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Questo libro è un’analisi del teatro di narrazione, un’estetica e un genere di rappresentazione italiano che rivisita eventi storici di rilevanza nazionale da prospettive locali, attingendo al ricco rapporto tra esperienze personali e resoconti storici. Con l’ausilio di ricerche presso gli archivi privati dei principali narratori – artisti che sono sia autori che interpreti della loro opera – la tesi di Juliet Guzzetta è che la pratica insegni al pubblico che la gente comune non è semplicemente testimone della storia bensì partecipe della sua creazione. Il teatro di narrazione è emerso in Italia all’epoca delle proteste degli operai e degli studenti, del terrorismo interno e del progresso sociale degli anni Settanta. Sviluppando lo stile del teatro politico di Dario Fo e Franca Rame, influenzati da Jerzy Grotowski e Bertolt Brecht, e sulla scia delle tradizioni dell’improvvisazione a ruota libera autore-attore della commedia dell’arte, i narratori hanno creato una nuova forma di teatro popolare che è cresciuta di importanza negli anni Novanta e continua a ottenere consensi. Guzzetta delinea la storia del teatro di narrazione, ne contestualizza le origini – sia politiche che intellettuali – e attribuisce un ruolo centrale ai contributi di Teatro Settimo, un gruppo teatrale che precedenti studi hanno trascurato. Analizza inoltre gli esperimenti di questo genere in televisione e nei media. Primo libro in inglese interamente dedicato all’argomento, e ora tradotto in italiano, Il teatro di narrazione utilizza letture attente e un’ampia varietà di fonti primarie al fine di analizzare le tecniche utilizzate dai narratori per rifare la storia – un procedimento che rivela come la storia stessa sia un teatro di narrazione.
Theater --- teatro di narrazione italiano --- resoconti storici --- prospettive locali --- anni Settanta --- teatro politico --- Teatro Settimo --- Théâtre du conte italien --- récits historiques --- perspectives locales --- années 1970 --- théâtre politique --- Italian storytelling theatre --- historical accounts --- local perspectives --- 1970s --- political theatre
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»Chor-Denken« erkundet erstmals die Zusammengehörigkeit des griechischen Theaterchores und der antiken Sorge- und Wahrheits-Techniken, denen Michel Foucaults letzte Arbeiten galten. Dabei geht es auch um ein dezidiert nicht-heideggerianisches Verständnis des antiken Theaters. Denn was »die Griechen getan haben, war nicht, in einer welthistorischen Geste das Sein zu enthüllen oder das Offene zu entfalten. (...) Es besteht darin, das Außen umzubiegen, in praktischen Übungen.« (Deleuze)Gleichzeitig widmet sich die Studie aus gegenwartsdiagnostischer Perspektive den überraschenden Berührungspunkten zwischen der antiken Schwellenzeit des 6. und 5. Jahrhunderts und der vernetzten »Kosmo-Polis« des 21. Jahrhunderts: Detaillierte Neulektüren von Sophokles, Aischylos, Euripides und Aristophanes setzen historische Transformationen des antiken Kosmosverständnisses in Bezug zur Entstehung kontrollgesellschaftlicher (Deleuze) bzw. environmentaler (Foucault) Regierungsformen, die heute Lebewesen und Dinge immer feinmaschiger über Umweltvariablen zu steuern versuchen.
Environmentalität --- Kontrollgesellschaften --- Gouvernementalität --- (Techno-)Ökologien --- Immanenzphilosophie --- politisches Theater --- Tragödie --- Foucault --- Deleuze --- Guattari --- environmentality --- societis of control --- gouvernementality --- (techno-)ecologies --- philosophiy of immanence --- political theatre --- tragedy
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Ecoliberation is a captivating and creative glimpse into the world of direct action, animal and earth liberation, and political repression. In stories that are simultaneously heartbreaking, riddled with tension and contradiction, and inspiring, Jennifer Grubbs takes the reader inside the complicated, intricate world of these powerful and controversial interventions, nuancing the harrowing realities of political repression with the inspiring, clever ways that activists resist.
