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Theater --- Philosophy. --- Theatrical science --- performances [creative events] --- Philosophy

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Theatrical science --- comedy [genre] --- performances [creative events] --- comedy [general genre]

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Theatrical science --- performances [creative events] --- performances (kunst) --- theater

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This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It argues that despite the wide variety of philosophical, ontological, epistemological, historical and methodological differences across the field of phenomenology, certain tendencies and impulses are required for an investigation to stand as truly phenomenological. These include: description of experience; a move towards fundamental conditions or underlying essences; and an examination of taken-for-granted presuppositions. The book is aimed at scholars and practitioners of performance looking to deepen their understanding of phenomenological concepts and methods, and philosophers concerned with issues of embodiment, performativity and enaction.

Philosophy --- Theatrical science --- performances [creative events] --- theater --- filosofie --- existentialisme

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"In an emergent field on the brink of its own institutionalization, the book comes as a refreshing reminder of what kind of changes a performance-oriented thinking could bring about." - Emmanuel Alloa, Assistant Professor for Cultural Theory and Philosophy, University of St. Gallen, Switzerland This book offers a glimpse of new perspectives on how philosophy performs in the gaps between thinking and acting. Bringing together perspectives from world-renowned contemporary philosophers and theorists – including Judith Butler, Alphonso Lingis, Catherine Malabou, Jon McKenzie, Martin Puchner, and Avital Ronell – this book engages with the emerging field of Performance Philosophy, exploring the fruitful encounters being opened across disciplines by this constantly evolving approach. Intersecting dramatic techniques with theoretical reflections, scholars from diverse geographical and institutional locations come together to trace the transfers between French Theory and contemporary Anglo-American philosophical and performance practices in order to challenge conventional approaches to knowledge. Through the crossings of different voices and views, the reader will be led to explore the in-between territories where performance meets traditionally philosophical tools and mediums, such as writing, discipline, plasticity, politics, or care.

Philosophy --- Theatrical science --- performances [creative events] --- theater --- filosofie