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This book discusses the idea of 'yellow peril' which is a pervasive racist idea in Western culture-dating back to the brth of European colonialism during the Enlightenment.
Asian Americans in popular culture --- Asian Americans --- Xenophobia --- Racism --- S02/0310 --- S38/1600 --- S38/1730 --- Zenophobia --- Phobias --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Critical race theory --- Race relations --- Asians --- Ethnology --- Popular culture --- History --- China: General works--Intercultural dialogue --- Works not related to China and the Far East--Literature and theatrical art: general --- Works not related to China and the Far East--Painting and sculpture (incl. statues) --- United States --- Social problems --- International relations. Foreign policy
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van Orley, Barend ; Floris, Frans ; van Elburcht, Hans ; Francken, Frans II ; Francken, Ambrosius ; van Veen, Otto ; de Vos, Maerten ; van Noort, Adam ; Wolffort, Artus ; van Balen, Hendrik
Religious architecture --- painting [image-making] --- Renaissance --- Painting --- Baroque --- barokkunst --- schilderkunst --- renaissance schilderkunst --- Cathedral of Our Lady [Antwerp] --- anno 1600-1699 --- anno 1500-1599 --- Antwerp --- Koninklijk Museum voor Schone Kunsten Antwerpen --- Onze-Lieve-Vrouwe-kathedraal (Antwerpen) --- restauratie --- 17de eeuw --- Antwerpen, Onze-Lieve-Vrouwekathedraal --- Royal Museum of Fine Arts [Antwerp] --- S38/1730 --- Works not related to China and the Far East--Painting and sculpture (incl. statues) --- Koninklijk Museum voor Schone Kunsten Antwerpen. --- Onze-Lieve-Vrouwe-kathedraal (Antwerpen). --- restauratie. --- 17de eeuw. --- Metsijs, Quinten --- Rubens, Peter Paul --- Rubens, Peter Paul.
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This engrossing memoir brings to vivid life the behind-the-scenes struggles of Marcia Tucker, the first woman to be hired as a curator at the Whitney Museum of American Art and the founder of the New Museum of Contemporary Art in New York City. Tucker came of age in the 1960s, and this spirited account of her life draws the reader directly into the burgeoning feminist movement and the excitement of the New York art world during that time. Her own new ways of thinking led her to take principled stands that have changed the way art museums consider contemporary art. As curator of painting and sculpture at the Whitney, she organized major exhibitions of the work of Lee Krasner, Joan Mitchell, Robert Morris, Bruce Nauman, and Richard Tuttle, among others. As founder of the New Museum of Contemporary Art, she organized and curated groundbreaking exhibitions that often focused on the nexus of art and politics. The book highlights Tucker's commitment to forging a new system when the prevailing one proved too narrow for her expansive vision.
Art critics - United States. --- Art critics -- United States -- Biography. --- Art museum curators - United States. --- Art museum curators -- United States -- Biography. --- Tucker, Marcia. --- Art museum curators --- Art critics --- Visual Arts - General --- Visual Arts --- Art, Architecture & Applied Arts --- Art curators --- Curators, Art museum --- Art museums --- Museum curators --- Employees --- Silverman, Marcia --- 1960s. --- american art. --- art and politics. --- art fanatics. --- art lovers. --- art world. --- art. --- artists. --- behind the scenes. --- biography autobiography. --- career. --- contemporary art. --- engaging. --- female authors. --- feminist movement. --- life changes. --- major exhibitions. --- memoir. --- modern art. --- money and power. --- museum curator. --- museums. --- new museum of contemporary art. --- new york art. --- new york city. --- new york. --- nonfiction. --- painting and sculpture. --- paintings. --- retrospective. --- wealth. --- women.
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