Green movement. --- Activist anthropology. --- Animal Liberation Front. --- Earth First!. --- Environmental Justice. --- anarchist organizing. --- animal liberation. --- creative direct action. --- environmental activism. --- feminist anthropology. --- mothering and research. --- nonviolent civil disobedience. --- political repression. --- political theatre. --- protest studies. --- resistance. --- social movements.
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Aucun pays n'est resté indifférent au génie de Molière, ses pièces ne cessant d'être traduites, adaptées et jouées de par le monde. Plus qu'ailleurs, ses oeuvres ont eu un impact décisif dans le polysystème culturel du monde arabe puisque l'introduction du théâtre occidental dans les pays arabes s'est faite essentiellement par le biais des adaptations du répertoire moliéresque. Considéré encore aujourd'hui par certains comme le «parrain du théâtre arabe», Molière arrive dans la culture arabe grâce à une adaptation de L'Avare en 1847 par le libanais Marun Naqqaš: à partir de ce moment, la dramaturgie arabe ne manquera de puiser largement à la production moliéresque. À travers un corpus de pièces arabes provenant du Liban, de l'Egypte, de la Tunisie et du Maroc, composées pour la plupart en arabe dialectal, ce travail entend définir la place de Molière dans la genèse du théâtre arabe moderne et vérifier si les adaptations ont joué un rôle politique en contribuant à forger l'identité nationale dans les pays arabes. Est-ce un simple fruit du hasard si le nationalisme émerge dans le monde arabe presque parallèlement au théâtre? Molière et le théâtre arabe a reçu en 2016 le Prix d'encouragement à la recherche de l'Académie des sciences d'outre-mer (Paris).
Theater --- Arabic drama --- History and criticism. --- Molière, --- Influence. --- Appreciation --- Molière --- Poquelin, Jean-Baptiste --- Molière, J.-P. B. --- Molière --- Molière, J.-B. P. --- Molière, J.-B. P. de --- Poquelin de Molière, Jean Baptiste, --- Molʹer, Zhan-Batist, --- Mo-li-ai, --- Moliai, --- Molyér, --- Molière, Jean Baptiste Poquelin, --- Moliere, I. B. P. de, --- Molʹer, Zh.-B. --- Molieros, --- Moliyer, --- Molʹer, --- Mollierŭ, --- Molyer, Zshan Poḳlen, --- Мольер, --- Moriēru, --- מאליער --- מולייר --- מולייר, ב׳אן בטיסט --- מולייר, פ. --- מולייר, --- מולירה --- موليير --- 莫里哀, --- モリエール, --- Comparative Literature. --- Modern Arab Literature. --- Molière. --- Political Theatre. --- Moliere,
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Drawing upon previously unseen archival material, this text brings to life the story of the Actresses' Franchise League from 1908-1958, building a picture of this diverse, exciting and innovative organisation that opens up and extends previous scholarship of the suffrage movement, and of political and feminist networks in 20th century theatre.
Women in the theater. --- Feminist theater. --- Feminist theater --- Women in the theater --- Women's theater --- Theater --- History --- Actresses' Franchise League. --- Actresses' Franchise League --- History. --- Great Britain. --- Anglia --- Angliyah --- Briṭanyah --- England and Wales --- Förenade kungariket --- Grã-Bretanha --- Grande-Bretagne --- Grossbritannien --- Igirisu --- Iso-Britannia --- Marea Britanie --- Nagy-Britannia --- Prydain Fawr --- Royaume-Uni --- Saharātchaʻānāčhak --- Storbritannien --- United Kingdom --- United Kingdom of Great Britain and Ireland --- United Kingdom of Great Britain and Northern Ireland --- Velikobritanii͡ --- Wielka Brytania --- Yhdistynyt kuningaskunta --- Northern Ireland --- Scotland --- Wales --- Votes for Women. --- activism. --- eminist. --- narratives. --- networks. --- political theatre. --- suffrage. --- theatre.
