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Versions of Hamlet: Poetic Economy on Page and Stage takes a fresh look at an old textual problem: Instead of arguing the case for one of the three early Hamlet texts as »the one«, the book presents a new analytical approach which allows us to see different Hamlet versions and the interpretations emerging from them side by side.Using a corpus which not only includes the three early printed texts but also 24 stage versions of the play, the book introduces an analytical method based on an assumption voiced by writers through the ages, namely that every part of a literary work belongs to a functional whole. Apart from making the relation between textual alterations and changing interpretations of the Hamlet texts visible, this study is the first to present a systematic overview of this principle of »poetic economy«.

ambiguity --- early modern drama --- Hamlet prompt books --- performance history --- Shakespeare --- textual alterations --- textual versions

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Le mot "théâtre" désigne tout à la fois une pratique et un lieu. Exercé par des professionnels ou des amateurs, il peut investir des espaces très divers ; édifice, il est souvent le point fort d'une ville et de son histoire architecturale. Lieux-repères, les théâtres favorisent l'échange, l'expression, la pensée et la mémoire. Ils contribuent à la construction de la citoyenneté et de la culture. Leurs affectations différentes, leurs changements de noms et de propriétaires, leurs programmations, leurs scandales et leurs succès écrivent, avec elles ou contre elles, l'histoire des villes. Ce sont ces diversités que cet ouvrage se propose d'aborder.

Théâtre --- Spectacles de rue --- Production et mise en scène --- Histoire --- Theater --- Street theater --- Production and direction --- History --- Street performance --- Histoire. --- Theater - Production and direction - History --- Street performance - History --- Théâtre --- Production et mise en scène

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Trumpet. --- Trumpet music --- Trumpet --- History and criticism. --- Performance --- History. --- -Trumpet --- -Bass trumpet --- Natural trumpet --- Piccolo trumpet --- Slide trumpet --- Valve trumpet --- Brass instruments --- Recorded accompaniments (Trumpet) --- History and criticism --- -History and criticism --- -History --- Bass trumpet --- Performance&delete& --- History --- Trumpet music - History and criticism. --- Trumpet - Performance - History.

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This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, aswell as to anyone interested in the theory and practice of adaptation.

Harley Erdman is Professor of Theater at the University of Massachusetts, Amherst

Susan Paun de García is Professor of Spanish at Denison University.

Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R. Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco Garcia Vicente, Alejandro Gonzalez Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de Garcia, Felipe B. Pedraza Jimenez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey

Spanish drama --- Theater. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Theater --- History and criticism. --- History. --- Spanish literature --- Adaptation theory. --- Adaptation. --- Comedias. --- Dramatic genres. --- Films. --- Harley Erdman. --- Musicals. --- Opera. --- Performance history. --- Puppetry. --- Re-envisioned. --- Reinvented. --- Spanish Golden Age theatre. --- Susan Paun de García. --- Theater practitioners.

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This study of French early music revival gives us a vivid sense of how the cultural meanings of music were contested in the 19th century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.

Music --- National characteristics, French. --- Musique --- Caractéristiques nationales françaises --- History and criticism. --- Performance --- History. --- Histoire et critique --- Exécution --- Histoire --- Nationalism in music. --- Nationalism and music --- National music --- French national characteristics --- History and criticism --- France --- 19th century --- History --- National characteristics [French ] --- Nationalism in music --- oude muziek --- anno 1800-1899 --- 78.53 --- National characteristics, French --- Music - France - 19th century - History and criticism --- Music - Performance - History