of the New Man makes an important contribution to Soviet masculinity studies. McCallum's research also contributes to broader debates surrounding the impact of Stalin's death on Soviet society and on the nature of the subsequent Thaw, as well as to those concerning the relationship between Soviet culture and the realities of Soviet life. This fascinating study will appeal to scholars and students of Soviet history, masculinity studies, and visual culture studies.
Masculinity in popular culture. --- Masculinity --- Masculinity (Psychology) --- Sex (Psychology) --- Men --- Popular culture --- History --- men in Soviet Union, Soviet masculinity, Soviet military, Socialist Realism, Stalin's death, post-WWII Soviet Union. --- 1900-1999 --- Soviet Union. --- Ber. ha-M. --- Berit ha-Moʻatsot --- ESSD --- FSSR --- Ittiḥād al-Sūfiyīt --- Ittiḥād-i Jamāhīr-i Ishtirākīyah-i Shūrāʼīyah --- Ittiḥād-i Shūrav --- KhSHM --- PSRS --- Rusiyah --- Rusland --- Russia --- Russland --- Rusyah --- Sahaphāp Sōwīat --- Shūrav --- SNTL --- Sobhieṭ Ẏuniẏana --- Soi͡uz Radi͡ansʹkykh Sot͡sialistychnykh Respublik --- Soi͡uz Sovetskikh Sot͡sialisticheskikh Respublik --- Soi͡uz SSR --- Soṿet-Rusland --- Sovetakan Sotsʻialistakan Hanrapetutʻyunneri Miutʻyun --- Sovetakan Sotsʻialistakan Ṛespublikaneri Miutʻyun --- Sovetskiĭ Soi͡uz --- Sovetskiy Soyuz --- Soviyat Yūniyan --- Soyuz SSR --- SRSR --- SSHM --- SSR Kavširi --- SSṚM --- SSSR --- Su-lien --- Szovjetuni --- Tarybų Socialistinių Respublikų Sąjunga --- TSRS --- UdSSR --- Uni Soviet --- Uni Sovjet --- Unión de Repúblicas Socialistas Soviéticas --- Union of Soviet Socialist Republics --- Union soviétique --- Unione Sovietica --- URSS --- USSR --- Zȯvlȯlt Kholboot Uls --- ZSRR --- ZSRS --- Związek Radziecki --- Związek Socjalistycznych Republik Radzieckich --- Związek Socjalistycznych Republik Sowieckich
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