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For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times "out of joint," their political hopes frustrated by a corrupt older generation. Hamlet's Arab Journey traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively "ed literary work in Arab politics today. Explaining the Arab Hamlet tradition, Margaret Litvin also illuminates the "to be or not to be" politics that have turned Shakespeare's tragedy into the essential Arab political text, cited by Arab liberals, nationalists, and Islamists alike. On the Arab stage, Hamlet has been an operetta hero, a firebrand revolutionary, and a muzzled dissident. Analyzing productions from Egypt, Syria, Iraq, Jordan, and Kuwait, Litvin follows the distinct phases of Hamlet's naturalization as an Arab. Her fine-grained theatre history uses personal interviews as well as scripts and videos, reviews, and detailed comparisons with French and Russian Hamlets. The result shows Arab theatre in a new light. Litvin identifies the French source of the earliest Arabic Hamlet, shows the outsize influence of Soviet and East European Shakespeare, and explores the deep cultural link between Egypt's Gamal Abdel Nasser and the ghost of Hamlet's father. Documenting how global sources and models helped nurture a distinct Arab Hamlet tradition, Hamlet's Arab Journey represents a new approach to the study of international Shakespeare appropriation.Some images inside the book are unavailable due to digital copyright restrictions.
Arabic drama --- Politics in literature. --- Heroes in literature. --- Political science in literature --- History and criticism. --- Hamlet --- Shakespeare, William, --- Amleth --- Translations into Arabic --- Appreciation --- Egypt --- Égypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- جمهورية مصر العربية --- مِصر --- مَصر --- Maṣr --- Khēmi --- エジプト --- Ejiputo --- Egypti --- Egypten --- מצרים --- United Arab Republic --- Civilization --- English influences. --- 1970s. --- Alfred Farag. --- Arab Hamlet tradition. --- Arab Hamlet. --- Arab Shakespeare. --- Arab politics. --- Arabic theatre. --- Egypt. --- Egyptian audiences. --- Egyptian theatre. --- English translations. --- Gamal Abdel Nasser. --- Hamlet adaptations. --- Hamlet rewriting. --- Hamlet. --- Hamletization. --- Iraq. --- Jabra Ibrahim Jabra. --- Jordan. --- June War. --- Kuwait. --- Salah Abdel Sabur. --- Shakespeare adaptations. --- Shakespeare. --- Sulayman of Aleppo. --- Syria. --- The Tragedy of Al-Hallaj. --- allegorical political theatre. --- authenticity. --- collective political identity. --- death. --- dramatic irony. --- global kaleidoscope theory. --- historical agency. --- interiorized subjectivity. --- ironic laughter. --- legacy. --- literary studies. --- modern Arab identity. --- modern Arab politics. --- modern political agents. --- moral personhood. --- moral subjects. --- offshoot plays. --- polemical writings. --- political agency. --- political crises. --- political participation. --- political theatre. --- postcolonial period. --- postcolonial rewriting. --- psychological interiority. --- self-determination. --- twenty-first-century politics. --- world classics. --- Arabic languages --- Drama --- Theory of literary translation --- English literature --- Shakespeare, William --- Hamlet (Legendary character)
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This book provides an exceptional introduction to Polish theatre since the fall of communism, exploring how theatre goes beyond norms and nationalistic concepts to intersect with politics, feminism, queer identities, the rise in anti-Semitism, ethnicities and history.
