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Singen : Diana Damrau, Anja Harteros, Jonas Kaufmann und viele andere geben Auskunft
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ISBN: 9783826064074 Year: 2018 Publisher: Würzburg Verlag Königshausen & Neumann

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World's best tenors
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ISBN: 9783950295641 Year: 2016 Publisher: Perchtoldsdorf Opera Rifko Verlag

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Divas : parcours d'un mythe
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ISBN: 2868691013 9782868691019 Year: 1986 Publisher: Arles: Actes Sud,

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Deux siècles à l'Opéra (1669-1868) : chronique, anecdotique, artistique, excentrique, pittoresque et galante
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Year: 1868 Publisher: Paris E. Dentu, éditeur

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Remaking the song
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ISBN: 1282357654 9786612357657 0520931785 1598759469 9780520931787 1423766636 9781423766636 9781598759464 9780520244184 0520244184 9781282357655 Year: 2006 Publisher: Berkeley, Calif. University of California Press

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Opera performances are often radically inventive. Composers' revisions, singers' improvisations, and stage directors' re-imaginings continually challenge our visions of canonical works. But do they go far enough? This elegantly written, beautifully concise book, spanning almost the entire history of opera, reexamines attitudes toward some of our best-loved musical works. It looks at opera's history of multiple visions and revisions and asks a simple question: what exactly is opera? Remaking the Song, rich in imaginative answers, considers works by Handel, Mozart, Donizetti, Verdi, Wagner, Puccini, and Berio in order to challenge what many regard as sacroscant: the opera's musical text. Scholarly tradition favors the idea of great operatic texts permanently inscribed in the canon. Roger Parker, considering examples ranging from Cecilia Bartoli's much-criticized insistence on using Mozart's alternative arias in the Marriage of Figaro to Luciano Berio's new ending to Puccini's unfinished Turandot, argues that opera is an inherently mutable form, and that all of us-performers, listeners, scholars-should celebrate operatic revisions as a way of opening works to contemporary needs and new pleasures.

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