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Obwohl es "die Zeit" nicht gibt, ordnet sich doch alles, was wir erleben, zeitlich. Auch die großen Schlagworte unserer Tage betreffen allesamt von zeitlichen Herausforderungen: Nachhaltigkeit, Resilienz, Transformation, Zeitenwende. Dieses Buch handelt davon, was Zeitliches ausmacht, warum sich die Wirklichkeit zeitlich ordnet und was das mit der wechselseitigen Taktung von Ereignissen und Autonomieerfahrungen zu tun hat. Es werden Missverständnisse aufgelöst, indem aufgezeigt wird, inwiefern es "die Zeit" nicht gibt, es oftmals sogar leidvolle bis hin zu pathologischen Konsequenzen mit sich bringt, wenn Zeit als Gegenstand oder Ressource betrachtet wird. Es ist ein Buch über den Vergleich von Abläufen und darüber, was es bedeutet, wenn Ereignisse miteinander im Takt sind, und wie sie durch Wiederholung und Variation Bedeutung gewinnen und damit "intakt" wirken. Musik und vor allem das Hören dienen als Modelle, um diese allgemeinen zeitlichen Struktureigenschaften der Wirklichkeit begrifflich anklingen zu lassen. Darüber hinaus regen Hyperlinks zu konkreten Hörbeispielen dazu an, sich direkt auch auf besondere Erfahrungen von Zeit einzulassen. - Ein Buch für all diejenigen, die Grundlegendes über Zeit nicht nur lesen wollen, sondern sich im Idealfall auch für einen taktvollen Umgang mit Zeit motivieren lassen möchten. This volume shows why it is misleading to view time as an object, exploring the insights that can be gained from analogies between sequences and by comparing event timings. Incorporating extensive references to music and, more broadly, to the act of listening provides illuminating glimpses into these fundamental structural properties of reality.

MUSIC / Instruction & Study / General. --- Experience. --- Music. --- Philosophy of music. --- Time perception.

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This book explores the profound and ancient relationship between music and astronomy. Throughout history, Music has occupied a significant place among the disciplines of the Quadrivium, which also include Geometry, Arithmetic, and Astronomy. The captivating bond between these two realms has not only inspired eminent scientists like Kepler, Newton, and Einstein, but has also captured the imagination of NASA and astronauts in modern times. The author delves into various aspects of the intersection between music and astronomy, encompassing everything from ancient cosmological beliefs to groundbreaking discoveries such as the cosmic background radiation and gravitational waves. This enthralling theme has not only stimulated renowned artists like David Bowie and Elton John, but has also served as a muse for movies like Close Encounters of the Third Kind. Within the book, readers will find an extensive photo gallery and a specially curated soundtrack that enhances the reading experience. It caters to a broad audience, appealing to those with a general interest in both music and astronomy, as well as to specialized individuals in either field of study.

Music. --- Music --- Astronomy. --- Anthropology and the arts. --- Mathematics in Music. --- Philosophy of Music. --- Astronomy, Cosmology and Space Sciences. --- Anthropology of the Arts. --- Mathematics. --- Philosophy and aesthetics.

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Music --- muziek --- Arts and Humanities --- General and Others --- Performing Arts, Travel and Leisure --- Periodicals --- music --- historical musicology --- ethnomusicology --- music theory --- philosophy of music --- Musicology --- Musicologie --- Musicology. --- Muziekwetenschap. --- Musikwissenschaft --- Musical research --- Research, Musical --- Popular music --- Musikgeschichte --- Research --- Historiography

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What if sounds everywhere lavish divine generosity? Merging insights from Jean-Luc Marion with musical ingenuity from Pierre Boulez and John Cage’s 4’33”, Gerald C. Liu blends the phenomenological, theological, and musical to formulate a hypothesis that in all places, soundscapes instantiate divine giving without boundary. He aims to widen apprehension of holiness in the world, and privileges the ubiquity of sound as a limitless and easily accessible portal for discovering the inexhaustible magnitude of divine giving. .

Music --- God (Christianity) --- Generosity --- Religious aspects --- Christianity. --- Giving --- Magnanimity --- Christianity --- Trinity --- Theology. --- Phenomenology . --- Music—Philosophy and aesthetics. --- Christian Theology. --- Phenomenology. --- Philosophy of Music. --- Philosophy, Modern --- Christian theology --- Theology --- Theology, Christian --- Religion

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This book provides a multifaceted view on the relation between the old and the new in music, between tradition and innovation. This is a much-debated issue, generating various ideas and theories, which rarely come to unanimous conclusions. Therefore, the book offers diverse perspectives on topics such as national identities, narrative strategies, the question of musical performance and musical meaning. Alongside themes of general interest, such as classical repertoire, the music of well-established composers and musical topics, the chapters of the book also touch on specific, but equally interesting subjects, like Brazilian traditions, Serbian and Romanian composers and the lullaby. While the book is mostly addressed to researchers, it can also be recommended to students in musicology, ethnomusicology, musical performance, and musical semiotics.

Semiotics --- Philosophy --- Sociology of cultural policy --- Didactics of the arts --- Music --- cultureel erfgoed --- muziekfilosofie --- semiotiek --- kunstonderwijs --- creativiteit --- Cultural property. --- Art --- Semiotics. --- Philosophy of Music. --- Cultural Heritage. --- Art History. --- Creativity and Arts Education. --- Philosophy and aesthetics. --- History. --- Study and teaching.