Theater --- Theater. --- Théâtre --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Political aspects. --- Aspect politique --- Political aspects --- Histoire --- History --- Poland. --- Poyln --- Polska Rzeczpospolita Ludowa --- Polʹsha --- P.N.R. --- P.R.L. --- Pologne --- Polish Commonwealth --- Polonia --- Warsaw (Duchy) --- Polska --- Polsko --- T︠S︡arstvo Polʹskoe --- Królestwo Polskie --- Polʹskai︠a︡ Narodnai︠a︡ Respublika --- PNR --- PRL --- Poljska --- Lehastan --- Polin --- Būlūniyā --- Polonyah --- République populaire de Pologne --- Polen --- Ppolsŭkka --- Polish People's Republic --- Republic of Poland --- Poland (Territory under German occupation, 1939-1945) --- Generalgouvernement (Poland) --- Generalne Gubernatorstwo (Poland) --- General Government (Poland) --- Heneralʹna hubernii︠a︡ (Poland) --- Rzeczpospolita Polska --- Polish Republic --- Congress Kingdom of Poland --- Congress Poland --- Królestwo Kongresowe Polskie --- Kongresówka --- Kingdom of Poland --- Lahistān --- لهستان --- Polandia --- Полшэ --- Polshė --- Pole --- Republiek van Pole --- Republik Pole --- Polaland --- Polisce Cynewise --- Полша --- Полониа --- بولندا --- Būlandā --- Polóña --- Tavakuairetã Polóña --- Польша --- Puluña --- Ripublika Puluña --- Polşa --- Polşa Respublikası --- Pulandia --- Ripublik Pulandia --- Pho-lân --- Pho-lân Kiōng-hô-kok --- Польшча --- Polʹshcha --- Рэспубліка Польшча --- Rėspublika Polʹshcha --- Polonya --- Република Полша --- Republika Polsha --- Poin --- Republika Poljska --- Польшо --- Polʹsho --- Bu̇gėdė Naĭramdakha Polʹsho Ulas --- Polská republika --- Polaki --- Gwlad Pwyl --- Gweriniaeth Gwlad Pwyl --- Republikken Polen --- Republik Polen --- Poola --- Poola Vabariik --- Πολωνία --- Pulógna --- Польша Мастор --- Polʹsha Mastor --- República de Polonia --- Pollando --- Respubliko Pollando --- Repúbrica de Poloña --- Poloniako Errepublika --- Pólland --- République de Pologne --- Poalen --- Poloonya --- Polonie --- An Pholainn --- Pholainn --- Poblacht na Polainne --- Yn Pholynn --- Pholynn --- Pobblaght ny Polynn --- A' Phòlainn --- Poblachd na Pòlainn --- Borandi --- Pô-làn --- Польшин Орн --- Polʹshin Orn --- 폴란드 --- P'ollandŭ --- Pōlani --- Polish-Lithuanian Commonwealth --- Crown of the Kingdom of Poland and the Grand Duchy of Lithuania --- Commonwealth of Poland --- Lehastani Hanrapetutʻyun --- Польшæ --- Polʹshæ --- Польшæйы Республикæ --- Polʹshæĭy Respublikæ --- IPoland --- IPolandi --- Lýðveldið Pólland --- Repubblica di Polonia --- פולין --- רפובליקת פולין --- Republiḳat Polin --- Poleni --- Kunngiitsuuffik Poleni --- Pòlskô Repùblika --- Poloni --- Polonye --- Polòy --- Puoleja --- Puolejis Republika --- Polija --- Polijas Republika --- Lenkija --- Lenkijos Respublika --- Polsca --- Republica de Polsca --- Pol'šu --- Polskas --- Bupoolo --- Bupolska --- Ripablik kya Bupoolo --- Lengyelország --- Lengyel Köztársaság --- Lithuania (Grand Duchy) --- General Government for Occupied Polish Territories --- 1939-1945 --- Būland --- Būlūniy --- Poland --- P'olland --- Polsh --- Polʹskai͡a Narodnai͡a Respublika --- T͡Sarstvo Polʹskoe --- Europe --- Anti-Semitism. --- Contemporary Theatre. --- Gender Studies. --- Pluralism. --- Polish Romanticism. --- Political Theatre. --- Postcolonial. --- Postcommunism. --- Queer Studies.
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