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Les écrivains afro-américains participent volontiers à des colloques consacrés à leur œuvre en Europe, au motif que les chercheurs de ce côté de l'Atlantique s'intéressent à des aspects textuels fréquemment laissés de côté par les lecteurs étasuniens. Les essais rassemblés dans le présent volume découlent d'une réunion soutenue par le Conseil Scientifique de l'Université de Tours. D'autres essais furent sollicités par la suite afin que le présent volume soit, autant que faire se pouvait, à jour des nouvelles publications de l'auteur. Nous remercions Percival Everett de sa précieuse collaboration lors des débats, et de la longue interview qu'il nous a autorisés à transcrire ici. African-American writers willingly attend European symposiums dealing with their work because scholars here focus on textual aspects American readers frequently leave aside. The essays collected here arose on the occasion of such a symposium sponsored by the Conseil Scientifique de l'Université François-Rabelais de Tours. Other essays were commissioned later in order to make the collection as complete as possible when new books came out. We wish to thank Percival Everett for his enlightening collaboration during the debates, as well as for the long interview he has allowed us to transcribe here.
Literary Theory & Criticism --- Literature American --- Percival Everett --- littérature de langue anglaise --- littérature --- États-Unis --- United States --- literature --- English literature
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"This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the university plays in contemporary literary fiction is becoming increasingly complex and metafictional, moving far beyond the 'campus novel' of the mid-twentieth century. Martin Paul Eve's engaging and far-reaching study explores the novel's contribution to the ongoing displacement of cultural authority away from university English. Spanning the works of Jennifer Egan, Ishmael Reed, Tom McCarthy, Sarah Waters, Percival Everett, Roberto Bolaño and many others, Literature Against Criticism forces us to re-think our previous notions about the relationship between those who write literary fiction and those who critique it."--Publisher's website.
Literature --- Fiction --- Criticism --- Popular literature --- Study and teaching (Higher) --- Authorship. --- History and criticism. --- Appraisal of books --- Books --- Evaluation of literature --- Literary style --- Fiction writing --- Writing, Fiction --- Authorship --- Appraisal --- Evaluation --- History and criticism --- Theory, etc. --- university english --- roberto bolaño --- ishmael reed --- contemporary fiction --- sarah waters --- metafiction --- jennifer egan --- tom mccarthy --- percival everett --- academia --- Literary criticism --- Postmodernism
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This book is a full-length study of contemporary American fiction of 'passing'. It takes as its point of departure the return of racial and gender passing in the 1990s in order to make claims about wider trends in contemporary American fiction.
American fiction --- Passing (Identity) in literature. --- Ethnicity in literature. --- Gender identity in literature. --- American literature --- History and criticism. --- 21st century --- History and criticism --- Passing (Identity) in literature --- Ethnicity in literature --- Gender identity in literature --- Erdrich, Louise --- Eugenides, Jeffrey --- Senna, Danzy --- Roth, Philip --- Beatty, Paul --- Literature --- Literature: History & Criticism --- LITERARY CRITICISM / American / General --- Literature: history & criticism --- American fiction. --- Louise Erdrich. --- Percival Everett. --- Phillip Roth. --- authorship. --- black subjects. --- identity. --- passing. --- postmodernism. --- textuality.
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