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Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their workshops. However, technical studies often also reveal complex working methods, while new scientific imagery sometimes challenges accepted attributions and instigates reconsiderations of traditional attributions. The XIXth symposium for the Study of Underdrawing and Technology in Painting which was held in Bruges on 11-13 September 2014 was dedicated to technical studies of paintings: problems of attribution (15th-17th centuries). It focussed on the various ways in which technical studies can provide answers to the often complex issue of attribution and will discuss the challenges that art historians face in proposing conclusive theories. This book captures the variety of twenty-four papers presented at the symposium.
Schilderkunst --- toeschrijven --- ondertekeningen --- materiaaltechnisch onderzoek [kunst] --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Painting, Renaissance --- Painting, European --- Underdrawing --- Peinture de la Renaissance --- Peinture européenne --- Attribution --- Congresses. --- Expertising --- Congrès. --- Expertise --- Drawing --- Painting --- European painting --- Paintings, Renaissance --- Renaissance painting --- Technique --- Dessin sous-jacent --- Congrès --- attribution --- underdrawings --- technical art history --- Conferences - Meetings --- Peinture européenne --- Painting, Renaissance - Attribution - Congresses --- Painting, European - Attribution - Congresses --- Painting, Renaissance - Expertising - Congresses --- Painting, European - Expertising - Congresses --- Underdrawing - Europe - Congresses --- Peinture de la Renaissance - Attribution - Congrès --- Peinture européenne - Attribution - Congrès --- Peinture de la Renaissance - Expertise - Congrès --- Peinture européenne - Expertise - Congrès
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underdrawings --- Art --- infrared reflectography --- tempera --- pentimenti --- lacquerware --- Rubens, Peter Paul --- Royal Museum of Fine Arts [Antwerp] --- Painting, Flemish --- Peinture flamande --- Rubens, Peter Paul, --- Criticism and interpretation. --- Koninklijk Museum voor Schone Kunsten (Belgium) --- Catalogs --- Rubens, Pieter Paul --- voorstudies --- pigmenten --- schildertechnieken --- Exhibitions --- Exhibitions. --- Flemish painting --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Antwerp (Belgium). --- Museum van Schoone Kunsten (Antwerp, Belgium) --- Museum voor Schone Kunsten (Antwerp, Belgium) --- Royal Museum of Antwerp --- Antwerp. --- Musée royal des beaux-arts (Belgium) --- Royal Museum of Fine Arts (Belgium) --- KMSK --- Museu de Belas-Artes de Antuérpia --- Musée royal d'Anvers --- Musée royal des beaux-arts d'Anvers --- Koninklijk Museum voor Schone Kunsten Antwerpen --- KMSKA --- Königliches Museum für Schöne Künste zu Antwerpen --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Criticism and interpretation --- Koninklijk Museum voor Schone Kunsten (Antwerpen) --- Painting [Flemish ] --- 16th century --- 17th century --- Kunst --- ondertekeningen --- lakwerk --- infraroodreflectografie --- Koninklijk Museum voor Schone Kunsten [Antwerpen] --- departement Beeldende Kunst 10 --- schilderkunst 16-17e eeuw --- Antwerp (Belgium). Koninklijk Museum van Schoone Kunsten --- Antwerp. Musée royal des beaux-arts --- Antwerp (Belgium). Musée royal des beaux-arts --- Antwerp (Belgium). Royal Museum --- Koninklijk Museum van Schone Kunsten Antwerpen --- voorstudie --- voorstudie. --- pigmenten. --- schildertechnieken. --- Rubens, Peter Paul. --- vergroten van een paneel
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