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Social Poesis introduces readers to the work of one of Canada's most exciting and challenging poets. Through selections from across Rachel Zolf's poetic oeuvre, this book foregrounds the philosophical, ethical, and political questions that inform Zolf's poetry. Selections range from early poems in which Zolf explores transhistorical trauma and queer subjectivity to more recent writings that examine militarism, settler colonialism, and other forms of state-sanctioned violence. Zolf's poetry enacts what she calls a "social poesis"; she is attuned to questions of ethical responsibility and the role, and limitations, of poetry as a tool for ethical thinking, political engagement, accountability, and bearing witness. Heather Milne's introduction examines Zolf's compositional strategies, tracing the evolution of Zolf's writing from an autobiographical poetics, in which Zolf as subject/speaker is locatable, toward a poetics that moves beyond the self to address political and ethical relations among subjects of geopolitics and settler colonialism. In her afterword, Zolf focuses on her most recent work, in which poems are composed almost entirely from archival sources and enact a kind of collective assemblage of enunciation.
American poetry. --- American literature --- Canadian literature. --- ethics. --- feminist poetics. --- philosophy. --- poetics. --- poetry and ethics. --- poetry and politics. --- poetry. --- queer poetry. --- women's writing.
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This new critical volume, the second to appear in the three-volume Lectura Dantis, contains expert, focused commentary on the Purgatorio by thirty-three international scholars, each of whom presents to the nonspecialist reader one of the cantos of the transitional middle cantica of Dante's unique Christian epic. The cast of characters is as colorful as before, although this time most of them are headed for salvation. The canto-by-canto commentary allows each contributor his or her individual voice and results in a deeper, richer awareness of Dante's timeless aspirations and achievements.
Italian literature. --- Ottovolante (Group of writers) --- Dante Alighieri, --- allegory. --- avarice. --- beatrice. --- cantos. --- christian epic. --- christianity. --- dante. --- divine comedy. --- divine destiny. --- earthly paradise. --- envy. --- ethical choices. --- excommunicates. --- free will. --- good vs evil. --- human love. --- lectura dantis. --- love. --- lust. --- lute maker. --- mount of purgatory. --- poetry and politics. --- purgatorio. --- purgatory. --- religion. --- repentance. --- revenge. --- ritual. --- saints and sinners. --- salvation. --- seven deadly sins. --- sloth. --- sordello. --- spiritual growth. --- spiritual. --- valley of the rulers. --- virgil.
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For Karen Garthe, poetry is a Molotov cocktail. A master of radical invention, Garthe combines brio of conception with linguistic virtuosity, bringing language to new life from the inside at breakneck speed. The Banjo Clock, her second collection, cultivates a luxuriant sensibility even as it interrupts poetic continuity with cuts, ironies, sharp wit, and wild recklessness. In poems that consider poetry itself, Garthe writes about preparing the medium, the ink, "the motion of new utility." She then turns to America's psychic maladies and the need to rehabilitate our democracy, now floundering in the glare of TV's blue depressive light.
American poetry. --- American literature --- Garthe, Karen, --- 20th century poetry. --- 20th century poets. --- american literature. --- american poems. --- american poetry. --- california poems. --- collection of poems. --- complex poems. --- current event poetry. --- dark poetry. --- discussion literature. --- english majors. --- frayed escort. --- literary criticism. --- literary movements. --- literary poems. --- literature professors. --- lyric poems. --- mental health poetry. --- modern poetry. --- poems for discussion. --- poetry and politics. --- poetry collection. --- poetry readers. --- poetry. --- political poems. --- political poetry.
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