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Dutch literature --- personal space --- place [distinct area]
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Dutch literature --- imagination --- space [composition concept] --- place [distinct area]
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place [distinct area] --- architectuurfilosofie --- Klee, Paul --- Kahn, Louis I. --- Iran
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Place (Philosophy) --- Lieu (Philosophie) --- Philosophy and psychology of culture --- Geography --- geography --- place --- cultural landscapes --- 504.75 --- 504.75 Human ecology and human environment --- Human ecology and human environment --- place [distinct area]
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How do we value historic urban landscape in order to intervene within it as designers? This is the central question posed in this volume, and is tackled by its 16 essays which investigate different facets of value as bases of building and design practices on a range of spatial scales and brought about by a variety of historical circumstances. While the modernist metanarrative of universalism propagated functionalism and, through it, biological and psychological motives of design activity, contemporary building practices are based on more complex and diverse patterns of values that range from c
Architecture --- Buildings --- Buildings, Restoration of --- Conservation of buildings --- Restoration of buildings --- Conservation and restoration. --- Restoration --- Conservation and restoration --- Repair and reconstruction --- General ethics --- Environmental planning --- History --- historic landscapes --- place --- place [distinct area]
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Art --- art [discipline] --- space [composition concept] --- place [distinct area] --- Neto, Ernesto --- Prieto, Wilfredo --- Antin, Eleanor --- Cardiff, Janet --- Miller, George Bures --- Burr, Tom --- McCall, Anthony --- Brandenburg, von, Ulla --- Hubbard, Teresa Lynn --- Birchler, Alexander --- Lawler, Louise --- Alÿs, Francis --- Becher, Bernd und Hilla --- Floyer, Ceal --- Sandback, Frederick Laue --- Wojnarowicz, David --- Matta-Clark, Gordon
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Ce second tome de Formes de Trajets traite de l'espace : comment les artistes en établissent la topologie, les modèles économiques. De quoi l'art est-il contemporain ? Du système économique et social qui l'environne ; soit pour le nier ou le combattre, soit pour en adapter les motifs et les principes dans une perspective critique. Toute œuvre d'art constitue ainsi une économie, dans la mesure où elle habite, ou campe, dans la superstructure d'une période historique. Toute problématique de la représentation se double aujourd'hui d'une problématique de visualisation : à quels outils optiques et formels les artistes peuvent-ils recourir pour montrer le monde contemporain, pour en désigner les passages, les zones de fracture ou d'ombre ? Dans l'art d'aujourd'hui, les représentations diagrammatiques, schématiques ou topologiques, mais également un grand nombre d'installations et d'actions, naissent de cette obsession protéiforme : la collecte et l'utilisation de l'information. Le volume inclut des textes sur Alighiero Boetti, Plamen Dejanoff, Fischli/Weiss, Raymond Hains, Alain Jacquet, Joseph Kosuth, Michel Majerus, Bruno Serralongue,...
Art --- art [fine art] --- art criticism --- place --- philosophy of art --- Jacquet, Alain --- Geers, Kendell --- Ono, Yoko --- Beshty, Walead --- Balincourt, de, Jules --- Einarsson, Gardar Eide --- Haaning, Jens --- Lin, Michael --- Majerus, Michel --- Pflumm, Daniel --- Wang Du --- Klein, Yves --- Lichtenstein, Roy --- Raynaud, Jean Pierre --- Boetti, Alighiero --- Fischli, Peter --- Gillick, Liam --- Weiss, David --- Armagnac, d', Ben --- Hains, Raymond --- Kosuth, Joseph --- Théorie de l'art --- Rapport existentiel à l'art --- Topologie --- Critique d'art --- art [discipline] --- place [distinct area]
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Die Identitätsbildung des heutigen Belgiens ist durch ein komplexes Zusammenspiel von Regionen, Gemeinschaften und Nation geprägt. Anhand ausgewählter Erinnerungsorte untersucht der Band diese Prozesse, wobei das Interesse vor allem der unterschiedlichen Nutzung desselben Erinnerungsortes auf verschiedenen Ebenen des Gemeinschaftsbewusstseins gilt. Im Zentrum steht die sich im Laufe der Zeit verändernde Rolle, die bestimmte Personen im kollektiven Gedächtnis einzelner Orte, Regionen oder der belgischen Nation spielten - von Jacob van Artevelde über Peter Paul Rubens, den Prince de Ligne et Beloeil bis zu Georges Simenon und anderen. In der Zusammenschau ergibt sich so eine bisher kaum betrachtete Perspektive auf das Land und seine Geschichte.
