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How can performing be transformed into cognition? Knowing in Performing describes dynamic processes of artistic knowledge production in music and the performing arts. Knowing refers to how processual, embodied, and tacit knowledge can be developed from performative practices in music, dance, theatre, and film. By exploring the field of artistic research as a constantly transforming space for participatory and experimental artistic practices, this anthology points the way forward for researchers, artists, and decision-makers inside and outside universities of the arts.

Artistic Research; Music; Performing Arts; Participatory Art; Theatre; Science; Theatre Studies; Musicology; Cultural Theory --- Cultural Theory. --- Music. --- Musicology. --- Participatory Art. --- Performing Arts. --- Science. --- Theatre Studies. --- Theatre.

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Art --- installations [visual works] --- Kinetic Art --- participatory art --- Parc, le, J.

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Philosophy --- Sculpture --- philosophy --- creativity --- wood [plant material] --- ruimtelijke kunst --- installatiekunst --- participatory art --- filosofie --- creativiteit --- Quinze, Arne --- Nevada --- Nevada [state]

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In 2016 the artist Kristof Van Gestel (1976) started work as artist in residence at S.M.A.K. in Ghent for a year. This publication provides a photographic record of the last part of his residency: organising and displaying an experiential and experimental participative work of art in the museum named 'Idiosyncratic Machine'. In addition to the photographic report by Kurt Stockman and Dirk Pauwels of 'Idiosyncratic Machine', Philippe Van Cauteren, Jeroen Peeters, Tijl Bossuyt, Isabelle De Baets, Hidde Van Schie and Kristof Van Gestel explain and demonstrate the meaning of both the process of the IM as a participatory method and artwork as well as of its development and establishment in the museum. The image section in the book can serve as a guide for the reader to activate the 'Idiosyncratic Machine' himself.

Van Gestel, Kristof --- graphic arts --- Gestel, Van, Kristof --- Interactive art --- Gestel, Kristof van, --- Van Gestel, Kristof, --- Criticism and interpretation. --- Participatory art --- Performance art --- Social practice (Art)

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Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.

Art and technology. --- Interactive art. --- Participatory art --- Performance art --- Social practice (Art) --- Technology and art --- Technology --- Art and technology --- Interactive art