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"In this important new survey, Catherine Wood proposes performance not as a genre of art separate from object-making but as an attitude that has infiltrated the entire terrain of contemporary art. From the musical-theatricals of Marvin-Gaye Chetwynd to the public encounters created by Tino Seghal and the social activism of Tania Bruguera, a hugely divergent set of practices has emerged in the past twenty to thirty years which embrace the worlds of sculpture and painting, spectacle and protest. Examining in turn individual, social and object-based approaches in the field, Wood first examines the influential performance art of the 1960s to 1980s: the body art of the Viennese actionists; the raw performances of Yoko Ono and Chris Burden; and the experiments of the Japanese Gutai group among others. She then explores how these sources have been revisited, reformed or rejected by contemporary artists in the twenty-first century. This impressive book encompasses international artists who fall outside the traditional European and North American focus, giving the reader the broadest and most up-to-date insight into the subject yet published."--Amazon.com.

Kunst --- performances [live] --- levende sculptuur --- Performance art. --- Performance art --- History. --- Performance artists --- Artists and theater --- Arts, Modern --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- lichamelijkheid --- 7.038/039 --- activisme --- kunst en politiek --- performances --- Artists and the theater --- Theater and artists --- Theater --- Artists --- Happenings (Art) --- Performing arts --- History --- Artists and theater. --- Arts, Modern. --- Performance artists. --- 1900-2099. --- Art --- performance art --- living sculpture

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In the vibrant downtown Manhattan art scene of the late 1970s and early 1980s, the Taiwanese-American artist Tehching Hsieh made a series of extraordinary performance art works. Between September 1978 and July 1986, Hsieh realized five separate one-year-long performance pieces in which he conformed to simple but highly restrictive rules throughout each entire year. Through the course of these lifeworks, Hsieh moved from a year of solitary confinement in a sealed cell to a year in which he punched a worker's time clock in his studio every hour on the hour to a year spent living without shelter in Manhattan to a year in which he was tied by an eight-foot rope to the artist Linda Montano and finally to a year of total abstention from all art activities and influences. These works were unparalleled in terms of their use of physical difficulty over extreme durations and in their absolute conception and enactment of art and life as simultaneous processes.

Hsieh, Tehching --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldende kunst ; 2de helft 20ste eeuw ; Tehching Hsieh --- Performances ; zeer langdurige ; jarenlange --- Conceptuele kunst --- Tijd ; in de kunst --- Kunst en kunstenaar ; extreme symbiose --- Hsieh, Teching (Sam) °1950 (°Nan-Chou, Pingtung County, Taiwan). Leeft en werkt in New York --- Kunst --- kunst --- performances [live] --- anno 1900-1999 --- anno 2000-2099 --- Taiwan --- Verenigde Staten van Amerika --- Art --- art [fine art] --- performance art --- United States --- art [discipline] --- United States of America

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"It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has been further argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present. Among the subjects it discusses are abjection and the "informe," or formless; pornography and the obscene; the performativity of gender and sexuality; and the role of sexuality in forging radical art or curatorial practices in response to such issues as state-sponsored repression and anti-feminism in the broader social realm." -- Publisher's description

politics --- performance art --- philosophy of art --- hedendaagse kunst --- theme --- seksualiteit --- Contemporary [style of art] --- longing --- pornography --- thema's in de kunst --- Art --- sexuality --- Sex and art --- Art, Modern --- Psychology --- Sex and art. --- Psychology. --- 7.041 --- Iconografie ; de mens, portretten --- Thema's in de kunst ; seksualiteit ; erotiek --- Beeldende kunst ; 20ste en 21ste eeuw --- Gender Studies --- Sexualité --- Bourgeois, Louise --- Acconci, Vito --- Alloway, Lawrence, 1926-1989 --- Chicago, Judy --- Crimp, Douglas --- Delvoye, Wim --- Duchamp, Marcel --- Foucault, Michel --- Krauss, Rosalind --- Mccarthy, Paul --- Marcuse, Herbert --- Mekas, Jonas --- Michelson, Annette --- Neshat, Shirin --- Opie, Catherine, --- Sontag, Susan --- Minh-ha, Trinh T. --- Kunst --- politiek --- pornografie --- performances [live] --- thema --- kunstfilosofie --- verlangen --- anno 1900-1999 --- anno 2000-2099 --- kunst --- 130.2 --- 7.039 --- 7.01 --- homoseksualiteit --- performance --- cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- erotiek --- gender studies --- Foucault, Michel, --- seksualiteit in de kunst --- Art, Modern. --- Sexualität. --- Kunst. --- 1900 - 2099. --- Foucault, Michel, 1926-1984 --- Opie, Catherine, 1961 --- -Sontag, Susan --- lichaam (van de mens) --- Artists --- Pornography --- Sexuality --- Book --- Eroticism