History of civilization --- place --- identity --- commemorating [function] --- Belgium --- History of Belgium and Luxembourg --- Monuments --- Historic sites --- Heritage places, Historic --- Heritage sites, Historic --- Historic heritage places --- Historic heritage sites --- Historic places --- Historical sites --- Places, Historic --- Sites, Historic --- Archaeology --- History --- Historic buildings --- World Heritage areas --- Group identity --- History. --- 980 --- 78.45.2 --- Lieu de mémoire --- Belgique --- Erinnerungsorte; Belgien; Identitätsbildung; Nation und Region; Erinnerungskultur; Europäische Geschichte; Kulturgeschichte; Kulturwissenschaft; Memorial Sites; Belgium; Formation of Identity; Nation and Region; Memory Culture; European History; Cultural History; Cultural Studies --- Belgium. --- Cultural History. --- Cultural Studies. --- European History. --- Formation of Identity. --- Memory Culture. --- Nation and Region. --- place [distinct area]
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Iconography --- Art --- installations [visual works] --- painting [image-making] --- photography [process] --- migration [function] --- motion --- video art --- performance art --- motion pictures [visual works] --- figures [representations] --- walking --- place [distinct area] --- landscapes [representations] --- Martin, Kris --- Absalon --- Almond, Darren --- Antoni, Janine --- Albarracín, Pilar --- Aminde, Ulf --- Galindo, Regina José --- Kimsooja --- Kintera, Krištof --- Spero, Nancy --- Landau, Sigalit --- Ulay --- Abramovic, Marina --- Fulton, Hamish --- Beuys, Joseph --- Nippoldt, Astrid --- Oschatz, Julia --- Ramírez Jonas, Paul --- Rovner, Michal --- Samadian, Seifollah --- Long, Richard --- Verbeek, Jan --- Vincourová, Katařina --- Beckett, Samuel --- Hatoum, Mona --- Claerbout, David --- Viola, Bill --- Kentridge, William --- Eliasson, Olafur --- Walther, Franz Erhard --- Nauman, Bruce --- Rist, Pipilotti --- Doherty, Willie --- Oursler, Tony --- Whiteread, Rachel --- Zittel, Andrea --- Almeida, Helena --- anno 1980-1989 --- anno 1990-1999 --- anno 2000-2009
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Art --- art history --- mythology [literary genre] --- Nature --- place [distinct area] --- cities --- nomadism --- public spaces --- philosophy of art --- imaginary places --- kunstsociologie --- kunst en politiek --- kunst in de openbare ruimte --- territorium (woongebied) --- landscapes [representations] --- Starling, Simon --- Komar, Vitaly --- Chodzko, Adam --- Noble, Paul --- Rooij, de, Willem --- Gussin, Graham --- Finlay, Ian Hamilton --- Cardiff, Janet --- Deller, Jeremy --- Hiller, Susan --- McQueen, Steve --- Michailov, Boris --- Wilson, Jane --- Wilson, Louise --- Tuymans, Luc --- Arnold, Liz --- Coley, Nathan --- Cruz, Juan --- Rijke, de, Jeroen --- Dickinson, Rod --- Dolven, A.K. --- Hughes, Stephen --- Hugonnier, Marine --- Akerman, Chantal --- Maris, Alexander & Susan --- Nguyen-Hatsushiba, Jun --- Penalva, Joao --- Prendergast, Kathy --- Salomone, Yvan --- Šarčević, Bojan --- Shimabuku, Michihiro --- Sinclair, Ross --- Tronvoll, Mette --- Vaughan, David --- Hausswolff, von, Carl Michael --- Maltzahn, von, Katrin --- Moreton, Guy --- Horn, Roni --- Aitken, Doug --- Graham, Dan --- Douglas, Stan --- Cattelan, Maurizio --- Eliasson, Olafur --- Demand, Thomas --- Fischli, Peter --- Gillick, Liam --- Graham, Rodney --- Kingelez, Bodys Isek --- Sala, Anri --- Schneider, Gregor --- Tiravanija, Rirkrit --- Weiss, David --- Alÿs, Francis --- Huyghe, Pierre --- Cross, Dorothy --- Doherty, Willie --- Elggren, Leif --- Huebler, Douglas --- Struth, Thomas --- Evans, Cerith Wyn --- Gonzalez-Foerster, Dominique --- Lockhart, Sharon --- Koester, Joachim --- Sekula, Allan
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